ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join ATCA

Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

 

San Francisco Annual Conference, June 15-18, 2017: The whole, mouth-watering experience is now available for your consideration. ATCA members click here! 

 

 

International

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Theatre and State

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Critics in the news

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Jesse Green named NY Times “co-chief theater critic” with Ben Brantley, filling slot left empty by firing of Charles Isherwood. Read NYT announcement-justification-trumpeting here. Roundtable discussion of why this is a disappointment to many, here. Read substantial interview with Green, addressing all the issues, here.

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As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.

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Scroll down or click here for the Charles Isherwood imbroglio, and the followup flap over a NYT “Big River” review.

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index):


 

      

The 2016 Tony Award for Regional Theater went, on ATCA’s recommendation, to New Jersey’s Paper Mill Playhouse.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

“You go wanting to fall in love with a production and that is so rare. I wanted to be smart and reasonable in my writing, to steer people towards the truth, and also had a lot of empathy for artists. I knew pretty soon formal criticism wasn’t for me.” — Eliza Bent, playwright and arts writer, American Theatre, TDF Stages, etc

* Previous Pull Quotes are ASSEMBLED HERE

ATCA members: Send us material for the Members’ Milestones page.


Past Conferences

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NYC weekend, 2016 (for reports and details, scroll down on central column)



2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

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2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

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Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Friday
Sep262014

Playwright Jennifer Haley wins $10,000 Primus Prize for 2014

Playwright Jennifer Haley has been awarded the 2014 Francesca Primus Prize for her play The Nether. Haley will receive the $10,000 award check immediately and be officially celebrated at an upcoming ATCA conference. Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman playwright.

[For a history of the Primus Prize, click here.]

The Nether is set in a futuristic world where virtual reality has become more seductive and engrossing than daily life. An admitted pedophile, Sims, has set up a Victorian site called the Hideaway … . where a child avatar named Iris entertains male guests. Its chief client is a science teacher named Doyle, whose whole life revolves around Iris and the Hideaway. But the site also attracts the attention of Morris, a female detective who questions both men about its implications. Sims argues that allowing men to indulge their fantasies in the safety of a virtual world keeps them from acting them out in reality, but even if that is the case, does that make their behavior acceptable?

The play’s clever plot twists turn it into an Internet whodunit. Beneath its surface story, however, The Nether asks provocative questions about the limits of freedom, creativity, and imagination. “These ideas really came from a subconscious place, but when I started researching, I found so much material about this theme of living out our imaginations,” Haley says. “Should people be allowed to live in a place of imagination even if it’s a very horrible place? … our imaginations are so powerful. And we spend a lot of our time in daydreams or imagining the future. In some ways, it’s what makes us human. [Carl Jung says] the world of dreams and imagination is a different reality, but it’s just as real as our physical reality.”

The Nether was workshopped at the O’Neill Theater Center’s National Playwrights Conference in 2011 and received readings at the Lark Play Development Center and the Philadelphia Theatre Company. The play won the Susan Smith Blackburn Prize in 2012. The Center Theatre Group staged The Nether’s world premiere at the Kirk Douglas Theatre in Los Angeles in March 2013, and Headlong gave it a subsequent production at the Royal Court Theatre in London in July and August of 2014. It is slated to play at the Lucille Lortel Theatre in New York next winter. Both Northwestern University Press (USA) and Faber & Faber (UK) are publishing the play.

Haley studied playwriting with Paula Vogel at Brown University and is the founder and director of the Playwrights Union, a Los Angeles organization that supports both local and incoming theater artists. She has received commissions from Center Theatre Group and South Coast Repertory and has participated in the Ojai Playwrights Conference and the Sundance Theatre Lab, among others. She is also a playwright at New Dramatists. In 2009, her play, Neighborhood 3: Requisition of Doom, received a special citation from the Francesca Primus Prize committee. Other plays include Breadcrumbs, Sustainable Living, and Froggy.

Haley was selected from 28 award applicants by a nationwide committee of critics, chaired by Barbara Bannon (Salt Lake City, UT) and composed of Julie York Coppens (Juneau, AK), Marianne Evett (Arlington, MA), Michael Howley (Montgomery, AL), Lynn Rosen (Bellingham, WA), and Herb Simpson (Geneseo, NY).

“The Francesca Ronnie Primus Foundation was established to recognize and support emerging women artists who are making a difference in the theater community in which they work,” observed Barry Primus, the foundation administrator. Founded in 1997 in memory of actress and critic Francesca Primus, the Primus Prize was originally administered by the Denver Center Theatre Company. ATCA began overseeing the award in 2004.

Previous Winners of the Francesca Primus Prize

1997  Julia Jordan, playwright, Tatjana in Color

 1998  Brooke Berman, playwright, Wonderland

1999  Melanie Marnich, playwright, Blur

2000  Brooke Berman, playwright, Playing House

2001  S. M. Shepard-Massat, playwright, Some Place Soft to Fall

2002  Alexandra Cunningham, playwright, Pavane

2004  Lynn Nottage, playwright, Intimate Apparel

2005  Michelle Hensley, artistic director of Ten Thousand Things Theatre Company, Minneapolis

2006  Karen Zacarias, playwright and founder/artistic director of Young Playwrights’ Theater, Washington, DC, Mariela in the Desert

2007  Victoria Stewart, playwright, Hardball

2008  EM Lewis, playwright, Heads

2009  Jamie Pachino, playwright, Splitting Infinity

2010  Michele Lowe, playwright, Inana

2011  Caridad Svich, playwright, The House of the Spirits

2012  Tammy Ryan, playwright, Lost Boy Found in Whole Foods

2013  Stefanie Zadravec, playwright, The Electric Baby