ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join ATCA

  

Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

   

  

 

New York Weekend Conference, November 3, 4 and 5, 2017. Details.

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE

ANGELICA JENSEN, Houston, lets us know the sad news that Bob Brown, her husband of thirty years, died last month, age 87.

WEI-HUAN CHEN, Houston, was just honored for coverage of Nixon in China in China.

CHARLES GIULIANO, North Adams, MA, just published Gloucester Poems: Nugents of Rockport.

RICK PENDER, Cincinnati, OH, wom first place for Best Arts/Entertainment Critique, SPJ-Greater Cincinnati.

For full text of these and previous Milestones, click here.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice.


  


See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre. 

Critics in the news

New York Magazine names Sarah Holdren to the slot of theater critic vacated by Jesse Green. She’s been a freelance theater director and Artistic Director of Brooklyn-based theater company Tiltyard.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).


 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

“You go wanting to fall in love with a production and that is so rare. I wanted to be smart and reasonable in my writing, to steer people towards the truth, and also had a lot of empathy for artists. I knew pretty soon formal criticism wasn’t for me.” — Eliza Bent, playwright and arts writer, American Theatre, TDF Stages, etc

* Previous Pull Quotes are ASSEMBLED HERE

ATCA members: Send us material for the Members’ Milestones page.

 

Past Conferences

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NYC weekend, 2016 (for reports and details, scroll down on central column)



2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

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2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

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Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Monday
Apr222013

NCI/O'Neill invites applications to 2013 'critic's boot camp'

The National Critics Institute at the O’Neill Theater Center in Formerly the Instant Theatre, now named after Edith Oliver.Waterford, Conn-ecticut, seeks critic fellows for its 2013 program, June 29-July 15. (NOTE that critic fellows can be young or old, experienced or novice.) Director Dan Sullivan (long-time theater critic at L.A. Times and Minneapolis Tribune) and associate director Mark Charney invite applications. Read on. 

Dear ATCA Colleague:

Greetings from the O’Neill Theater Center. I’m Dan Sullivan, director of the O’Neill’s National Critics Institute (NCI), working with my Associate Director Mark Charney, who has been with the Institute since 2002 when he was a Critic Fellow.

I’ve been an arts journalist for forty years, half of them as theater critic for the Los Angeles Times, with previous stints at the New York Times and Minneapolis Tribune.  As a young writer, I used to fret about getting so little feedback from my editors. “If we don’t change your copy, assume it’s OK,” they told me. Back of the mansion, with dining hall off to the right.          

Nowadays young reviewers and reporters get even less mentoring from the boss (if they’re lucky enough to have one), and serious questions accrue. How good is my stuff? Can I make a living at this?  How much revising is necessary? Who represents my audience? How is technology impacting my profession?   

NCI can help you find the answers. Each July we offer a backstage “boot camp for critics” in conjunction with the O’Neill’s National Playwrights Conference and National Music Theater Conference. O’Neill family’s Monte Cristo Cottage

Our faculty — A-List  critics like the Village Voice’s Michael Feingold and Newsday’s Linda Winer — run your copy through their shredder. Meanwhile,  you’re living the famed O’Neill process, observing new scripts transition to staged readings in four days, with some of the best actors, directors, designers, and dramaturgs in the business.

Basically you’re working your tail off: writing, talking, writing, watching rehearsals, writing, heading off for a show at the Goodspeed Opera House, and, oh, yes, writing. You’ll be better at all of it when you leave.  Production barn.

And now, from Mark:

Hey there! Mark Charney here, once a Critic Fellow and now an administrator in the NCI Boot Camp. What Dan writes is true. You come in a writer, and you leave not only a better writer, but a better thinker as well, attuned to criticism in the 21st century. You profit in many ways, not only in terms of your own process, but learning from other professionals who share theirs.

You study and write at the beautiful O’Neill Theatre Center with some of the best folks in the business, and I found that after my stint as a Critic Fellow, I was a better critic, a better professor, and a better theatre practitioner. My directorial and playwriting skills improved, and most importantly, I broadened my vocabulary through actual practice. The schedule is demanding, yes, but you have the time to observe the O’Neill process, a rare treat indeed.The mansion, seaward side.

No matter what stage you are in your career, NCI will sharpen your perspective and abilities, and you will join the elite number of critics who have graduated from the most comprehensive critic training ground in the country.

This year’s session runs from June 29 to July 15. Cost: $2,000, with some financial aid available. For more information, visit our website at go.theoneill.org/critics or write us at mark.charney@ttu.edu.

Do not miss the opportunity to study with the best in the business.  We welcome your application for the summer of 2013.

We look forward to hearing from you.

Sincerely,

Dan Sullivan and Mark Charney