The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

Learn more


Member Blogroll

Nancy Bishop reviews Chicago theater for and for her own blog.

 Gail Burns in Gail Sez writes about theatre in the Berkshires of western Mass and adjacent areas of Vermont and NY.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

Mike and Laura Clark edit covering all types of theatre in Washington DC, Baltimore, and St. Louis including reviews, interviews, as well as audition and performance calendars.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Karen D’Souza writes reviews, features and blog for the San Jose Mercury News.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Randy Gener blogs on arts, culture and world theater in In the Theater of One World.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.


Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.  


Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Tim Treanor  is the Senior Reviewer for DC Theatre Scene, Washington, D.C.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.


Click to Learn More & Register


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See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)



The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)

ATCA’s 2016 annual conference is slated for Philadelphia, April 6-10, 2016. The host hotel is the Marriott Courtyard on Juniper Street, across from City Hall, at $149 a night. Five productions and maybe six! … and much more; details soon.


The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.


{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

As if he foresaw a future of blogging:
“No man but a blockhead ever wrote, except for money.” — Samuel Johnson, quoted in Boswell’s Life 

Why do it?
“Ultimately, our responsibility is not to the emotional well being of a specific artist.  Our responsibility is to the reader, the art form and our work. In so doing, I believe, we pay the artist respect. Our honesty and standards are an argument that the art they make matters.” — Jason Zinoman, at ATCA/CATF, 2013

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.

Past Conferences

2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes


Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past logos


Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two



March 27, Louisville, KY — Bill Cain’s “Equivocation” is the winner Playwright Bill Cainof the $25,000 2010 Harold and Mimi Steinberg/ATCA New Play Award. The largest such prize in the country, the Steinberg/ATCA recognizes the best American scripts which premiered professionally in the award year (2009) outside New York City.

The Steinberg/ATCA and two additional citations were presented March 27 at Actors Theatre of Louisville during the Humana Festival of New American Plays. Cain received a commemorative plaque and a cash prize of $25,000. The two citations, including plaques and $7,500 each, went to “Time Stands Still,” by Donald Margulies, and “Legacy of Light,” by Karen Zacarías.

“The long-standing partnership between the Harold and Mimi Steinberg Charitable Trust and the American Theatre Critics Association has recognized some of today’s greatest writers, and helped identify the great playwrights of tomorrow,” said trustee Jim Steinberg. “We’re delighted to help support the unique telling of tales on the American stage.”

Steinberg and ATCA chair Chris Rawson together presented the plaques and checks. But first, Rawson presented ATCA’s M. Elizabeth Osborn Award (which had been announced several days earlier) to Jason Wells. In accepting, Wells preemptively apologized that his next play may have a theater critic as the antagonist. Then came the Steinberg/ATCA Award and Citations. Actors Theatre’s Marc Masterson accepted for Margulies and Arena Stage’s Molly Smith for Zacarías. Cain had flown in from San Francisco to accept in person.

His “Equivocation” is a highly-theatrical fantasy that mixes wry comedy and shattering drama. King James’ ruthless prime minister commissions Shakespeare’s company to write and perform the official (and highly suspect) government account of Guy Fawkes’ Gunpowder Plot. Shakespeare becomes increasingly skeptical, forced to weigh the relationship of art to government and artists’ personal responsibility to truth. It premiered April 18, 2009, at the Oregon Shakespeare Festival, later played at Seattle Repertory Theatre and is just completing a 2010 New York run at the Manhattan Theater Club.

Critic Misha Berson of The Seattle Times called it, “compelling fiction in its rich marbling of literary lore and a timely, astute portrayal of religious bigotry, political exploitation of terrorism and other burning matters. An erudite historical drama demanding three hours of your time, and many of your brain cells, is a rare property in the American theater. And in this case, a welcome one.”

