The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

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Member Blogroll

Nancy Bishop reviews Chicago theater for and for her own blog.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway reviews for “Theater Shelf” which runs on multiple websites and his features for multiple outlets can be found at  

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.



N.Y. Weekend Conference, Oct. 28-30, 2016: Sherry Eaker and committee have arranged panel discussions at the Lark and Don’t Tell Mama, a visit to the Players’ Club and the luminaries luncheon at Sardi’s; full info here.

San Francisco Annual Conference, June 14-18, 2017: Robert Sokol, Susan Cohn and Brad Hathaway are in full planning mode.


Critic celebrated by theater!

(If you can’t read it, it’s Rob Hurwitt, Monday, April 18.)

Chris Jones shares 2015 George Jean Nathan Award

The highest award for theater criticism (second perhaps only to the occasional Pulitzer that comes a theater critic’s way) has gone to Chris Jones, theater critic of the Chicago Tribune for 14 years and before that for Variety. He has long chaired ATCA’s recommendation for the Tony Award for regional theater, and he heads the National Critics Institute at Connecticut’s O’Neill Theatre Center. Sharing the award is Princeton professor Brian Eugenio Herrera. Past Nathan Award winners include Michael Feingold, John Lahr, Frank Rich, Elliot Norton, Robert Brustein, Hilton Als and Walter Kerr. 

*  *  *

Misha Berson steps down in Seattle

In “Miles of Aisles,” a Feb. 7 column, critic Misha Berson bid farewell to 25 years as the Seattle Times theater critic, citing an extensive honor role of turn-of-the-century theater greats who have engaged her critical eye. Read her farewell here.

Christine Dolen retires, recalls

After 36 years as theater critic at the Miami Herald, Christine Dolen recalls some of the rich history it has been an “engaging, endlessly fascinating pleasure” to chronicle. Read her farewell column here.

 * * *

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)



The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)


The 2015 Tony Award for Regional Theater went, on ATCA’s recommendation, to the veteran Cleveland Playhouse.

The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.


{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

“It is a terrible experience for a playwright to be forced by his conscience to praise critics for anything,’ O’Neill writes. “It isn’t done. It has never been done. There is something morbid and abnormal about it, something destructive to the noble tradition of what is current conduct for dramatists. In short, it gripes. Nevertheless, conscience drives me to reiterate that I think the Critics’ Circle Award is a damned fine idea.” — Eugene O’Neill, cited by Brooks Atkinson at the first NYDCC Awards, 1936.    

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.

Past Conferences

2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here. 

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes


Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past logos


Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


Pat Feldhaus retires, still singing

After 22 happy years of ATCA membership, Pat Feldhaus, who reviewed for various Northern California dailies, has retired. “Thank you for all my good times,” she says, especially ATCA conferences (including London, 1995), at which she would write and perform a song about the event. She also used her IATC card to write about plays around the world, but at 85, she finds travel difficult. “I’ve done all the things I’ve wanted to.”


Signature Theatre wins 2014 Regional Theatre Tony Award

*Added June 9: Here’s a video of Signature’s Tony Award acceptance speech, nicely including ATCA.*

The Tony Awards Administration Committee announced April 28 that the 2014 Regional Theatre Award will go to New York’s Signature Theatre, based on the recommendation of ATCA, which makes its choice through a confidential internal process of proposals and balloting. We are delighted our recommendation was accepted, as it has been every year since the award was instituted at ATCA’s suggestion in 1976. The award will be presented along with the other Tonys on June 8. Award announcement here; previous winners here. The award includes a grant of $25,000.


Chair’s ‘State of ATCA’ report

In its 40th year, ATCA is financially stable and looking to reach out to new critics. New officers elected, new programs planned, new thinking at Foundation ATCA. This fall, New York; next year, New Orleans; the year after, Moscow … uh, Philadelphia.

Click to read more ...


Winding down ATCA/Humana

With two new members, the new excom meets on the afternoon of April 5. In full view (right): Jonathan Abarbanel, Myrna Petlicki, Erin Keane.

That night, a brief appearance is made by a sheetcake honoring ATCA’s 40th birthday (born in 1974): (at the left) from left, chair Abarbanel; Osborn Prize winner Topher Payne; former chair and Foundation president Jay Handelman; Foundation board member Glenn Loney; former chair Chris Rawson.


Gunderson’s “I and You” wins 2014 Steinberg/ATCA Award, citations to Demos-Brown and Zimmerman

Louisville, KY, April 5, 2014 — ATCA has named Lauren Gunderson’s I and You recipient of the Harold and Mimi Steinberg/ATCA New Play Award, recognizing playwrights for scripts that premiered professionally outside New York City during 2013. 

Gunderson’s delicate but droll play about teenagers exploring life and death received $25,000 and a commemorative plaque at the Humana Festival of New American Plays at Actors Theatre of Louisville on April 5.

Two citations that carry $7,500 each were presented to Christopher Demos-Brown for Fear Up Harsh and Martin Zimmerman for Seven Spots on the Sun.

