At the recent New York weekend conference, playwright-director-artistic director Emily Mann, one of the Perspectives in Criticism panel (along with playwrights Adam Rapp and Richard Nelson and artistic director Tim Sanford), preemptively set a high initial bar for all us critics by reading aloud Howard Clurman’s 1964 “The Complete Critic’s Qualifications.” Clurman outdid Moses by issuing 12 commandments — and as someone immediately said, no one but Clurman ever met them all. See if you agree.
Feb. 7 — The Francesca Primus Prize is an annual $10,000 award honoring outstanding contributions to the American theater by an emerging female theater artist who has not yet achieved national prominence. Artists nominate themselves. For details, click here.
Feb. 1 — The previously announced Bartlett Sher is out, but playwrights Richard Nelson, Adam Rapp and Emily Mann, plus Playwrights Horizons artistic director Tim Sanford are in. As previously announced here, both the Friday and Sunday sessions are at the Baruch Performing Arts Center, entrance at 25th St. between Third and Lexington Aves., south side of the street. For the latest schedule …
Jan. 31 — The long-stale membersip list has been updated. Under “About Members” (above), click “Membership Roll.” If your name is misspelled, or you think it’s missing in error, or you want to restore a lapsed membership, contact ATCA administrator Barry Gaines.
Jan. 27 — Monday saw eight new names join more than 400 others in raised gold letters on the walls of the Gershwin Theatre, the 2010 class of the Theater Hall of Fame: actors Brian Dennehy, Linda Lavin and Fritz Weaver; director Michael Blakemore; playwright Caryl Churchill; music director Paul Gemignani; director-librettist James Lapine; and,posthumously, director-actor-playwright Joseph Chaikin. Presenters included Hal Prince, Roger Berlind, Brian Stokes Mitchell, Robert Falls, Alexander Gemignani, James Houghton and James Nicola. Jeffrey Eric Jenkins, speaking for the Hall’s Veterans Committee (made up of several ATCAns), inducted four more notables: Alice Childress, Henry Irving, Philip Moeller and Florence Reed.
Click here for more about the inductees;
here for snapshots of the post-induction party;
and here for a full Pittsburgh Post-Gazette report on the ceremony.
Jan. 20 — Stacy Keach (Other Desert Cities), Dana Ivey and Paxton Whitehead (the improbable lovebirds in The Importance of Being Earnest) are the latest participants in the Brunch with Stars at Sardi’s (Feb. 5), joining Linda Lavin, Lily Rabe (Portia opposite Al Pacino in The Merchant of Venice), Colin Quinn, Andre De Shields, Dan Lauria (title role in Lombardi), Judith Light and Jeffrey Wright, already announced. Scroll down for registration info for just the Brunch or the whole ATCA weekend, or get directly in touch with Barry Gaines (firstname.lastname@example.org; 505-856-2101).
Jan. 18 — Leonard Jacobs has a juicy take on the “Spider Man” situation in the Jan. 17 Huffington Post (it’s rich in links). He writes of “the anach-ronistic kabuki of theatre journalism,” compares protests to “dinosaurs roaring in denial about the asteroid that detonated in their feeding ground” and laughs at the idea that we’re gatekeepers: “The gate is wide open.” This fits right into the panel on The Digital Critic that he’ll be on during our Feb. 4-6 NY Weekend Conference (see below.)
Co-chairs Sherry Eaker and Ira Bilowit announce the “Perspectives on Criticism” panel will feature two directors and two playwrights. Already interested is Marsha Norman, with some other big names in our sights. (Hint: Read the lively remarks by a well-known playwright a couple of items down on our Criticism in Controversy page.)
The acting teachers’ panel now includes Olympia Dukakis and Joanna Merlin, joining Bill Esper (William Esper Studio), Sabra Jones (Actors Studio, co-founder of NY’s Mirror Repertory Co.) and Terry Schreiber (T. Schreiber Studio).
The Friday location will be the Baruch Performing Arts Center (Baruch College) on E. 25th St. between Lexington & 3rd Aves. The location for Sunday’s session on the digital critic is still to be announced; ditto the stars for the Saturday brunch at Sardi’s.
HOTEL: The marvelous discount at the midtown Milford Plaza Hotel is still available, but only by phone, not online. Call 888-352-3650 or 212-869-3600. “The reservation clerk couldn’t have been nicer,” says one Florida critic.
DISCOUNTS: Sherry knows of some winter theater discounts, too complex to list here; contact her at 212-254-5161 or email@example.com.
More info to come. Register now. FOR THE LATEST SCHEDULE and REGISTRATION FORM, see preceding Home Page item, or contact ATCA administrator Barry Gaines (505-856-2101; firstname.lastname@example.org).
At last summer’s ATCA/O’Neill Theater Center conference, the necktie sporting both versions of the logo of our Daumier critic and playwright Eugene (with and without the seagull), quickly sold out. Now we have a limited new supply in time for the holidays. Just send a check for $50 made out to Foundation ATCA to ATCA Tie, 1516 Shady Ave., Pittsburgh, PA 15217. (Send any email queries here.)