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Member Blogroll

Gail Burns in Gail Sez writes about theatre in the Berkshires of western Mass and adjacent areas of Vermont and NY.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

Mike and Laura Clark edit ShowBizRadio.net covering all types of theatre in Washington DC, Baltimore, and St. Louis including reviews, interviews, as well as audition and performance calendars.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Karen D’Souza writes reviews, features and blog for the San Jose Mercury News.

Randy Gener blogs on arts, culture and world theater in In the Theater of One World.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog Extreme Culture offers reviews, commentary and links, in the Gannett daily Florida Today.

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Damien Jaques writes about theatre for OnMilwaukee.com, Milwaukee.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off Broadway and independent NYC productions at The Faster Times. Find more on his Twitter, Tumblr, and Pinterest pages.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Joe and Ann Pollack write  St. Lous Eats and Drinks with Joe and Ann Pollack: food, wine, shops, travel, reading, movies and theater in St. Louis.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.

Tim Treanor  is the Senior Reviewer for DC Theatre Scene, Washington, D.C.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

Everyone’s a critic —     but only the pros get to be ATCA members.

Critics’ Circles Awards: 

 * N.Y. Drama Critics Circle, 78th awards.

* Outer Critics Circle (N.Y.) 63rd awards.

* Chicago, Jeff Awards.
* Los Angeles Drama Critic Circle, 44th Awards.
* San Francisco Bay Area Theatre Critics Circle, 2012 awards.

* Index to other regional theater awards, click here.

REVIEW round-ups:

* Chicago (23 publications)

   

ATCA’s recommendation of Boston’s Huntington Theatre Company for the Regional Theater Tony Award was accepted and it will be awarded (probably pre-show) June 9. Every year we watch to see if the winner thanks ATCA (not that critics expect acknowledgment, but still … ). Seriously, many congratulations to the Huntington, a worthy winner! For background on the award, click here.

Note the picture of Francesca Primus on the page for the Primus Prize, which memorializes her. Do any ATCA members have other pictures? If so, contact Chris Rawson.

“Jobbing in artists, short rehearsals, top-down administration, black history month diversity, chatting with a guest artist on the first day of rehearsal and again at the cast party, choosing the project or playwright the Times singled out last season—these are not the same as putting our methodology where our mouth is, believing that the way we work, the structures we create, the means to fulfilling our missions are as value laden, as important, as artistic, as what lands on our stages.” — Todd London, “One for all and all for one and every man for himself,” HowlRound, 3/27/13

RFor the recent John Lahr-Charles McNulty (et al) debate, read here, with relevant links

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.



2013 ANNUAL CONFERENCE
CATF, Shepherdstown, WV
July 17-21 — Details here
Tim Treanor, Chair



2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair
 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

 

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair Playwright and critic

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals 

 

 

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Friday
Jun152012

ATCA heads to West Virginia in 2013

Chicago, June 14 — The American Theatre Critics Association voted today to hold its 2013 conference at the Contemporary American Theatre Festival in Shepherdstown, West Virginia.

The festival will be offering two commissioned productions and several other new works and staged readings, to be announced later in the year. Festival leaders are working with ATCA to secure discounted hotel rooms and transportation from Washington Dulles International Airport, the closest, to help attending members.

The festival, which will stage its 100th production next season, operates for a month in July in theater spaces at Shepherd University. It is an area filled with natural beauty near many historic sites, including Harper’s Ferry and Antietnam Battlefield. Details will follow in the months ahead.

Thursday
Jun142012

PLAYWRIGHT TAMMY RYAN WINS $10,000 FRANCESCA PRIMUS PRIZE FOR 2012; DOMINIQUE MORRISEAU ALSO HONORED

Chicago, June 14, 2012The American Theatre Critics Association (ATCA) announced at its annual conference today that playwright Tammy Ryan has Playwright Tammy Ryan won the 2012 Francesca Primus Prize for her play Lost Boy Found in Whole Foods. She receives $10,000, a wall plaque and a chance to be celebrated at an upcoming ATCA conference.

Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman theater artist. Playwrights, artistic directors, and directors are eligible to apply.

Click to read more ...

Thursday
Jun142012

Chicago schedule, Day 3

June 15, Friday
     - 9:30AM, Chicago Shakespeare Theater, Skyline Room (6th floor), continental breakfast.
     - 10:15AM-11AM, Chicago Shakespeare Theater, welcome from artistic director Barbara Gaines and executive director Criss Henderson; presentation of Osborne and Primus awards to playwrights Darren Canady and Caridad Svich.
    
- 11AM-Noon, Chicago Shakespeare Theater, Perspectives in Criticism: Wall Street Journal critic Terry Teachout discusses The Power of Enthusiasm.
     - 1:45PM-3:15PM, “Diversity at the Top,” panel discussion, Theater Wit, 1229 W. Belmont, with artistic directors Chay Yew (Victory Gardens), Bonnie Metzgar (About Face) and Lili-Anne Brown (Bailiwick Chicago).
     - 3:30PM-5:00PM, “The Permanent Avant-Garde,” panel discussion, Theater Wit, with representatives of the Curious Theatre Branch, the Neo-Futurists and Theater Oobleck.
     - 5PM-7PM, dinner on your own at one of the many casual and modestly-priced Belmont Avenue restaurants, with Mexican, Indian, Chinese, Japanese, deep-dish pizza and American cuisines among the options … and a Vienna Pure Beef hot dog stand!
     - 7:30PM, selection of Off-Loop shows by three different theatre companies in the Theater Wit performance spaces.
     - 10PM-?, late-night options for comedy, magic and clubs.

Thursday
Jun142012

Chicago schedule, day 2 (post-'Iceman')

Day 1 featured a reception with the Commissioner of Cultural Affairs (this is not your average city government) and an Iceman Cometh marathon, just the right way to test our mettle. Here’s Day 2:

June 14, Thursday
     * Arrivals contune at conference hotels.
     * Continental breakfast and General Membership Meeting, 9AM-Noon, Tribune Tower, 435 N. Michigan Avenue, 20th Floor.
     * 1:30PM My Kind of Town (world premiere), TimeLine Theatre Co., 615 W. Wellington.
     * 5PM, Black Ensemble Cultural Center, 4450 N. Clark Street, dinner.
     * 7:30PM, The Marvin Gaye Story: Don’t Talk About My Father Because God Is My Friend, Black Ensemble Cultural Center.
     * 7:30PM, Wait, Wait, Don’t Tell Me taping, Chase Auditorium, 10 S. Dearborn Street.

Wednesday
Jun132012

Welcome to Chicago, bright and brawny!

That’s what Chicago felt like Tuesday, with or without the big shoulders, with five days of plays and old friends ahead at the 2012 ATCA annual conference.

Laura Hayes’ logo for ATCA Chicago: ATCA’s satiric image of a self-satisified critic by Daumier takes over the famous spitting Crown Fountain in Millennium Park.SCHEDULE, Day 1, Wednesday, June 13
     
* Executive Committee meets, 10AM-3PM, Club Quarters Hotel.
     * Arrivals, members and guests at Conference hotels; free time.
     * Some leisure options: 11AM-1:30PM, open rehearsal of Grant Park Symphony Orchestra, Pritzker Pavilion, Millennium Park (free); 12:15PM-1PM, Dame Myra Hess Memorial Concert (chamber music), Preston Bradley Hall, Chicago Cultural Center, 78 E. Washington St. (free).
     * 5PM-6:20PM, Opening Reception, Harris Theater Roof Garden, 205 E. Randolph Street, Millennium Park. BE PROMPT!  Hosted by Michelle T. Boone, Commissioner, City of Chicago Dept. of Cultural Affairs and Special Events; we must leave at 6:20PM for the Goodman Theatre.
     * 7PM, The Iceman Cometh, Goodman Theatre, 170 N. Dearborn Street (and yes, it gets out just before midnight!) … some of the faint of heart have chosen other options.

