ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join ATCA

  

Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop is editor and publisher of Third Coast Review, a Chicago-centric arts and culture website. You can read her reviews there and her pop culture writing here.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wisconsin. She has written theater reviews there since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

COMING SOON!

Our next event is ATCA-NY18, a member gathering in New York happening November  2 - 4, 2018. Details and registration information is available here. Join us!


 

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

CHRIS RAWSON, Pittsburgh, PA, is hustling around the country playing catch-up, presenting the August Wilson American Century Cycle Award to theaters that have qualified.

RUSSELL WARNE
, Provo, UT, has just welcomed his second son into what he hopes will be a lifetime of loving theater.
 

ERICA MINER, Edmonds, WA, has just published Murder in the Pit, a murder mystery at the Santa Fe Opera.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, ChicagoOnStage.com. Contact her here.

 

For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 

 

 

After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).

   

 

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.

 

 

 

 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 


Past Conferences

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New York Weekend Conference, November 3, 4 and 5, 2017. Details. 

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San Francisco annual conference, 2017

  

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NYC weekend conference, 2016 (for reports and details, scroll down central column)



2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

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2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

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Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Saturday
May192012

S.F. Bay-area theaters target online critics

Press representatives for nine prominent San Francisco Bay-area theaters have just asked what they call “citizen journalists” (online theater critics and/or bloggers) to supply statistics on web traffic, “to demonstrate to our employers that the press passes we issue deliver a meaningful return on investment” – i.e., to help decide who should receive free reviewers’ tickets. The communication urges: “Please don’t fret about this! The report you send will not automatically qualify or disqualify you for attendance at any theater. Each of our companies retains the right to set its own policies with regard to press passes … .”

The San Francisco Bay Area Theatre Critics Circle is studying a possible response. The ATCA executive committee will have its own response very shortly. Note ATCA’s own criteria for membership, which are relevant to this debate. The letter from the press reps follows …

Dear friend,

Thank you for the passion you bring to the local arts community. As PR representatives for nine of the most prominent theaters in the Bay Area, we share your enthusiasm and commitment to this cause. In an effort to better serve local audiences, we’re teaming up for a comprehensive review of the reach and effectiveness of online theater coverage – and we hope you’ll be part of the team! We would greatly appreciate your help, and we encourage you to read through this message and respond with information that will help all of us flourish.

As we all know, ongoing changes in our culture have transformed the way people access information. Traditional print media continue to thrive, despite dire predictions of their demise, yet all of us have seen the increasing importance of online news sites, blogs, and social media. We appreciate your role as a citizen journalist. Yet everyone knows a life in the theater isn’t likely to make you rich, and every complimentary ticket we offer is lost income at the box office. It is essential for theaters to be careful stewards of our resources in these difficult economic times. Therefore, we must be able to demonstrate to our employers that the press passes we issue deliver a meaningful return on investment.

So we’re writing to you today to ask your assistance: please help us demonstrate the impact of your reviews so that we can continue inviting you to our shows. Going forward, to receive press passes, online critics will be expected to submit a report from Google Analytics, Visistat, or a similar service that documents web traffic on your reviews. This report should show the total hits and the number of unique visitors in the past six months or more. If you publish reviews on a personal blog, the report may be for the site as a whole. If you publish reviews on a large site such as Examiner.com, Forallevents.com, Huffington Post, or another host that aggregates content, the report must reflect actual traffic on your page or your posts. Please submit your report by June 15… .

Please don’t fret about this! The report you send will not automatically qualify or disqualify you for attendance at any theater. Each of our companies retains the right to set its own policies with regard to press passes, and this report is only one of many factors we consider when dealing with reviewers. The traffic data it provides will simply allow us to make a fair and informed comparison of the many opportunities offered to us for online coverage – and to clearly explain those opportunities to leaders at our theaters who are understandably concerned about the number of complimentary tickets we distribute.

We look forward to collaborating with you on this project, and please know that it is our hope to retain you on our lists. We are grateful for your support of local theater, and for the many years you’ve devoted to covering the local scene.

Sincerely yours,