The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the, which can also be read at the Houston Chronicle and

Nancy Bishop is editor and publisher of Third Coast Review, a Chicago-centric arts and culture website. You can read her reviews there and her pop culture writing here.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wisconsin. She has written theater reviews there since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson is the senior critic (part-time) for the Pittsburgh Post-Gazette and also appears regularly on KDKA-TV.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.




For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE.

CHRIS RAWSON, Pittsburgh, PA, is hustling around the country playing catch-up, presenting the August Wilson American Century Cycle Award to theaters that have qualified.

, Provo, UT, has just welcomed his second son into what he hopes will be a lifetime of loving theater.

ERICA MINER, Edmonds, WA, has just published Murder in the Pit, a murder mystery at the Santa Fe Opera.

KAREN TOPHAM, Chicago, is actively seeking theatre critics from around the country to become part of the expanded edition of her website, Contact her here.


For full text of these and previous Milestones, CLICK HERE.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice. 



After more than 33 years and (by her count) 13,000 reviews, the long-standing Chicago theater and arts critic Hedy Weiss has been let go by the Chicago Sun-Times. Reporting in the competing Chicago Tribune, Chris Jones writes that the sometimes controversial critic “fit into the decades-long Chicago tradition of powerful, hard-working and famously independent women writing about the arts, without compromise or apology.” Read Jones here. Here, the Chicago Business Journal reports. Weiss delivered ATCA’s 2015 Perspectives in Criticism talk in New Orleans: click for an audio recording.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.  

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).



See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre.





The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.




{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

* Previous Pull Quotes are ASSEMBLED HERE 

Past Conferences


New York Weekend Conference, November 3, 4 and 5, 2017. Details. 


San Francisco annual conference, 2017



NYC weekend conference, 2016 (for reports and details, scroll down central column)

2016 annual conference in Philadelphia, April 6-10.

Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012


Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past event logos



(above) Sarasota, 2009. 




Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


Michael Feingold: 'Critic and Worker'

It’s a paradigm: Michael Feingold, one of the very finest American theater critics (George Jean Nathan Award, twice a Pulitzer finalist) loses his tenured (one would have thought) seat at the Village Voice and reappears with a twice-monthly column in TheatreMania — print to web, the way of the world. His pair of August columns address this very issue. Here is the first part of “The Critic, the Worker and the Business Model” (Aug. 16); here is part 2. (The announcement of Michael’s new role is here.)


2013 Hall of Fame ballot

The ballot will be in mail soon, and ATCA members make up the largest part of the electorate. Watch for it, and please give it your attention and vote. This is one of the responsibilities and pleasures of ATCA membership.


ATCA writes about CATF (1)

Charles Giuliano of the website Berkshire Arts wins the prize for most immediate (starting 7/22) and fullest (eight stories!) coverage of ATCA’s visit to the Contemporary American Theater Festival. The Pittsburgh Post-Gazette’s Sharon Eberson published two pieces (plus a TV report by Chris Rawson), and Dick Kerekes and Lesila Sansom have one on the EU Jacksonville site. We’re waiting to hear of others. Click for individual links:

Click to read more ...


Regional theater awards

One of the best established of regional theater awards is undergoing soul-searching. TheatreWashington, which hosts the Helen Hayes Awards, recently convened a community meeting (some 150 participants) to discuss the awards’ future. A summary of the conversation ticks off many topics and points of view that will be recognizable elsewhere.

Happy Birthday, Clara!

Clara Hieronymus turns 100 today

July 25, 2013 — A founder of the Clara, a few years agoAmerican Theatre Critics Association, Clara was one of the legendary crew who gathered in 1974 beneath a spreading Copper Beech tree at the Eugene O’Neill Theatre Center.

Click to read more ...


Critical controversy

Lily Janiak, a young critic on HowlRound, writes “Whose America? … Whose theater?,” a review/commentary on California Shakespeare Theatre, and starts a kerfuflle: read it here, with many combatants chiming in.


