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DTSTART;VALUE=DATE:20240503
DTEND;VALUE=DATE:20240506
DTSTAMP:20260703T191857
CREATED:20240307T204911Z
LAST-MODIFIED:20250624T140618Z
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SUMMARY:ATCA at Pacific Playwrights Festival | New Play Awards
DESCRIPTION:ATCA members are invited to join chair David John Chávez and New Play committee co-chairs Cameron Kelsall and Misha Berson for Pacific Playwrights Festival plays and award presentations in Costa Mesa\, California May 3-5\, 2024. \nThe Steinberg/ATCA New Play Award and the Osborn New Play Award will presented during the evening session on Saturday May 4. \nLaunched in 1998\, South Coast Repertory’s annual Pacific Playwrights Festival (PPF)\, part of The Lab@SCR\, is a major national showcase for new plays. The 26th festival will feature two world premiere productions and five staged readings. \nInterested ATCA members will be provided contact information to request tickets. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-at-pacific-playwrights-festival-new-play-awards/
CATEGORIES:Event
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240412
DTEND;VALUE=DATE:20240415
DTSTAMP:20260703T191857
CREATED:20240201T010936Z
LAST-MODIFIED:20250624T140617Z
UID:10000072-1712880000-1713139199@americantheatrecritics.org
SUMMARY:ATCA at the Guthrie | Shakespeare Marathon
DESCRIPTION:ATCA members are invited for a rare and wonderful opportunity to convene at the Guthrie Theater\, one of the country’s leading regional theaters\, for a theater-going Bard marathon comprised of three of his kings — Richard II\, Henry IV\, and Henry V. \nThe ATCA Minneapolis weekend begins with an evening reception Friday April 12\, 2024\, followed by a full day of theatergoing on Saturday April 13\, one of the days all three plays will be performed. Visit the theater’s website describing the history plays on offer for additional information. Sunday April 14 events may develop (stay tuned) including a Guthrie theater tour. \nWith lunch and dinner breaks\, ATCA Executive Committee chair David John Chávez and member Lou Harry will watch\, discuss\, and experience royal drama of the Shakespearean kind with ATCA members. \nATCA members will be given contact information to arrange their own single tickets or pairs of tickets to the marathon weekend shows. \nOPEN TO MEMBERS ONLY \n 
URL:https://americantheatrecritics.org/event/atca-at-the-guthrie-shakespeare-marathon/
CATEGORIES:Event
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END:VEVENT
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DTSTART;TZID=America/New_York:20231110T080000
DTEND;TZID=America/New_York:20231112T170000
DTSTAMP:20260703T191857
CREATED:20230607T221311Z
LAST-MODIFIED:20250624T140615Z
UID:10000071-1699603200-1699808400@americantheatrecritics.org
SUMMARY:ATCANY2023 | Holding the Curtain
DESCRIPTION:ATCANY2023 | Holding the Curtain \nEarly Bird $80 through November 1\, 2023. Full Price $125 November 2\, 2023 and after. \nMembers and Member Guests Only \nThe American Theatre Critics Association 2023 annual conference Holding the Curtain\, celebrating theater and theater makers in New York City\, will be held November 10-12\, 2023. \nDays are structured to allow attendees to schedule evening and matinee performances\, to be arranged by participants with press contact information provided to paid attendees. Note: contact with press representatives to be by ATCA members only and not by ATCA member guests. \nStay tuned to this page and weekly ATCA newsletter for the latest developments in the evolving agenda. \n• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • \nPRICE \n\n$80 Early Bird registration for full conference\, rate available September 26\, 2023 through November 1\, 2023 [midnight Eastern]\n$125 Full Price registration for full conference\, rate available November 2\, 2023 [12:01 am Eastern] through end of conference\n\nTickets are available via a TICKETS purchase window visible to logged in ATCA members only. If you are an ATCA member and not logged in\, please login\, access this page again (click EVENTS dropdown menu at the far right of the page\, then select CONFERENCE REGISTRATION)\, and scroll to the bottom of this page to the TICKETS purchase window where one or multiple tickets can be purchased. \n• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • \nAGENDA\n[Subject to change based on availability of invited guests.]\nPresenter Bios and Headshots [updated 2023-11-6] \nAll times are Eastern.  \nTHURSDAY | NOVEMBER 9\, 2023 \nvenue: [provided to registered attendees] \nBONUS PRE-CON SESSION: Musical conversations in color. Sean Mayes — orchestrator\, arranger\, conductor\, educator  — will join early conference arrivals for an insightful early-evening chat and preview of his new book Conversations in Color: Exploring North American Musical Theatre. \n• • • • • • • • • • • • • • • • • • • • \nFRIDAY | NOVEMBER 10\, 2023 \nvenue: Club 135 by Industrious at 135 West 50th Street\n[meeting on 2nd floor of the venue] \nLunch\, coffee\, tea\, and drinks provided. \n9:00 am PROGRAM OPENING. ATCA members meet-and-greet\, welcome\, introduction of new members\, committee chairs\, and board members\, discussion of themes of the weekend. \n10:00 am SESSION: Performing Sondheim. Panel hosted by Rick Pender\, ATCA member and author of The Stephen Sondheim Encyclopedia (2021)\, with performers Ruthie Ann Miles (The Beggar Woman) and Maria Bilbao (Joanna) from the current Broadway revival of Sweeney Todd\, and Reg Rogers (Joe Josephson) and Katie Rose Clark (Beth) in the recently opened revival of Merrily We Roll Along. \n11:15 am PERSPECTIVES IN CRITICISM. ATCA’S lecture series inaugurated with remarks by Clive Barnes in 1992 continues with culture critic and journalist Naveen Kumar\, whose outlets include The New York Times\, Variety\, and Broadway News\, and who currently serves as Associate Director of the O’Neill National Critics Institute.  ATCA chair David John Chávez hosts the conversation. \n12:30 pm BREAK: lunch chat and theater games with Lou Harry. Lunch provided. \n1:30 pm SESSION: Conversation with Charles Busch on “Leading Lady: A Memoir of a Most Unusual Boy.” Martha Wade Steketee will have a chat with playwright\, performer\, creator\, and raconteur Charles Busch about his memoir  Leading Lady: A Memoir of a Most Unusual Boy (2023). \n3:00 pm SESSION: Current State of American Regional Theaters.  Discussion moderated by Jay Handelman with American Theatre magazine editor Rob Weinert-Kendt and The New York Times theater reporter Michael Paulson. \n4:00 pm SESSION: Upright Citizens Brigade past and future. Discussion moderated by Lou Harry with the new co-artistic directors of Upright Citizens Brigade\, Iliana Inocencio\, Laura Canty-Samuel\, and Michael Hartney. The panel will discuss UCB history\, its evolution\, and challenges of improv and sketch comedy in New York City. \n• • • • • • • • • • • • • • • • • • • • \nSATURDAY | NOVEMBER 11\, 2023 \nvenue: Perelman Performing Arts Center (PAC NYC) at 251 Fulton Street\nBBC Radio news documentary PAC NYC: Creating an arts center at Ground Zero \n12:00 pm TOUR: Perelman Performing Arts Center. PAC NYC is a new home for emergent and established artists in theater\, dance\, music\, opera\, and multi-disciplinary performance from New York and the world. Check this webpage for directions to the PAC NYC via subway. Otherwise\, tell your taxi driver that you’re going to 251 Fulton Street. \n12:30 pm SESSION: Q&A with PAC NYC Leaders. Lobby discussions with either PAC NYC Artistic Director Bill Rauch or PAC NYC Executive Director Khady Kamara. \n2:00 pm PERFORMANCE: Watch Night. Matinee performance available by pre-arrangement for registered conference attendees (members must make arrangements individually with press agent). A PAC NYC World Premiere from the acclaimed artistic team of Tony Award®-winning choreographer / dancer / director / writer  Bill T. Jones (Fela!\, Spring Awakening)\, poet Marc Bamuthi Joseph (We Shall Not Be Moved)\, composer Tamar-kali (Mudbound) and dramaturg Lauren Whitehead (Between the World and Me: Onstage at the Apollo). Watch Night fuses melodies rooted in spirituals\, percussive breath and fiery opera with the urgency of slam poetry and Bill T. Jones’ dynamic staging to create an exploration of justice and forgiveness in the face of deadly rage. \n• • • • • • • • • • • • • • • • • • • • \nSUNDAY | NOVEMBER 12\, 2023 \nvenue: Audacy Sound Stage @ Hard Rock Hotel NYC at 159 West 48th Street\n[meeting on 3rd floor of the venue] \nPastries\, coffee\, tea\, and drinks provided. \n9:00 am SESSION: Second annual ATCA Edward Medina Prize for Excellence in Cultural Criticism. Gloria Oladipo will receive the ATCA Edward Medina Prize from ATCA BEID members Nate Hinkle and Elizabeth Kramer. The first annual ATCA Medina Prize recipient Brittani Samuel will hold a Q and A with the new winner. \n10:00 am SESSION: Revival and Revision in I Can Get It for You Wholesale. Classic Stage Company has opened its 2023-2024 season with I Can Get It for You Wholesale\, a musical set in 1937 and last seen in New York in 1962\, that showcases Harold Rome tunes and a book adapted by Jerome Weidman from his own novel about striking garment workers\, family and ambition\, tradition and opportunism. The panel will address musical revision\, adaptation\, and staging of this almost forgotten classic: CSC Producing Artistic Director Jill Rafson; John Weidman\, who revised his father’s book; David Chase\, who arranged and adapted the score; director Trip Cullman; and choreographer Ellenore Scott. ATCA member Martha Wade Steketee moderates. \n11:00 am SESSION: open discussion. ATCA member issues. concerns\, discussion of strategies of dealing with press agents\, other possible topics. \n1:00 pm PROGRAM CLOSING \n• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • \nIn part sponsored by:
