The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the, which can also be read at the Houston Chronicle and

Nancy Bishop is editor and publisher of Third Coast Review, a Chicago-centric arts and culture website. You can read her reviews there and her pop culture writing here.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wisconsin. She has written theater reviews there since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.




For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

CHRIS RAWSON, Pittsburgh, PA, is hustling around the country playing catch-up, presenting the August Wilson American Century Cycle Award to theaters that have qualified.

, Provo, UT, has just welcomed his second son into what he hopes will be a lifetime of loving theater.

ERICA MINER, Edmonds, WA, has just published Murder in the Pit, a murder mystery at the Santa Fe Opera.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, Contact her here.


For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 



After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).



See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.





The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.




{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 

Past Conferences


New York Weekend Conference, November 3, 4 and 5, 2017. Details. 


San Francisco annual conference, 2017



NYC weekend conference, 2016 (for reports and details, scroll down central column)

2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012


Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past event logos



(above) Sarasota, 2009. 




Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


Theater Hall of Fame annouces eight new members for 2011

(Sept. 26, 2011) — The Theater Hall of Fame today announced that the eight inductees in its 2011 class are (alphabetically) Tyne Daly, Woodie King Jr., Elliot Martin, Ann Roth, Paul Sills, Daniel Sullivan, Ben Vereen and George White. The 41st induction ceremonies will take place Jan. 30, 2012 at Broadway’s Gershwin Theatre, where the names of more than 400 previous Hall members adorn the walls in gold.

Founded in 1971, the Hall annually honors those who have made noteworthy lifetime contributions to the American theater. Eligibility requires a substantial body of outstanding work (five major credits minimum) over a career of at least 25 years. The electorate is the membership of the Hall and of ATCA. Using the usual theater categories, the 2011 class includes two actors, two producers, three directors and a designer, but several inductees really deny categorization.

Tyne Daly (1946- ) made her Broadway debut in 1967 and won a Tony in Gypsy (1990). Recent highlights of her stage career have included Rabbit Hole (2006), Albee’s Me, Myself & I (McCarter Theatre), Love, Loss and What I Wore (2009) and a much-heralded revival of Master Class (2011, Manhatten Theatre Club).

Woodie King Jr. (1924- ) can be called the paterfamilias of black theater in New York as founder and artistic director of the New Federal Theatre, now in its 40th year (special Obie, 1997). Many of the great black playwrights and actor made their entry into New York under his care. He has also acted, directed and produced on Broadway.

Elliot Martin (1924- ) has been involved in some 50 Broadway productions since 1949, first as an actor, then stage manager but mainly producer. He won a special Tony for Moon for the Misbegotten (1973). His nine Tony nominated shows have included American Buffalo, Glengarry Glen Ross, Joe Turner’s Come and Gone and Shadowlands.

Ann Roth (1931- ) is a costume designer of some 76 Broadway shows since Small War on Murray Hill (1957), including The Book of Mormon and House of Blue Leaves (two of her five Tony nominations), Biloxi Blues, Best Little Whorehouse, The Odd Couple, Purlie Victorious, etc.

Paul Sills (1927-2009) was a director, teacher and co-founder of Chicago’s Compass Players, Second City and Body Politic, who developed Game Theater and Story Theater.

Daniel Sullivan (1940- ) won a Tony for directing Proof and Tony nominations for Rabbit Hole, Sisters Rosensweig, Conversations with My Father, Morning’s at Seven (revival) and Heidi Chronicles. He made his name as artistic director of Seattle Repertory Theater (1981-97).

Ben Vereen (1946- ) won a lead actor Tony for Pippin and a nomination for Jesus Christ Superstar. Other shows have included (as a replacement) Hair, Wicked, Jelly’s Last Jam and Fosse, and he has toured notably in Chicago and Sweet Charity.

George White (1930?- ) is the founder (1964) and President of the Eugene O’Neill Theater Center in Waterford, Conn., which hosts the National Playwrights Conference, where many a play and playwright has been nurtured, along with the National Critics Institute, National Music Theater Conference, National Puppetry Conference and Cabaret Symposium, and also administers Monte Cristo Cottage (O’Neill’s family home). Among nmuch else, he co-chaired the Yale Theater Management Program (1978-92).

For a full list of Hall membership (now at 502), consult the Hall’s website ( The Hall of Fame is administered by Terry Hodge Taylor. For information about the induction ceremony or any of its other programs, contact him c/o Hodge Taylor Productions, 250 West 50th Street, Suite 17R, New York, N.Y. 10019.

ATCA members on the Hall executive committee are Christopher Rawson and Jeffrey Eric Jenkins who, with Julius Novick, serve also as a nominating committee. Rawson prepares the annual ballot.