Panel on 'Monetizing Your Website'

To follow up the well-attended session at ATCA/CATF, Mark Lowry, Lorraine Treanor and Bill Hirschman (all here linked to their sites) put together a page on Mark’s site with tips for boosting your online presence.


Jason Zinoman, Perspectives in Criticism

Jason ZinomanYou had to be there, of course — which was one of his themes. This is all about live theater, after all, and in performance, Jason’s talk was animated and funny, full of impromptu sidebars. But for the basic speech, with its mix of autobiography and challenge …

Click to read more ...


Concluding, and the Convention Hat

Shepherdstown, WV, July 21 — Yesterday was packed. In Schwarzwald Haus, one part of the extensive Bavarian Inn, where most ATCAns stayed.addition to the Perspectives in Criticism talk by Jason Zinoman and the reorganization of the ATCA executive committee and the Foundation board, we saw two more plays, including what is conclusively CATF’s strongest, H20 by Jane Martin. At night there was a farewell party, including nice words from producing director Ed Herendeen and board Looking up German St. in the center of town.president Jenny Ewing Allen and the presentation to them of a signed copy of Under the Copper Beach: Conversations with American Theatre Critics (a history of ATCA and theater criticism). Finally, conference chair Tim Treanor was presented with a necktie emblazoned withRawson (right) and Abarbanel. the WV Mountaineer/Daumier logo. 

That completed Tim’s formal conference wear, because earlier in the day there was the passing of the Convention Hat. It’s a sturdy job festooned with memorabilia ofTreanor (left) and Abarbanel conferences going back into the mists of ATCA history – 20 years, at least. First Chris Rawson, chair of the 2011 conference at the Oregon Shakespeare Festival, passed it to Jonathan Abarbanel, chair of the 2012 Chicago conference. Then after a few pictures, Jonathan presented it to Tim, with whom it will rest until next year’s conference at the Humana Festival.


ATCA elects new leadership

There were no barricades in the streets. With the sweetnessJonathan Abarbanel of demeanor for which theater critics are famed, the ATCA executive committee elected Jonathan Abarbanel (Chicago, its new chair. Then the overlapping board of Jay HandelmanFoundation ATCA elected Jay Handelman (Sarasota Herald-Tribune) its new president. More info on brief press release to come.  


More conference notes

Shepherdstown, WV, July 20 — It’s hard for even a conscientious note-taker to keep up as the conference barrels along. Thursday there was a workshop on “Monetizing your Website,” with Brad Hathaway, Bill Hirschman, Mark Lowry and Lorraine Treanor. Yesterday we had a morning panel on “The Effect of Criticism on Zinoman, Pressly, Boland, Handelman, Butler, McKowenTheater,” moderated by critic Jason Zinoman (N.Y. Times), with CATF’s Kathleen Butler and Peggy McKowen, critics Nelson Pressley (Washington Post) and Jay Handelman (Sarasota Herald-Tribune), and Maggie Boland (managing director, Signature Theatre).

Then today came what is in effect our keynote address, Jason Zinoman as the Perspectives in CriticismJason Zinoman talks: you had to be there, but the basic text is linked at left. speaker, the 32nd in a series of distinguished critics. It was a lively talk – autobiographical, smart, funny, challenging, optimistic – just what we envisioned when we invited Clive Barnes to start the series in 1992. (See list of speakers here.) But don’t take our word for it: read it here.

Aside from all this, there have been some interesting shows! But you can read about them best as our members write about them — for which, follow the twitter feeds on the top left of our home page.


Playwright Stephanie Zadravec receives $10,000 Francesca Primus Prize for 2013

Director Lear deBessonet also honored

Shepherdstown, WV, July 19, 2013—Today the American Theatre Critics Association (ATCA) announced at its annual Stefanie Zadravecconference, held at the Contemporary American Theatre Festival, that playwright Stefanie Zadravec has been awarded the 2013 Francesca Primus Prize for her play The Electric Baby. Zadravec will receive the $10,000 award check immediately and be officially congratulated at an upcoming ATCA conference. 

Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman theater artist. Playwrights, artistic directors, and directors are eligible to apply.

Click to read more ...


The Daumier goes to W.V.

By popular demand, here’s the unofficial logo of this year’s conference. The caricature on the left is of a mountaineer (like the WVU mascot); the one on the right is of Daumier’s caricature of a self-important critic (ATCA’s logo). Here, the two seem mutually unsure of each other, but ATCA and CATF are actually getting along very well: we are being taken care of well beyond our deserts.


Now for something completely different

Well, not completely different, since coffee is (some) critics’ best friend. So here’s a word on the three coffee shops in Shepherdstown, home of CATF, host of ATCA’s annual conference. I’m still high on the three-shot Wet Dog (one of the great coffee drinks anywhere), so until I come back down I can’t fairly report on the other two.

Click to read more ...


New members

Thursday, July 18, Shepherdstown, WV —
New ATCA members at the annual conference at CATFinclude (left to right), Bob Schneider, New Haven, CT; Russell Warne, Salt Lake City; Mark Dewey, Bluemont, VA; Erin Keane, Louisville; and Steven McKnight, Falls Church, VA. Missing: Alan Smason, New Orleans. Welcome aboard to all!


Excom works all day; 'Modern Terrorism' at night

Wednesday evening, July 17 —
The ATCA executive committee put in a long day on reports, ATCA ExCom Idiscussion and debate, as these snapshots testify. The results will show up at membership meetings the next few days.

But tonight, the conference proper began with a welcoming dinner at Byrd Hall, ATCA ExCom IIShepherd University, with remarks especially by Suzanne Shipley,  president of Shepherd University, and Ed Herendeen of CATF. Then came a production of Modern Terrorism, or They Who Want to Kill Us and How We Learn to Love Them by Jon Kern, directed by Ed Herendeen, featuring Mahira Kakkar, Omar Maskati, Kohler McKenzie and Royce Johnson. A lively audience discussion followed. Check your local media outlet for a review. (And if your local critic wasn’t here to review it, why not?)


ATCA/CATF gets underway

Wednesday noon, July 17 — Bill Hirschman sizes up the Yellow Brick Bank restaurant.
ATCA arrives in the very eastern panhandle of West Virginia for its annual meeting, hosted by the Contemporary American Theatre Festival (CATF). Tuesday night, early arrivals were treated to an accomplished reading of The Few, by Samuel D. Hunter, author of last season’s The Whale. Kudos to actors Alex Podulke, Cassie Beck and Omar Maskati.


O'Neill ATCA scholarships

Catching up: Recipients of ATCA financial scholarships forEugene, critic and friend (call it two critics) this year’s National Critics Institute at the O’Neill Theater Center were Paul Hyde of the Greenville (S.C.) News and Andrew McGibbon of West Milford, N.J., who has his own theater site, Congratulations. 


ATCA packing its bags

ATCAns are preparing to gather next week at CATF, the Contemporary American Theatre Festival in Shepherdstown, W.V. Watch for reports here.


ATCA's Daumier on new book

A new book on theater criticism, Refereeing the Muses by Bob Abelman and Creryl Kushner, has the good taste to use ATCA’s old friend on its cover. The 1865 caricature “Promenade of an Influential Critic” by Honore Daumier has served as ATCA’s official logo since 1974.

Appearances so dramatically notwithstanding, the book has no connection to ATCA. But some ATCAns have given it praise. It says it examines “the skill set associated with being a critic and arts journalist” and “explores the history, evolution, and future of the profession in the United States.” It may take a place on a critic’s (or teacher’s) bookshelf beside such standards as Irving Wardle’s 1992 Theatre Criticism.

Refereeing the Muses is published this month by Peter Lang Publishing.