The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the, which can also be read at the Houston Chronicle and

Nancy Bishop is editor and publisher of Third Coast Review, a Chicago-centric arts and culture website. You can read her reviews there and her pop culture writing here.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wisconsin. She has written theater reviews there since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.




For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

CHRIS RAWSON, Pittsburgh, PA, is hustling around the country playing catch-up, presenting the August Wilson American Century Cycle Award to theaters that have qualified.

, Provo, UT, has just welcomed his second son into what he hopes will be a lifetime of loving theater.

ERICA MINER, Edmonds, WA, has just published Murder in the Pit, a murder mystery at the Santa Fe Opera.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, Contact her here.


For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 



After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).



See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.





The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.




{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 

Past Conferences


New York Weekend Conference, November 3, 4 and 5, 2017. Details. 


San Francisco annual conference, 2017



NYC weekend conference, 2016 (for reports and details, scroll down central column)

2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012


Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past event logos



(above) Sarasota, 2009. 




Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


ATCA on the move: a comprehensive report

Coming out of productive meetings in New York and drawing on much work beforehand, excom chair Bill Hirschman has a lot to announce: proposals on ATCA’s membership and governance; sharing the NY conference via video; volunteers for international meetings; nominations  for the Steinberg/ATCA and Osborn Awards; Primus Prize finalists; “Philadelphia, here we come” (April 6-10); Elections supervisor?; membership directory; speaking out; Excom vacancies … . All this follows.

Nov. 19, 2015 —
The Excom met all day a week ago in New York City to tackle a dozen issues and hear reports from most of the committees. When it’s reviewed all in one place, there is more activity large and small in various states than even we realized. We’ll be sending you updates and committee reports over the next few weeks rather than drown you with all of it here. So watch your in-box and drop in on our website.

The most crucial news is this: There are evolving game-changing proposals for consideration about our membership criteria, our ethical code of conduct and the precise process for electronic voting to empower the entire membership for electing officers as well as for changing by-laws and deciding major policy issues for our future.

Some of this will involve discussion online (more on the process coming soon) and some crucial membership votes at the Philadelphia conference, April 6-10.

Conference recap (With A Surprise For Those Who Weren’t There)

If you were at the New York City meeting, you know Sherry Eaker and Ira Bilowit with help from Barry Gaines, Leslie Torvik, Lou Harry and Scott Bennett mounted one of our most substantive and rewarding mid-season conferences ever. Really. We had a strong turnout that included some brand new members and some potential members. The quality of it cemented the commitment of many our members and attracted notice of the possible converts as well as the theater professionals who participated.

If you weren’t there, don’t fret. As part of our initiative to increase professional development services to our members and give you something more for your dues, we paid a professional videographer to record the five major panels in their entirety. They will be posted in the next few weeks in our “member’s only” section. We will see how this works in deciding whether to experiment further with this. Your feedback will be appreciated.

Seeking volunteers for international meetings (respond ASAP)

ATCA is a key member of the International Association of Theatre Critics and its Executive Committee. You are all automatically members as well. We appoint delegates to its meetings and subsidize their travel expense to a degree; the bulk of their expenses overseas are paid for by the host committee or its country’s arts organizations.

We will be sending members to two such meetings in 2016, but we need to know very quickly who is interested in the first one. The ATCA Excom, in close consultation with its appointed chair of the International Committee, Jeffrey Eric Jenkins, will select who officially represents us and receives the subsidy – although any member can attend on their own dime. While there is obviously a tourism facet to the trip, these are working conferences that involve the organization’s business meetings and the presentation of scholarly papers. More information at

First, the spring meeting of the AICT-IATC Excom will be hosted by the Craiova (Romania) Shakespeare Festival, which will be immediately followed by the Europe Prize event. The dates are essentially April 14-26. In an unusual move, the Craiova Festival will be assisting with travel expenses and reimbursing in euros at the Festival. In this way, ATCA will save on travel expenses. The paper topics for Craiova will center on the reception of Shakespeare considered locally, regionally, trans-globally, and universally. Please let Bill Hirschman know of your interest at by Dec. 11, and preferably earlier.

