ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

Learn more

Join ATCA

  

Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

   

  

“Regional Saturday Conference” in Cincinnati, March 9, 2018, with add-ons March 9-11. Full info here.
ATCA’s 2018 annual conference will be held July 10-15, 2018 at American Players Theatre, a classical rep company west of Madison, Wisconsin. More here, and more to come. 

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, ChicagoOnStage.com. Contact her here.

ALAN SMASON, New Orleans, has launched a new website, seeks to post reviews from legitimate critics country-wide.

JOEL MARKOWITZ received a moving radio tribute Dec. 21.

RICK PENDER, Cincinnati, OH, has signed a contract to assemble The Stephen Sondheim Encyclopedia, a comprehensive reference anticipated to be completed in late 2019.

For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice.


  


See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre. 

Critics in the news

New York Magazine names Sarah Holdren to the slot of theater critic vacated by Jesse Green. She’s been a freelance theater director and Artistic Director of Brooklyn-based theater company Tiltyard.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).


 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

“You go wanting to fall in love with a production and that is so rare. I wanted to be smart and reasonable in my writing, to steer people towards the truth, and also had a lot of empathy for artists. I knew pretty soon formal criticism wasn’t for me.” — Eliza Bent, playwright and arts writer, American Theatre, TDF Stages, etc

* Previous Pull Quotes are ASSEMBLED HERE

ATCA members: Send us material for the Members’ Milestones page.

 

Past Conferences

.

New York Weekend Conference, November 3, 4 and 5, 2017. Details. 

.

San Francisco annual conference, 2017

  

 .

NYC weekend conference, 2016 (for reports and details, scroll down central column)



2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

.  
2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

 .

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

.

 

Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Wednesday
Apr232014

Chair’s ‘State of ATCA’ report

In its 40th year, ATCA is financially stable and looking to reach out to new critics. New officers elected, new programs planned, new thinking at Foundation ATCA. This fall, New York; next year, New Orleans; the year after, Moscow … uh, Philadelphia.

Just over 80 ATCA members and guests gathered in Louisville April 1-6 for our 37th Annual Conference, then headed home after stimulating membership discussions and the varied theatrical fare of the Humana Festival. There is a great deal of news to report which may be divided between immediate matters and strategic matters.

1. The Association is in solid fiscal health with approx. $33,000 in cash and CD’s. Our 2014 budget is $18,130 vs. estimated income of $17,500. This does not include Annual Conference income/expenses. The Louisville Conference will show a modest surplus more than sufficient to offset a slight budget deficit.

2. The Big Easy or Crescent City or NOLA … whatever you call it, New Orleans will be the site of our 2015 Annual Conference, March 25-29, in conjunction with the Tennessee Williams New Orleans Literary Festival. ATCA member Alan Smason is conference chair. But wait, there’s more! Philadelphia will be the site of our 2016 Annual Conference, with Howard Shapiro serving as chair. This is the first time in recent years that ATCA has returned to its former happy position of being able to plan the Annual Conference two years ahead.

3. A New York Mini-Meeting has been scheduled for November 7-9, to be organized once again by Ira Bilowit and Sherry Eaker.

4. A new critic-to-critic Mentoring Program was introduced, created by our Professional Development committee. This voluntary program offers ATCA members the opportunity to provide constructive feedback on the work of another member, or to receive such feedback themselves by submitting up to three reviews for consultation. The ATCA Administrator will link mentors and mentees, and the process can be anonymous if so desired. Details will appear shortly.

5. Brad Hathaway and Edward Rubin cycled off the ExCom after two terms each of estimable service and Lou Harry (Indianapolis) and Erin Keane (Louisville) were elected to succeed them. Wendy Rosenfield was elected to a second three-year term. The ExCom elected Jonathan Abarbanel to serve a second year as Chair, with Tim Treanor as Vice-Chair.

6. ATCA celebrated its 40th anniversary (although it was only our 37th Annual Conference) with a big cake, served up in the lobby of the Actors Theatre of Louisville on Saturday night. In his wisdom, your ATCA Chair made an executive decision that the cake would be chocolate.

Perhaps more important were strategic discussions which will shape the future of our Association and of its Foundation. A process was launched to re-examine membership categories and requirements in order to make ATCA more appealing to new critics and to academic critics/scholars. The possibility of select affiliate members (undefined) who are not working reviewers (also undefined) was discussed. Having understood the sense of the membership, the ExCom will formulate proposals for revision of our bylaws for the development of new programs and methods through several of our standing committees. We expect to have proposals for general membership approval by the New York Mini-Meeting.

Foundation President Jay Handelman led the Foundation board through a facilitated review of the Foundation’s mission and vision. That review remains in process but almost certainly will lead to new, possibly more generous thinking (undefined) about how and when the Foundation makes grants. Jay will report directly as he feels appropriate. Foundation funds stood at $200,653 as of April 2. At the Annual Conference, we passed the hat (twice) for the Foundation, as we always do, and took in $1,201 in cash/check donations, perhaps an all-time conference record.

With my very best regards,
Jonathan Abarbanel, Chair