URL:https://americantheatrecritics.org/event/atcany2023-holding-the-curtain/
CATEGORIES:Conferences,Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221111T080000
DTEND;TZID=America/New_York:20221113T130000
DTSTAMP:20260703T191857
CREATED:20220930T233116Z
LAST-MODIFIED:20250624T140613Z
UID:10000070-1668153600-1668344400@americantheatrecritics.org
SUMMARY:ATCANY2022 | Reseated and In Person
DESCRIPTION:Photo by Denise Jans via unsplash. \nAmerican Theatre Critics Association 2022 Conference:\nReseated and In Person \nEarly Bird $75 through October 31\, 2022 (midnight Eastern). Full Price $100 November 1\, 2022 and after. \nMembers and Member Guests Only \nThe American Theatre Critics Association is proud to announce its 2022 annual conference\, Reseated and In Person. \nThis will be the first time that ATCA members have convened in the same physical space since Fall 2019\, and will be the first time in ATCA conference history that the formal annual meeting will be held in New York City. (Over the years\, shorter or mini meetings have often been held in New York City\, including the most recent pre-shutdown ATCA New York meeting in November 2019.) What better location to welcome our members back to each other and to our tradition of theatrical convenings than New York City! \nATCA Executive Committee chair David John Chávez acknowledged the work of the 8-member conference planning team (Scott Bennett\, David John Chávez\, Jay Handelman\, Lou Harry\, Bill Hirschman\, Frank Rizzo\, Martha Wade Steketee\, and Maren Scriven Swensen) in a recent notice to members. “It’s been a long time since we’ve gathered in person\,” Chávez noted\, “and one of the missions of the confab this year is to return to what we all know and love but finally do it together\, in person.” \nDays are structured to allow for evening and matinee performances\, to be scheduled by participants with press contact information that will be provided to paid attendees. \nStay tuned to this page and weekly ATCA newsletter for the latest developments in the evolving agenda. \n• • • • • • • • • • • • • • • • • • • • \nPRICE \n\n$75 Early Bird registration for the full conference through October 31\, 2022 [midnight Eastern]\n$100 Full Price November 1\, 2022 [12:01 am Eastern] through end of conference\n\n• • • • • • • • • • • • • • • • • • • • \nAGENDA\n[Subject to change based on availability of invited guests.] \nPresenter Bios and Headshots \n  \nFRIDAY | NOVEMBER 11\, 2022 \nvenue: Club 135 by Industrious at 135 West 50th Street \nAll times are Eastern.  \nCoffee\, tea\, and drink provided. \n9:00 am SESSION: Visibility\, Access\, and Advocacy. Asian American Performers Action Coalition (AAPAC) co-founder\, actor\, and advocate Pun Bandhu and artist\, educator\, advocate\, and creative producer Clint Ramos will discuss with David John Chávez representation of performers\, designers\, and theater makers and changes at institutions and leaders as a result of the recent racial reckoning in the theater industry. \n10:30 am SESSION: Conversation with Jesse Green on “Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers” (2022). Martha Wade Steketee will have a chat with New York Times chief theater critic Jesse Green about his recent biography Shy: The Alarmingly Outspoken Memoirs of Mary Rodgers (2022). Green will discuss this uniquely structured memoir and the world of Mary Rodgers\, field questions from attendees\, and sign books attendees bring to the session. Books can be purchased directly from MacMillan\, from Bookshop\, or from the bookseller of your choice. \n12:00 pm BREAK: lunch chat and member updates. Lunch provided. \n1:00 pm SESSION: Pro-Shooting with BroadwayHD. Lou Harry will moderate a conversation with BroadwayHD principals Bonnie Comley and Stewart F. Lane\, and director\, actor\, producer Don Roy King. The participants will share insights into how the deals are made to video record and present Broadway shows as well as discuss the logistics of how those shows are recorded. \n2:30 pm SESSION: [programming change in progress\, update to come] \n4:00 pm PERSPECTIVES IN CRITICISM: Helen Shaw. ATCA’S lecture series inaugurated with remarks by Clive Barnes in 1992 continues with New Yorker critic Helen Shaw\, in conversation with Martha Wade Steketee. \n• • • • • • • • • • • • • • • • • • • • \nSATURDAY | NOVEMBER 12\, 2022 \nvenue: today we’re homeless by design \nNo coffee\, tea\, or other libations provided. Come ready to tour! \n9:30 am TOUR: Broadway Up Close with owner and tour guide Tim Dolan. Explore the historic Hudson Theatre where the play on stage is Arthur Miller’s Death of a Salesman. \n11:30 am TOUR: Focus Center Stage: 50 Years of the Theatre on Film and Tape