Friday
Jun082012

Final, updated schedule for ATCA Chicago 2012

Read the final, completed schedule below or click here to view a pdf printable version.

Click to read more ...

Sunday
May272012

More on Chicago (June 13-17); still time to register

“NATO has left the building and Chicago is still intact.” So says Jonathan Abarbanel, chair of ATCA’s Chicago conference, June 13-17. Recent schedule additions include a Soul Food dinner courtesy of brand-new $19 million Black Ensemble Cultural Center, followed by the Ensemble’s latest musical biography, “The Marvin Gaye Story.” Cultural Commissioner Michelle T. Boone hosts an opening reception in the roof garden of the Harris Theater at Millennium Park, catered by Phil Stefani & Associates, one of Chicago’s celebrated restaurateurs. And at the Water Tower Pumping Station, we’ll see Lookingglass Theatre Company in the premiere of “Eastland,” about the worst maritime disaster in Great Lakes history.

For those not yet registered, there’s still time: info here. Registered or not, read on …

Click to read more ...

Sunday
May272012

Foundation ATCA president and ' Best Plays' editor Jenkins takes on chair at U. of Illinois

Jeffrey Eric Jenkins, editor of Best Plays, Jeffrey Eric Jenkinsformer ATCA chair, president of Foundation ATCA and chair of our international committee, is the new Head of the Department of Theatre at the University of Illinois, Urbana-Champaign.

Click to read more ...

Monday
May212012

ATCA responds to S.F. Bay Area critics' concerns 

Jay Handelman, excom chair, has written member John McMullen about the recent request from eight S.F. Bay Area theaters for page view stats for online reviewers (scroll down two items for the original letter). Handelman points out that no theater owes any critic a free ticket, but that all theaters, like ATCA, share the mission “to ensure that the debate and conversation about theater continues to grow through as many critical voices as possible to stimulate readers, theaters and audiences.” For the full letter:

Click to read more ...

Monday
May212012

Meanwhile, debate elsewhere about theater reviews

We’ll have ATCA’s response to the SF Bay Area critics’ concern shortly, but in the meantime, if you need something to distract you from your daily rounds, there are these two discussions going on “Howl Round: A Journal of the Theater Commons”: “What do we actually want from a theater review” and “The Gamble of Being Reviewed.”

Saturday
May192012

S.F. Bay-area theaters target online critics

Press representatives for nine prominent San Francisco Bay-area theaters have just asked what they call “citizen journalists” (online theater critics and/or bloggers) to supply statistics on web traffic, “to demonstrate to our employers that the press passes we issue deliver a meaningful return on investment” – i.e., to help decide who should receive free reviewers’ tickets. The communication urges: “Please don’t fret about this! The report you send will not automatically qualify or disqualify you for attendance at any theater. Each of our companies retains the right to set its own policies with regard to press passes … .”

The San Francisco Bay Area Theatre Critics Circle is studying a possible response. The ATCA executive committee will have its own response very shortly. Note ATCA’s own criteria for membership, which are relevant to this debate. The letter from the press reps follows …

Click to read more ...

Wednesday
May162012

Chicago Conference adds another star, Simon Callow

Distinguished actor Simon Callow, CBE, will meet with ATCA members and guests and answer Simon Callow questions in “A Conversation with Simon Callow” on Saturday, June 16. Callow is best-known to American audiences for his film work (Amadeus, Four Weddings and a Funeral, Shakespeare in Love) and his occasional TV appearances on Doctor Who. But in England he’s known as a stage actor, director and sometimes singer who has a one-man show, Being Shakespeare, and who’s directed opera and written extensively on theatre and literary history. He will be in Chicago to perform as Beethoven in two concerts with the Chicago Symphony Orchestra. (Scroll down for Conference details.)