The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the, which can also be read at the Houston Chronicle and

Nancy Bishop reviews Chicago theater for and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.



“Regional Saturday Conference” in Cincinnati, March 9, 2018, with add-ons March 9-11. Full info here.

ATCA’s 2018 annual conference will be held July 10-15, 2018 at American Players Theatre, a classical rep company west of Madison, Wisconsin. More here, and more to come. 



For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, Contact her here.

ALAN SMASON, New Orleans, has launched a new website, seeks to post reviews from legitimate critics country-wide.

JOEL MARKOWITZ received a moving radio tribute Dec. 21.

RICK PENDER, Cincinnati, OH, has signed a contract to assemble The Stephen Sondheim Encyclopedia, a comprehensive reference anticipated to be completed in late 2019.

For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 



After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).



See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.





The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.




{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 

Past Conferences


New York Weekend Conference, November 3, 4 and 5, 2017. Details. 


San Francisco annual conference, 2017



NYC weekend conference, 2016 (for reports and details, scroll down central column)

2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012


Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past event logos



(above) Sarasota, 2009. 




Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


ATCA names six finalists for nation's largest new play award

ATCA has selected six finalists for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, recognizing playwrights for the best scripts that premiered professionally outside New York City during 2014. The top award of $25,000 and two citations of $7,500, plus commemorative plaques, will be presented April 11 at Actors Theatre of Louisville during the Humana Festival of New American Plays. At $40,000, Steinberg/ATCA is the largest national new play award program of its kind.

The finalists, alphabetically by playwright: Tom Coash, Veils; Nathan Alan Davis, Dontrell, Who Kissed the Sea; Rebecca Gilman, Luna Gale; Lucas Hnath, The Christians; Caitlin Parrish, The Downpour; Richard Strand, Butler.

For fuller descriptions of the plays and the history of the Steinberg/ATCA Award, click below.

In 1977, ATCA began to honor new plays produced at regional theaters outside New York City, where there are many awards. No play is eligible if it has gone on to a New York production within the award year. Since 2000, the award has been generously funded by the Harold and Mimi Steinberg Charitable Trust.

The finalists, alphabetically by playwright:

Tom Coash, Veils, – A unique look at the differences and similarities between America and the Middle East as viewed in the clashing sensibilities of women’s rights and traditional roles in both civilizations. Two young Muslim women attending the American Egyptian University in Cairo just before the anarchic Arab Spring in 2010 are complex three-dimensional characters, since the American is the more traditional of the two and the Egyptian is enamored of western pop culture. But both are searching for sustaining definitions of how they should lead their lives in order to honor both their faith and their integrity in the world. Its premiere was held in February 2014 at Portland Stage in Maine.

Nathan Alan Davis, Dontrell, Who Kissed The Sea — This powerful, metaphoric and poetic drama traces one young man’s odyssey in present day Baltimore to palpably connect with his roots by embracing a heroic ancestor who preferred drowning in the Atlantic Ocean to arriving in America as a slave. Simultaneously grounded in modern day America, yet gloriously lyrical and theatrical, it mixes the sacred and mundane. The work was formally unveiled as part of the National New Play Network Rolling World Premiere Program in a co-production at the Skylight Theatre Company and Lower Depth Theatre Ensemble in Los Angeles after a developmental production at the DC Source Theater Festival.

Rebecca Gilman, Luna Gale – A social worker with a crushing caseload and personal baggage faces a Gordian Knot: leave a child with neglectful meth heads parents or place her with a grandmother who is a religious zealot. This complex and disturbing work is a heart-breaking high-stakes tragedy both relevant and timeless, what one judge called “a pure adrenaline rush.” The play does not provide easy answers for the lifelong after-effects of abuse and how people struggle to fill the resulting holes in their lives with religion, drugs and public service. Its first production was in January 2014 at the Goodman Theatre in Chicago.

Lucas Hnath, The Christians –The audience is thrust into a Sunday morning service in a well-heeled church with an affable, charismatic pastor. But the preacher suddenly advocates a profound departure from dogma, causing a huge rift in the congregation. This even-handed, compelling and theatrical work investigates belief on a personal and theological level. It asks deep moral and spiritual questions about doctrine, faith and belief without condescension and with verve and skill. The work debuted last spring at Actors Theatre of Louisville during the Humana Festival. Hnath was a Steinberg citation recipient last year for Death Tax.