Archive\,  an introduction by curator Patrick Hoffman and individual exploration of an exhibit honoring the 50th anniversary of the Theatre on Film and Tape Archive (TOFT)\, long recognized as the first and foremost collection of videorecorded live theater performances in the world. \n• • • • • • • • • • • • • • • • • • • • \nSUNDAY | NOVEMBER 13\, 2022 \nvenue: Audacy Sound Stage @ Hard Rock Hotel NYC at 159 West 48th Street \nCoffee\, tea\, and water provided. \n9:00 am SESSION: ATCA awardees for the first year of two ATCA programs. ATCA Medina Prize winner Brittani Samuel and ATCA Helbing Mentorship Program fellow Billy McEntee will be in discussion with Helbing committee chair Chris Byrne. Other ATCA project updates may be included in this session. \n10:30 am SESSION: Beyond Broadway: The Education & Enrichment of Future Artists & Audiences. Susan E. Lee\, Founder\, Broadway Education Alliance\, will moderate a conversation with John Prignano\, Chief Operating Officer and Director of Education and Development\, Music Theatre International; Amelia Belovesick\, Curriculum Development Specialist\, WPBS-TV Watertown\, NY; and Zach Stevenson\, Director of Marketing\, NETworks Presentations. The panel will reflect on transformative work being done on Broadway\, touring shows\, and through media using the arts as the core of life-long learning. \n12:00 pm SESSION: Kimberly Akimbo moves from Off Broadway at the Atlantic to Broadway at the Booth. David Lindsay-Abaire‘s book and lyrics inspired by his own play\, meet Jeanine Tesori‘s music to tell the story of a teenaged girl whose spirit is light despite an aging disease. Lindsay-Abaire and Tesori  along with two of the show’s breakout stars — Justin Cooley and  Bonnie Milligan — will discuss with Jay Handelman the transfer of this gentle musical to a big Broadway stage. \n5:00 pm TOUR: Museum of Broadway. Tour this new venue dedicated to all things Broadway before it opens to the public November 15.  Registration cut-off was cut off Thursday\, November 3 and tickets for entry were sent to those conference attendees who expressed interest in this tour. \n• • • • • • • • • • • • • • • • • • • •
URL:https://americantheatrecritics.org/event/atcany2022-reseated-and-in-person/
CATEGORIES:Conferences,Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220524T200000
DTEND;TZID=America/New_York:20220524T220000
DTSTAMP:20260703T191857
CREATED:20220504T203524Z
LAST-MODIFIED:20250624T140610Z
UID:10000069-1653422400-1653429600@americantheatrecritics.org
SUMMARY:ATCA Connects | Critical Voices in Podcasting
DESCRIPTION:Lauren Van Hemert \nAs podcasting has proliferated\, so has an array of critical voices available in programs from coast to coast. At our next ATCA Connects event\, ATCA member Elizabeth Kramer talks to three people working in podcasting about theater\, giving varied perspectives on American theater. \nLauren Van Hemert\, founder of Beltline to Broadway and an ATCA member out of Raleigh\, North Carolina hosts a podcast that focuses on community-based reporting covering theater. \nJames Marino \nJames Marino\, who founded BroadwayRadio in 2009\, is a technologist who came from the publishing industry with an affinity for theater and music to create the network. BroadwayRadio has released more than 3000 shows in the past 13 years. He previously launched BroadwayStars ATCA member Jan Simpson hosts and produces two network podcasts on BroadwayRadio\, “All the Drama” and “Stagecraft\,” and is an occasional panelist on “This Week on Broadway” on which another ATCA member\, Peter Filichia\, is a regular. \nKaveh Taherian \nKaveh Taherian\, co-founded the podcast series Musicalsplaining in 2020 out of Los Angeles\, which he now co-hosts with writer Angelina Meehan. In each episode\, the two introduce a different musical and discuss its plot\, themes\, and production. Sometimes guests\, such as popular YouTubers\, join in. Kaveh’s background is in illustration/design and film production. \nATCA Connects events are free for ATCA members to attend. Registration (purchasing a free ticket) is required. \nSuccessful ticket purchasers will receive two emails. One is the purchase receipt and will have the subject line “Your American Theatre Critics Association order is now complete” and the second with the subject line “Your ticket from American Theatre Critics Association” will include the session Zoom link. (If you do not receive the ticket email and you have purchased a free ticket\, contact webmaster Martha Wade Steketee.) \nA video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-critical-voices-in-podcasting/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220419T200000
DTEND;TZID=America/New_York:20220419T213000
DTSTAMP:20260703T191857
CREATED:20220327T211242Z
LAST-MODIFIED:20250624T140608Z
UID:10000068-1650398400-1650403800@americantheatrecritics.org