Second, the biennial World Congress will be held in Belgrade, Serbia, in late September in conjunction with the internationally renowned BITEF festival. In general, we send three ATCA members to a World Congress: 1) the AICT-IATC Excom member (International Committee Chair) which is currently Jeffrey; the ATCA ExCom chair as a delegate (Bill is likely going to pass the honor to someone else); and 3) another ATCA member who is suitable as an international delegate. (Each country is allowed two delegates in addition to any members of the IATC Excom.) Again, the sooner you let us know of your interest, the better.

The 2018 World Congress (it is held every other year) will be in Canada at Banff and Calgary, the first North American World Congress since Montreal in 2001.

New Plays nominations needed

As we near the end of the calendar year, Lou Harry is seeking recommendations for plays to be considered for the Steinberg/ATCA and Osborn awards. They must be written by American authors and have received their world premieres in a professional production during this calendar year. As always, please recommend only scripts for the Steinberg that you believe are competitively excellent. And it’s a playwriting award not a production award. Send at least the title to Lou at, and if possible, cite the theater it played at, the running dates, and any contact information for the playwright or theater that you have.

Primus Prize

Barbara Bannon reports that we have six finalists chosen for the Primus and a news release will be out soon.

Philadelphia, Here I Come

Howie Shapiro is working hard with others to arrange a terrific annual conference in Philly, April 6-10, with the ExCom coming in a day early to tackle issues. A lot of details will be solidified in the coming weeks as we fine-tune the schedule. All will be passed on to you soon. For instance, more options of shows to see are being investigated. But we have a host hotel with reduced rates which you can contact: Marriott Courtyard on Juniper Street, across from City Hall, at $149 a night. Call (215) 496-3200 or toll-free (888) 887-8130.

The timing issue: After decades of putting on conferences, the Excom has learned there is absolutely no weekend that does not pose conflicts for numerous people. This time slot for the Philadelphia conference has been kicked around various parts of the calendar going back to before our West Virginia conference. There are a lot of moving parts including when the local theaters had major work to show us. Bottom line: We know and regret that this conflicts with the second industry weekend for Humana (although we will be represented by Lou Harry at the presentation of the new plays awards) and that it is challenging for New York critics at the tail end of the Tony eligibility season (but it’s a quick train ride).  

Recruiting an Elections Czar or Czarina

As the Excom continues to develop the procedures for electronic voting, we believe we need an elections administrator who would guide the process on a regular basis. If you are interested in serving, Bill Hirschman will be taking applications through the end of the year at

Membership Directory

Anne Siegel, Barry Gaines and Robert Sokol have been working hard on this project and we hope to have the 2016-2017 ATCA Directory in your mailbox by the end of the year.

Speaking Out

The ExCom and the membership have striven in the past few years to ratchet up our participation in the national theatrical conversation, model what we agree are positive values, decry unprofessional behavior, increase our national profile as a force in our evolving profession, and influence the public perception of our profession.

To that end, the Excom and its officers have stepped up thoughtful but timely public responses to issues. In recent months, we have composed and disseminated news releases about our concerns about the Bitter Lemons pay-for-play controversy in Los Angeles and the Seattle writer who was selling his comp tickets on Craigslist. Our statements were quoted by other outlets, as we hoped, but just as gratifying were the emails from our members and non-members applauding these efforts.  Thanks to those who helped out on the quick turnarounds including Victor Gluck, Brad Hathaway, Lou Harry, Wendy Rosenfield, Bill Hirschman and Chris Rawson.

As issues arise that you believe we should address, please suggest them to the ExCom through Bill at

Recruitment and marketing

Our long-planned effort to aggressively recruit new members and market the organization is gaining steam. Charles Giuliano and Martha Steketee will chair an ad hoc committee to plan such efforts for the coming year. Several of you have said in recent months that ATCA needs to creatively think about how to reach out to new groups of potential members, try new methods for outreach and better expand our national profile. This is where it will start. If you are interested in helping out, please email Bill, Charles or Martha.


We will have at least two vacancies on the Excom this spring: Erin Keane is leaving the board and Jonathan Abarbanel comes to the end of his term. Also, Bill Hirschman and Charles Guiliano will be running for second terms. If you have an interest in running for the Excom, start thinking about it and notify Bill or others on the Excom.

Trust us, there is a lot more going on out there, and we will be sending you updates through this holiday season. If you have questions or concerns about anything, contact Bill Hirschman at or (954) 478-1123.