At $40,000, Steinberg/ATCA is the largest national new play award program recognizing regional theaters as the crucible for new plays in the United States.

Click to read more ...


ATCA takes care of business

Louisville, KY — ATCA members today selected New Orleans as the site for the 2015 national conference, next spring, to be chaired by member Alan Smason.Treanor crowns Abarbanel

The executive committee re-elected Jonathan Abarbanel chair, along with Tim Treanor vice-chair; Barbara Bannon and Kerry Reid were named secretary and treasurer.

The “convention hat,” laden with memorabilia from conferences past (including a bottle of Drama Critics Beer from the 1998 DenverAbarbanel embarasses Keane conference), which had been bestowed on Treanor at the end of the CATF conference he chaired last summer, was duly passed along to Abarbanel, chair of this conference at the Humana Festival.

He insisted it be shared with Louisville critc Erin Keane.


Theater critics honor long-time colleague, Ira J. Bilowit

ATCA today honored long-time theater critic, playwright and Ira Bilowitcitizen of the theater, Ira J. Bilowit, naming him a Member Emeritus. This doesn’t mean he’s doing any less, simply that he’s done so much, both for criticism and ATCA, and in fact he will co-chair ATCA’s weekend conference in New York this fall. (For a video interview with Ira from 2009, click here.) Ira joins other ATCA emeritii: Tish Dace, Lawrence DeVine, Marianne Evett, Welton Jones and Julius Novick. (For other, former ATCA emeritii, click here and scroll down.)


ATCA adds new leadership

Louisville, KY — Elected today to 3-years terms on theErin Keane ATCA executive committee were Erin Keane of Louisville and Lou Harry of Indianapolis. They succeed Brad Hathaway of Sausalito and Eddie Rubin of New York. Wendy Rosenfield of Philadelphia was re-elected to a second term.Lou Harry


Playwright Gunderson presents lively Perspectives in Criticism

Louisville, KY — For the first time, a playwright was invited to give the Perspectives in Criticism talk that has been aProlific playwright Lauren Gunderson feature of 33 ATCA gatherings since 1992. A few snippets of her lively remarks, engagingly delivered, which will continue to stimulate discussion throughout the conference:

“I am a playwright and you are a room full of critics and that is not awkward at all. Not at all… .
“… any review that encourages audiences to see the play for themselves is a good review to me … .
“I can tell you that more than being disliked, playwrights fear being misunderstood … .
“I can tell you that reviews of new plays are powerful forces in that play’s future … .
“I can tell you that people outside of our towns read reviews to decide whether or not they’re going to even read the play… .
“Rolling World Premieres save lives… . “

For the text of her talk, click here. For a video on HowlRound, click here.


Theater critics announce new peer-to-peer mentoring program

Louisville, KY — Tim Treanor, chair of ATCA’s professional development committee, today announced a new program Tim Treanor of D.C. Theatre Scenefor peer mentoring to the annual ATCA conference, meeting at the Humana Festival. Members will offer themselves as mentors and, after a few weeks to set up the mechanism, other members will be invited to send three pieces of work for in-depth assessment. Connections will be made by the ATCA administrator. Mentor, mentee or both may remain anonymous, as they choose. Fuller guidelines will be announced shortly.


ATCA chair Abarbanel welcomes critics, outlines challenges and opportunities

Louisville, KY — For the full text of Jonathan Abarbanel’s welcoming remarks, sketching the state of the organization and outlining the work ahead, click below.

Click to read more ...


ATCA gathers today at Humana

ATCA’s 2014 annual conference runs today through Sunday (April 2-6) at Actors Theatre of Louisville, but ATCA meetings the first two days will quickly yield to the Humana Festival of New American Plays, the premiere such festival in the country. On this, its final weekend, it attracts an audience especially thick with theater professionals. We’ll announce the Steinberg/ATCA awards on Saturday. The partying is also great. Maybe we’ll have a minute or two to post some notes along the way.


Jay Stanley, critic in Los Angeles and New Orleans

Longtime ATCA member Jay Stanley, who loved theatre, threw lavish parties for celebrity friends, broke taboos and established his own Marquee Awards, died March 8, 2014. He was 84. Click here for an obituary.


Are theater critics becoming extinct?

The proverbial DodoObviously, no, not yet. In fact, we’re proliferating on the web. (Many thoughts, here, from an international view.) But here’s a recent, articulate lament. And for many more views, scroll down, look to the right column, etc. Critics spend as much time debating what they do as doing it.


Gunderson to deliver Perspectives in Criticism talk

Playwright Lauren Gunderson will deliver the 33rd Perspectives in Criticism talk at ATCA’s annual Lauren Gundersonconference at the Humana Festival in Louisville, April 3. This is a departure for the series, inaugurated in 1992, which has never featured a playwright except on a panel in 2011. The prolific Gunderson’s “I and You” is a finalist for this year’s Steinberg/ATCA Award, to be awarded in Louisville, and was also a finalist for the Susan Smith Blackburn Prize.

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