Caitlin Parrish, The Downpour – Described by some judges as a character study in the guise of a Hitchcockian suspense thriller, The Downpour is a disturbing and well-crafted tale of two sisters scarred by abuse as children. Now adults, they deal differently with the imminent birth of a child. But allegiances, assumptions and expectations turn inside out more than once to make the audience question shallow snap judgments as Parrish confronts unspeakable sorrow without any effort to sugar-coat anything.  It had it first outing in September at Route 66 Theatre Company in Chicago.

Richard Strand, Butler – What starts as a droll comedy of words evolves into a fascinating retelling of a true incident that undermined a century of government-sanctioned slavery. Strand depicts the prickly interaction between a contentious but brilliant escaped slave and a taciturn lawyer recently appointed as a Union Army major general. Amid wry comedic interplay between the protagonists and with an ever-closing life-or-death deadline approaching, the title character finds an ingenious way to turn the official view of slaves as property into a legal way of giving sanctuary and eventually providing freedom to thousands of runaways. The play received its world premiere at the New Jersey Repertory Company in June 2014.

These six finalists were selected from 27 eligible scripts submitted by ATCA members. They were evaluated by a committee of 17 theater critics, led by chairman Wm. F. Hirschman,, and vice-chairman Lou Harry, Indianapolis Business Journal/

Other committee members are Misha Berson, Seattle Times; Bruce Burgun, freelance (Bloomington, Ind.; Lindsay Christians, The Capital Times (Madison, Wisc.); Mark Cofta, Philadelphia City Paper; Pam Harbaugh,  (Melbourne); Michael P. Howley,; Erin Keane, culture editor,; Jerry Kraft,, (Port Angeles, Wash.); Mark Lowery, and Fort Worth Star-Telegram; Julius Novick, veteran critic and professor (New York City); Kathryn Osenlund, CurtainUp, Phindie (Philadelphia); Wendy Parker, Midlothian, Va); David Sheward,,,; Herb Simpson, and (Geneseo, N.Y.),; Perry Tannenbaum, Creative Loafing,, Charlotte, NC); and Tim Treanor, senior reviewer, DC Theatre Scene (Washington, D.C.)  

Hirschman said, “This year’s entries were an encouraging reaffirmation that a fresh crop of plays are being written that will someday be viewed as the classic American theater of the early 21st Century. Multiple works dealt with issues brought on by a faltering economy, prejudice in multi-ethnic communities and issues roiling the Mideast. Refuting concerns about theater as a relevant and popularly embraced art form, the stunning array and high quality of scripts we read confirmed the enduring commitment of regional theaters and a dazzling diversity of playwrights to be the primary standard-bearers for new works.”

Since the inception of ATCA’s New Play Award, honorees have included Lanford Wilson, Marsha Norman, August Wilson, Arthur Miller, Mac Wellman, Adrienne Kennedy, Donald Margulies, Lynn Nottage, Moises Kaufman, Craig Lucas and Robert Schenkkan. Last year’s honoree was Lauren Gunderson’s I and You which has gone to be one of most produced new plays coming out of the regional theater movement. For a full list of winners and runners-up, click here.

The Harold and Mimi Steinberg Charitable Trust was created in 1986 by Harold Steinberg on behalf of himself and his late wife. Pursuing its primary mission to support the American theater, it has provided grants totaling millions of dollars for new productions of American plays and educational programs for those who may not ordinarily experience live theater.

ATCA was founded in 1974 and works to raise critical standards and public awareness of critics’ functions and responsibilities. The only national association of professional theater critics, with several hundred members working for newspapers, magazines, radio and television stations and websites, ATCA is affiliated with the International Association of Theatre Critics, a UNESCO-affiliated organization that sponsors seminars and congresses worldwide.

ATCA also presents the M. Elizabeth Osborn Award, honoring emerging playwrights.  It also administers the $10,000 Francesca Primus Prize, funded by the Francesca Ronnie Primus Foundation, honoring outstanding contributions to the American theater by female artists who have not yet achieved national prominence. Annually, ATCA makes a recommendation for the Regional Theater Tony Award presented by the American Theatre Wing/Broadway League and votes on inductions into the Theater Hall of Fame.

For more information on ATCA, visit

For more information on the Steinberg/ATCA Award, contact Wm. F. Hirschman, chair of the ATCA New Play Committee, at or 954-478-1123; or Christopher Rawson, ATCA communications chair, at or 412-216-1944.

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