SUMMARY:ATCA Connects | A Conversation with the Goodman Theatre's Robert Falls
DESCRIPTION:Robert Falls \nThis summer\, Robert Falls will be stepping down as artistic director of the Goodman Theatre after more than three decades. We’ve got questions. Join us Tuesday April 19\, 2022 at 8pm Eastern. \nFrom his early days with Wisdom Bridge Theatre through his epic production of “2666” to his bold video/hybrid pandemic production of Adam Rapp’s “The Sound Inside\,” Falls has been a groundbreaking theater artist. Under Falls’ leadership\, the Goodman Theatre produced bold work\, opened its stages to other regional companies and created innovative development programs. \nATCA member Lou Harry will lead a conversation about the evolution of the Goodman and the challenges of taking shows to Broadway (where Falls won a Tony for his “Death of a Salesman” and directed the hit “Aida”). Attendees will gain insight into Falls’ work with legends such as Stephen Sondheim and Arthur Miller\, learn about his long-time artistic partnerships with playwright Rebecca Gilman\, actors Brian Dennehy and Stacy Keach\, and others\, and find out what’s next for one of American theater’s leading creatives. \nATCA Connects events are free for ATCA members to attend. Registration (purchasing a free ticket) is required. \nSuccessful ticket purchasers will receive two emails. One is the purchase receipt and will have the subject line “Your American Theatre Critics Association order is now complete” and the second with the subject line “Your ticket from American Theatre Critics Association” will include the session Zoom link. (If you do not receive the ticket email and you have purchased a free ticket\, contact webmaster Martha Wade Steketee.) \nA video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-a-conversation-with-the-goodman-theatres-robert-falls/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220315T200000
DTEND;TZID=America/New_York:20220315T213000
DTSTAMP:20260703T191857
CREATED:20220128T001438Z
LAST-MODIFIED:20250624T140607Z
UID:10000067-1647374400-1647379800@americantheatrecritics.org
SUMMARY:ATCA Connects | Why\, and how\, to start a newsletter as a theater critic
DESCRIPTION:Over the past few decades\, theater criticism has moved from newspapers and magazines to blogs\, social media\, video and more. This month\, our topic is newsletters. Why should you\, a theater critic\, start a newsletter? What are the tools you need to get started\, what content should go into it\, how do you find subscribers and how might it bring in revenue? \nLauren Halvorsen \nJoining us for this event will be Lauren Halvorsen (@halvorsen)\, a writer\, editor\, administrator and dramaturg from Washington\, D.C. Her newsletter\, Nothing for the Group\, was a 2021 Editor’s Pick for “Best Way to Learn About the American Theatre Industry” by the Washington City Paper. nothingforthegroup.substack.com \nKatie Buenneke (@kbuenneke) is a member of the Los Angeles Drama Critics Circle and a theater critic for Stage Raw. Her work has appeared in LA Weekly\, the Atlantic\, Paste Magazine\, Los Angeles Magazine\, the Village Voice and more. She is the creator of Theater Digest. theaterdigest.substack.com \nKatie Buenneke \nBarry Singer has written extensively about the arts for the New York Times\, the New Yorker\, New York magazine and many more. His latest book\, “Ever After: Forty Years of Musical Theater and Beyond 1977-2020\,” was published by Applause in October 2021. His newsletter is called On The Arts and Otherwise. barrysinger.substack.com \nAvid newsletter consumer and current ATCA Events chair Lindsay Christians\, arts writer for The Capital Times in Madison\, Wisconsin\, will moderate this discussion. \nBarry Singer \nThis event is free for ATCA members to attend\, but purchasing a free ticket is required. The Zoom link will be sent to registrants by return email. A video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-why-and-how-to-start-a-newsletter-as-a-theater-critic/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220215T200000
DTEND;TZID=America/New_York:20220215T213000
DTSTAMP:20260703T191857
CREATED:20220203T085300Z
LAST-MODIFIED:20250624T140605Z
UID:10000066-1644955200-1644960600@americantheatrecritics.org
SUMMARY:ATCA Connects | A conversation with playwright Paula Vogel
