ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

Learn more

Join ATCA

  

Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

 

 ATCA’s 2018 annual conference will be held July 10-15, 2018 at American Players Theatre, a classical repertory company in Spring Green, west of Madison, Wisconsin. ATCA members and guests can register here. 


 

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, ChicagoOnStage.com. Contact her here.

ALAN SMASON, New Orleans, has launched a new website, seeks to post reviews from legitimate critics country-wide.

JOEL MARKOWITZ received a moving radio tribute Dec. 21.

RICK PENDER, Cincinnati, OH, has signed a contract to assemble The Stephen Sondheim Encyclopedia, a comprehensive reference anticipated to be completed in late 2019.

For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 

 

 

After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).

   

 

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.

 

 

 

 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 


Past Conferences

.

New York Weekend Conference, November 3, 4 and 5, 2017. Details. 

.

San Francisco annual conference, 2017

  

 .

NYC weekend conference, 2016 (for reports and details, scroll down central column)



2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

.  
2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

 .

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

.

 

Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Thursday
Dec012011

David Hays inducted

Introduction of David Hays
Theater Hall of Fame, January 27, 2014 

My name is Julia Hays, David’s daughter, and I’ve known him all my life. His greatest professional pleasure has been to stick with directors and producers. 

He did nineteen productions with Jose Quintero, and began the O’Neill revival with him, starting with THE ICEMAN COMETH and LONG DAY’S JOURNEY INTO NIGHT. He designed sets and lighting for fifty Broadway plays, including Arthur Penn’s last two, Elia Kazan’s last two, and Tyrone Guthrie’s last four. He designed at the downtown and uptown Vivian Beaumont and for three seasons at Stratford.  He designed seven musicals and plays with Joe Layton. NO STRINGS was a landmark: before it, musicals changed sets behind curtains. Joe and my Dad brought in today’s system and now all changes are made in plain sight.

For those of you who like long runs, as an apprentice in London he did the original working drawings for THE MOUSETRAP.

He designed thirty ballets – sets and or lighting – for George Balanchine.  Through our front door came wonderful people, some before my brother and I went off to school.  Lincoln Kirstein, Madam Karinska, Peter Feller, and do you remember Lena Abarbanell, the great Merry Widow? She was brought here to create the role of Hansel at the Met. Dad designed for the Met as well. My mother Leonora was — always — ready with breakfast or whisky. We children reacted differently: I’ve been involved with theatre and television, my brother lives in the woods.

My father designed or consulted on theaters here and in Australia, and was Balanchine’s consultant for The New York State Theater. All this before he was thirty-five. He was a key player in the conception and launch of The O’Neill Theater Center, and a frequent panelist for the National Endowment for the Arts. He conceived and taught a course in the English Department at Harvard. He has six honorary degrees and many awards. Joseph Campbell chose him to speak at his 80th birthday celebration, and at a benefit he danced with Doctor Ruth.

He founded The  National Theatre of the Deaf,  and directed the company for thirty years. We have been told that our use of spoken and visual language at the same time was the only new theatre form of the last 75 years.

The deaf performers whose names you may know were discovered by him and trained at our school, which brought deaf students from all over the world. Actors from eleven countries, including Russia, China, Japan and India performed in the company.

We were the first company to perform in all fifty states.  In thirty years we made thirty-one foreign tours. The first theatre company into South Africa when the ban was lifted and then the first to perform in modern China. We  represented the United States in the 1984  Olympics. We appeared on all seven continents, yes, including Antarctica.

He voyaged with Dan, my brother, and they became the first Americans to round Cape Horn in a boat as small as twenty-five feet. Their book, MY OLD MAN AND THE SEA, became a best seller.  His 1988 book on stage lighting is still used as a theater text.  He continues to write and design.

I asked what gives him the most pride and he said it was being a father and grandfather.

— Julia Hays, January 2014