ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

   

  

 

New York Weekend Conference, November 3, 4 and 5, 2017. Details.

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE

ANGELICA JENSEN, Houston, lets us know the sad news that Bob Brown, her husband of thirty years, died last month, age 87.

WEI-HUAN CHEN, Houston, was just honored for coverage of Nixon in China in China.

CHARLES GIULIANO, North Adams, MA, just published Gloucester Poems: Nugents of Rockport.

RICK PENDER, Cincinnati, OH, wom first place for Best Arts/Entertainment Critique, SPJ-Greater Cincinnati.

For full text of these and previous Milestones, click here.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice.


  


See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre. 

Critics in the news

New York Magazine names Sarah Holdren to the slot of theater critic vacated by Jesse Green. She’s been a freelance theater director and Artistic Director of Brooklyn-based theater company Tiltyard.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).


 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

“You go wanting to fall in love with a production and that is so rare. I wanted to be smart and reasonable in my writing, to steer people towards the truth, and also had a lot of empathy for artists. I knew pretty soon formal criticism wasn’t for me.” — Eliza Bent, playwright and arts writer, American Theatre, TDF Stages, etc

* Previous Pull Quotes are ASSEMBLED HERE

ATCA members: Send us material for the Members’ Milestones page.

 

Past Conferences

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NYC weekend, 2016 (for reports and details, scroll down on central column)



2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

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2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

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Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Friday
Jan152016

Playwright Sharyn Rothstein wins $10,000 Primus Prize

Sharyn Rothstein has won the 2015 Francesca Primus Prize for an emerging woman playwright for her By the Water, which premiered at Manhattan Theatre Club’s Stage II in Nov., 2014. ATCA adjudicates the award. Primus committee chair Barbara Bannon of Salt Lake City explained that the 2015 announcement came late because of the larger than usual number of contenders.

The six finalists for the award announced earlier, in addition to Rothstein, were Liz Duffy Adams for “A Discourse on the Wonders of the Invisible World,” Nambi Kelley for her adaptation of Richard Wright’s “Native Son,” Tira Palmquist for “Ten Mile Lake,” Yasmine Rana for “The War Zone Is My Bed” and Catherine Trieschmann for “Hot Georgia Sunday.” 

The full press release follows … . 

PLAYWRIGHT SHARYN ROTHSTEIN

WINS $10,000 FRANCESCA PRIMUS PRIZE FOR 2015

January 15, 2016—The American Theatre Critics Association (ATCA) announced today that playwright Sharyn Rothstein has been awarded the 2015 Francesca Primus Prize for her play By the Water. Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman playwright. Rothstein will receive the $10,000 award check immediately and be officially congratulated at an upcoming ATCA conference.

By the Water is set in Staten Island, New York, in 2012 in the aftermath of Hurricane Sandy. Marty and Mary Murphy return to the shattered remains of their home to face a crucial question: Should they join most of the members of their working-class community in taking a government buyout and moving to higher ground or struggle to rebuild the house that has been the center of their family life for decades? Sal and Brian, their very different sons, who have their own issues, return home to help them decide, but Marty’s dogged determination to stay at any cost rekindles buried family conflicts and antagonizes his relationship with best friends and neighbors Philip and Andrea Carter as Mary tries to play the peacemaker.

Rothstein tunes in so naturally to the rhythms of family life that it feels as if the audience is eavesdropping on real conversations, and critics compared By the Water to Arthur Miller’s quintessential American dramas. Rothstein says the idea for the play sprang from one indelible image. She drove out to Staten Island after the storm to survey the areas earmarked for a buyout: “Leaving behind a community, a lifetime of memories, seemed like an enormous leap of faith and an incredibly difficult decision, but the destruction was gut wrenching. Yet, in front of one neat, clearly beloved house, a man who looked to be in his sixties was tending his lawn. With his whole neighborhood in ruins, with a majority of his neighbors already gone or figuring out how to leave, here was a man clearly standing firm. The image of him standing there amid so much loss was the genesis of my play.”

By the Water was commissioned as part of the Ars Nova/Manhattan Theatre Club Writer’s Room, a two-year development program that encourages playwrights to take risks with their work. The play received readings and a full workshop prior to its premiere production at Manhattan Theatre Club’s Stage II in November 2014, where Time Out New York called the play “a force of nature.” The play has also been published by Dramatists Play Service.

Rothstein is one of the inaugural writers selected for the Ars Nova Writer’s Room as well as an alumnus of the Ensemble Studio Theatre’s Youngblood collective and Primary Stages’ Dorothy Strelsin New American Writers Group. She has also received an Ensemble Studio Theatre/Alfred P. Sloan Foundation commission for a full-length play. Smith and Kraus published her short play, The Invested, in New Playwrights: The Best Plays of 2013. Her eclectic background includes a BA in sociology from Vassar, an MFA in dramatic writing from NYU, and a master’s degree in public health from Hunter College. In addition to playwriting, Rothstein writes for the television legal drama Suits, now in its fifth season on USA Network. Other plays include March, Camp Monster, Neglect, and For Abigail Who Drowns Men, and Emily Mann will direct Rothstein’s latest play, All the Days, which received the Edgerton Foundation New American Play Award, at the McCarter Theatre Center this spring.

Rothstein was selected from 39 award applicants by a nationwide committee of critics, chaired by Barbara Bannon (Salt Lake City, UT) and composed of Julie York Coppens (Juneau, AK), Marianne Evett (Arlington, MA), Kerry Reid (Chicago, IL), Lynn Rosen (Bellingham, WA), and Herb Simpson (Geneseo, NY).

“The Francesca Ronnie Primus Foundation was established to recognize and support emerging women artists who are making a difference in the theater community in which they work,” observed Barry Primus, the foundation administrator. Founded in 1997 in memory of actress and critic Francesca Primus, the Primus Prize was originally administered by the Denver Center Theatre Company. ATCA began overseeing the award in 2004.

ATCA is the nationwide organization of theater critics and an affiliate of the International Association of Theatre Critics. In addition to the Primus Prize, it administers two other playwriting awards: the Harold and Mimi Steinberg/ATCA New Play Award and the M. Elizabeth Osborn Award. ATCA members also recommend a regional theater for the annual Tony Award and vote on induction into the Theatre Hall of Fame.

Previous Winners of the Francesca Primus Prize

1997                        Julia Jordan, playwright, Tatjana in Color

1998                        Brooke Berman, playwright, Wonderland

1999                        Melanie Marnich, playwright, Blur

2000                        Brooke Berman, playwright, Playing House

2001                        S. M. Shepard-Massat, playwright, Some Place Soft to Fall

2002                        Alexandra Cunningham, playwright, Pavane

2004                      Lynn Nottage, playwright, Intimate Apparel

2005                        Michelle Hensley, artistic director of Ten Thousand Things Theatre Company, Minneapolis

2006                        Karen Zacarias, playwright and founder/artistic director of Young Playwrights’ Theater, Washington, DC, Mariela in the Desert

2007                      Victoria Stewart, playwright, Hardball

2008                      EM Lewis, playwright, Heads

2009                      Jamie Pachino, playwright, Splitting Infinity

2010                      Michele Lowe, playwright, Inana

2011                      Caridad Svich, playwright, The House of the Spirits

2012                      Tammy Ryan, playwright, Lost Boy Found in Whole Foods

2013                       Stefanie Zadravec, playwright, The Electric Baby

2014                         Jennifer Haley, playwright, The Nether