DESCRIPTION:Join us on Tuesday\, Feb. 15\, 2022 at 8 p.m. EST for a conversation with Pulitzer Prize-winning playwright Paula Vogel\, hosted by ATCA member Wendy Rosenfield. \nPaula Vogel \nVogel’s play “Indecent” was nominated in 2017 for an outstanding play Tony Award. Her Pulitzer Prize-winning play “How I Learned to Drive” opens on Broadway in April 2022 with the same three leading actors and director as when it premiered 25 years ago off-Broadway. \nThe pandemic pause has given Vogel the chance to work on a wave of projects\, including producing a dozen works on-line by other playwrights in the “Bard at the Gate” project for the McCarter Theatre Center in Princeton\, New Jersey. She wrote her first memoir\, “Travels Without Carl\,” based on her cross-country road trip when she visited women’s bars through the Deep South and West\, following the death of her brother from AIDS in 1988. \nShe has continued her playwriting workshops online\, including a new one for veterans. Vogel\, an acclaimed playwriting professor\, mentor and theatrical guru — with many of her students going on to earn Pulitzer Prizes and Tony Awards of their own — is also halfway through a book on the art of playwriting. \nWendy Rosenfield \nIn conversation with Vogel will be Wendy Rosenfield\, the former editor-in-chief of Broad Street Review. Rosenfield was a theater critic for the Philadelphia Inquirer from 2006-2017\, and was theater critic for the Philadelphia Weekly from 1995 to 2001. Follow her on Twitter @WendyRosenfield. \nThis event is free for ATCA members to attend\, but purchasing a free ticket is required. The Zoom link will be sent to registrants by return email. A video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-a-conversation-with-playwright-paula-vogel/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220118T200000
DTEND;TZID=America/New_York:20220118T213000
DTSTAMP:20260703T191857
CREATED:20220108T021909Z
LAST-MODIFIED:20250624T140604Z
UID:10000065-1642536000-1642541400@americantheatrecritics.org
SUMMARY:ATCA Connects | A BEID Regional Theater Case Study
DESCRIPTION:COVID afforded theaters an opportunity to pause and re-evaluate their policies\, procedures and productions. For Raleigh Little Theatre\, that meant re-examining their annual production of CINDERELLA. What happened next is a testament to what happens when you engage the community in conversation\, listen\, and commit to creating a safe space for all. It is a case study of how one theater addressed and embraced Equity\, Diversity and Inclusion\, and may provide a model for other organizations struggling to do the same. \nThis panel discussion is organized by the ATCA Belonging\, Equity\, Inclusion & Diversity Committee. RLT Executive Director Heather Strickland and Artistic Director Patrick Torres will be in conversation with LGBTQIA Advocate Candis Cox. ATCA Executive Committee member Lauren Van Hemert moderates. \nJoin us on Facebook or register to join us on Zoom for a lively discussion. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-a-beid-regional-theater-case-study/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211113T123000
DTEND;TZID=America/New_York:20211114T170000
DTSTAMP:20260703T191857
CREATED:20211018T211253Z
LAST-MODIFIED:20250624T140521Z
UID:10000064-1636806600-1636909200@americantheatrecritics.org
SUMMARY:ATCA 2021 | From Where We Sit
DESCRIPTION:Photo by Kilyan Sockalingum via unsplash. \nAmerican Theatre Critics Association 2021 Conference:\nFrom Where We Sit\n \nEarly Bird $40 through November 10 (midnight EST). Full Price $50 November 11\, 2021 and after. \nMembers Only \nThe American Theatre Critics Association is proud to announce its 2021 conference\, From Where We Sit. All sessions and meetings will be presented live on Zoom with closed captioning available. Registrants will receive one link per day for events on Saturday November 13 and Sunday November 14. And attendees who register by November 7\, 2021 will be sent a separate link for an advance screening of the new film tick\, tick…BOOM! \nThis year\, we’re focusing on perspectives — ours\, our readers’ and those of the people we write about. Sessions include a conversation with the creative team of Flying Over Sunset\, opening on Broadway December 13\, and a Perspectives in Criticism talk from former New York Magazine critic and director Sara Holdren. We’ll have panels about what’s coming to regional theaters across the country\, how to write about disability onstage\, Asian American activism in theater\, and a one-on-one with intimacy director Kaja Dunn. \nATCA 2021: From Where We Sit opens at 12:45 p.m. EST/ 9:45 a.m. PST on Saturday\, November 13. The conference is open to members only. All members\, whether registered for the conference or not\, are invited to attend the ATCA general meeting at 3 p.m. EST on Saturday. On Sunday\, November 14\, programming runs from 11 a.m. until 5 p.m. EST. \nCan’t make the whole conference? All of those who register will be given a video link to watch the Zoom at a later time. Select sessions will also be made available after the conference on the ATCA YouTube channel. \nStay tuned to this page and weekly ATCA newsletter for the latest developments. \n• • • • • • • • • • • • • • • • • • • • \nPRICE \n\n$40 Early Bird registration for the full conference\n$50 Full Price after November 10\n\n• • • • • • • • • • • • • • • • • • • • \nAGENDA \n[Subject to change based on availability of invited guests.] \nSATURDAY | NOVEMBER 13\, 2021 \nAll times are EST. Sessions will be recorded. \n12:30 PM ZOOM OPENS \n12:45 PM WELCOME: ATCA 2021\nWelcome to the American Theatre Critics’ Association’s annual gathering from ATCA executive committee chair David John Chávez. \n1:00 PM SESSION: A closer look at regional theater premieres in 2021-22. In a discussion moderated by ATCA’s David John Chávez\, we hear from theater makers around the country about how they selected their seasons. We’ll talk about programming during a pandemic\, addressing a national time of historical reflection and racial reckoning. How is American theater evolving? \nChanel Bragg\, associate artistic director\, Arizona Theatre Company\nEric Keen-Louie\, executive producer\, La Jolla Playhouse\nBlake Robison\, artistic director\, Cincinnati Playhouse\nMolly Smith\, artistic director\, Arena Stage\, Washington\, D.C.\nModerated by David John Chávez\, Bay Area Plays \n2:00 PM BREAK: Open chat \n3:00 PM ATCA GENERAL MEETING\, open to all members. Hear from ATCA committee chairs\, get updates on the state of the organization and share your big ideas at ATCA’s annual meeting. Get involved in judging new plays\, supporting belonging and diversity\, recruiting and supporting new members and/or planning events. Connect with fellow professionals\, and find new opportunities. \nKaren Topham\, chair\, Belonging\, Equity\, Diversity and Inclusion (BEID) committee\nLauren Van Hemert\, chair\, Communications\nRussell Florence and Natalie Rine\, co-chairs\, Membership\nChris Byrne\, chair\, Helbing Mentorship\nMisha Berson and Cameron Kelsall\, co-chairs\, New Play (Steinberg/ATCA & Osborn)\nKerry Reid\, chair\, Primus Prize\nJay Handelman\, president\, Foundation for ATCA\nJeffrey Eric Jenkins\, president\, International Association of Theatre Critics \n4:30 PM BREAK: Open chat \n5:30 PM Perspectives in Criticism. Sara Holdren is a director\, teacher and writer-about-theater\, originally from the Blue Ridge foothills outside of Charlottesville\, Virginia. From 2017–2019 Holdren was the theater critic for New York Magazine and Vulture.com. In 2016\, Holdren co-founded the theater company Tiltyard in Brooklyn\, and in 2019 and 2020 she served as the artistic director of Shakespeare Academy @ Stratford. Holdren is a Drama League Fellow\, a graduate of the Acting Shakespeare Program at the Royal Academy of Dramatic Art in London\, and the recipient of the 2016-2017 George Jean Nathan Award for Dramatic Criticism. She holds a B.A. in theater from Yale University and an M.F.A. in directing from Yale School of Drama. \n7 PM SCREENING: Estella Scrooge. As an end-of-the-busy-day treat\, enjoy “Estella Scrooge\,” an original direct-to-video production featuring Broadway favorites Betsy Wolfe (“Falsettos”)\, Clifton Duncan (“The Play That Goes Wrong”)\, and Lauren Patten (“Jagged Little Pill”) along with needs-no-introduction Patrick Page\, Carolee Carmello\, and Danny Burstein. Directed by John Caird (“Les Miserables”)\, “Estella Scrooge” features music by Paul Gordon (“Jane Eyre”) and lyrics by Caird and Gordon. Production provided courtesy of Broadway on Demand (Broadwayondemand.com). \n• • • • • • • • • • • • • • • • • • • • \nSUNDAY | NOVEMBER 14\, 2021 \n10:45 AM ZOOM OPENS \n11:00 AM SESSION: How this show got made featuring “Flying Over Sunset\,” an original musical opening on Broadway in December. “A beautiful beach house overlooking the Pacific with Cary Grant\, Clare Boothe Luce\, and Aldous Huxley … and they are on an acid trip. Together.” \nHarry Hadden-Paton\, actor (“Flying Over Sunset\,” “My Fair Lady”) in conversation with\nJames Lapine\, director/writer (“Sunday in the Park with George\,” “Into the Woods”)\nTom Kitt\, composer (“Next to Normal”)\nMichael Korie\, lyricist (“Grey Gardens”)\nMichelle Dorrance\, choreographer \n12:00 PM BREAK: Open chat \n1:00 PM SESSION: Combating Ableism and Inspiration Porn in our Coverage of People Living with Disabilities\, presented by the BEID committee. As theaters around the country aim to make truly inclusive art\, it is important for people writing about the theater to be aware of the way in which they write about people with disabilities. In this session\, we will discuss guidelines for writing about people living with disabilities\, including why it matters and how to avoid language that is condescending or offensive. \nEric Woodall\, producing artistic director\, North Carolina Theatre\nDavid Kurs\, artistic director\, Deaf West\nAlie B. Gorrie\, co-host and co-producer\, “ABLE: A Series”\nLauren Appelbaum\, vice president\, communications\, RespectAbility\nSusan LoTempio\, advisory board member\, National Center on Disability and Journalism\nModerated by Talleri McRae\, access contractor for JFK Center for the Performing Arts \n2:30 PM SESSION: Asian American activism in theater. Following the stories and panels of this past spring\, this panel of Asian American theater makers looks at what stories are being told\, how representation is changing and the effects of activism on current work in the theater season. \nNandita Shenoy\, actor/playwright\, New York City (“Rage Play”)\nLily Tung Crystal\, actor\, director\, and artistic director of Theater Mu\, Twin Cities\nPun Bandhu\, actor\, New York City (“Wit” on Broadway\, film “Can You Ever Forgive Me?”)