Zacarías’ “Legacy of Light” was described by one critic as “an intellectual joyride” examining two women, an 18th century scientist and a 21st century astrophysicist, balancing their yearning for professional fulfillment and the complications of impending motherhood. The work premiered May 8, 2009, at Arena Stage in Washington, D.C.

Margulies’ “Time Stands Still” portrays married journalists trying to recover from the emotionally and physical damage wreaked during their coverage of the war-torn Middle East. They must weigh their socially important role against the seemingly irreconcilable quest for a normal life back home. It premiered at the Geffen Playhouse in Los Angeles on Feb. 11, 2009, and is also just completing a 2010 N.Y. run.

No play is eligible for the Steinberg/ATCA if it goes on in the same award year to a production in New York.

The winners were selected from plays nominated by ATCA members and evaluated by a committee of 13 theater critics. For the six finalists, click here. The jury was chaired by Wm. F. Hirschman of the South Florida Sun-Sentinel. Other committee members were Misha Berson, Seattle Times; Bruce Burgun, Bloomington Herald Times and Back Stage; Michael Elkin, Jewish Exponent (Pa.); Jay Handelman, Sarasota Herald-Tribune; Pam Harbaugh, Florida Today (Melbourne, FL); Leonard Jacobs, Editor, The Clyde Fitch Report; Elizabeth Keill, Independent Press (Morristown, N.J.); Elizabeth Maupin, Orlando Sentinel; Wendy Parker, The Village Mill (Midlothian, Va.); Michael Sander, Back Stage (Minn.); Herb Simpson, (Rochester, N.Y.) and Tim Treanor, DC Theater Scene (Washington, D.C.)

“Once again, America’s regional theaters from Sarasota to Seattle proved themselves as important a source for vibrant and important new work as the five boroughs of New York City,” said Hirschman. “The nominated plays reflected an encouraging range of well-known names and newcomers, young voices and mature talents, the mainstream drama and the surreal. Themes of integrity and responsibility suggest that issues facing humanity one, two, even three centuries ago, still echo for the 21st Century with a deafening resonance.”

The New Play Awards began in 1977, when ATCA started to cite each year one new play produced outside New York City. In 2000, the award was renamed to recognize the Steinberg Foundation’s generous annual gift, which was raised to $40,000 in 2006. Honorees have included Lanford Wilson, Marsha Norman, August Wilson, Jane Martin, Arthur Miller, Mac Wellman, Adrienne Kennedy, Lynn Nottage, Horton Foote, Moises Kaufman and Craig Lucas. Last year’s honoree was E. M. Lewis for “Song of Extinction.” Each year’s winning plays are chronicled in The Best Plays Theater Yearbook, edited by Jeffrey Eric Jenkins, alongside the 10 best plays produced that year in New York City. Click here for a complete list of the 83 plays cited from 1977 through 2009.

The Harold and Mimi Steinberg Charitable Trust was created in 1986 by Harold Steinberg on behalf of himself and his late wife. Pursuing its primary mission to support the American theater, it has provided grants totaling many millions of dollars to support new productions of American plays and educational programs for those who may not ordinarily experience live theater.

ATCA was founded in 1974 and works to raise critical standards and public awareness of critics’ functions and responsibilities. The only national association of professional theater critics who work for print, broadcast and online media, ATCA is a national section of the International Association of Theatre Critics, a UNESCO-affiliated organization. For more information on ATCA, use the menu in the upper left of this page.

ATCA also presents the M. Elizabeth Osborn Award, honoring emerging playwrights, and the Francesca Primus Prize, funded by the Francesca Ronnie Primus Foundation and honoring female artists who have not yet achieved national prominence. Annually it makes a recommendation for the Regional Theater Tony Award presented by the American Theatre Wing/Broadway League and votes on inductions into the Theater Hall of Fame.


CONTACTS: Christopher Rawson, ATCA Chair, Pittsburgh Post-Gazette, 412-216-1944,; Wm. F. Hirschman, ATCA New Plays Chairman, South Florida Sun-Sentinel, 954-478-1123,

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