\nModerated by Eric Ting\, artistic director\, Cal Shakes\, Orinda\, California \n4:00 PM SESSION: A conversation with intimacy director Kaja Dunn. ATCA excom member Amanda Finn Haggerty hosts this discussion with Kaja Dunn\, an assistant professor at the University of North Carolina-Charlotte Department of Theatre and affiliate faculty for Theatrical Intimacy Education. Dunn is an actor\, director and activist. \n5:00 PM CLOSING SEND-OFF TBD \n• • • • • • • • • • • • • • • • • • • • \nMONDAY | NOVEMBER 15\, 2021 \nCONFERENCE BONUS EVENT \n8:30 PM SCREENING: tick\, tick…BOOM! Conference attendees who have registered by Sunday\, November 7 will receive a pass to an advance screening of the new film tick\, tick…BOOM!\, directed by Lin-Manuel Miranda based on the Jonathan Larson stage musical. The film\, to be released in select theaters and Netflix November 19\, will be viewable using instructions sent to individuals who register by November 7. \ntick\, tick…BOOM! stars Academy Award nominee and Tony Award winner Andrew Garfield\, Alexandra Shipp\, Tony Award nominee Robin de Jesús\, Tony Award nominee Joshua Henry\, MJ Rodriguez\, Emmy Award winner Bradley Whitford\, Tariq Trotter\, Emmy and Tony Award winner Judith Light\, and Vanessa Hudgens. The film is written by Tony Award winner Steven Levenson (Dear Evan Hansen)\, and produced by Brian Grazer and Ron Howard for Imagine Entertainment\, Julie Oh\, and Lin-Manuel Miranda. \n• • • • • • • • • • • • • • • • • • • •
URL:https://americantheatrecritics.org/event/atca-2021-from-where-we-sit/
CATEGORIES:Conferences,Event
ORGANIZER;CN="Lindsay Christians":MAILTO:lchristians08@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210629T200000
DTEND;TZID=America/New_York:20210629T213000
DTSTAMP:20260703T191857
CREATED:20210412T221854Z
LAST-MODIFIED:20250624T140520Z
UID:10000063-1624996800-1625002200@americantheatrecritics.org
SUMMARY:ATCA Connects | Harnessing the Power of Facebook
DESCRIPTION:Organized by the Society of Professional Journalists and ATCA’s Lou Harry. \nLynn Walsh\, a trainer on behalf of the Society of Professional Journalists\, will share products and tools — including Live\, Groups and CrowdTangle — that help journalists leverage Facebook and Instagram for news gathering\, storytelling and connecting with their followers. \nWalsh is an Emmy award-winning freelance journalist who has worked in investigative\, data and TV journalism at the national level as well as locally in California\, Ohio\, Texas and Florida. Based in San Diego\, she is a past national president of the Society of Professional Journalists and the Project Manager at the Trusting News project\, where she’s helping to rebuild trust between newsrooms and the public. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-harnessing-the-power-of-facebook/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210615T190000
DTEND;TZID=America/New_York:20210615T203000
DTSTAMP:20260703T191857
CREATED:20210412T222541Z
LAST-MODIFIED:20250624T140520Z
UID:10000062-1623783600-1623789000@americantheatrecritics.org
SUMMARY:ATCA Connects | A Little Night Musings: Writing About Sondheim
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about Stephen Sondheim and the American musical on Tuesday\, June 15\, starting at 7 pm EDT / 4 pm PT. \nATCA member and past chair of the Executive Committee Rick Pender recently released The Stephen Sondheim Encyclopedia (Rowman & Littlefield). On June 15\, he’ll bring together three other respected authors to talk about the experience of writing about musicals by the greatest composer and lyricist of the past half-century. Rick’s guests will be Ted Chapin (Everything Was Possible: The Birth of the Musical Follies)\, president Rodgers & Hammerstein (a division of Imagem); Mark Eden Horowitz (Sondheim on Music: Minor Details and Major Decisions)\, senior music specialist at the Library of Congress; and Stacy Wolf (A Problem Like Maria: Gender and Sexuality in the American Musical)\, professor of theater and American Studies at Princeton University. ATCA members will be invited to ask questions following a panel discussion. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-sondheim-encyclopedia/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210525T200000
DTEND;TZID=America/New_York:20210525T213000
DTSTAMP:20260703T191857
CREATED:20210406T233526Z
LAST-MODIFIED:20250624T140519Z
UID:10000061-1621972800-1621978200@americantheatrecritics.org
SUMMARY:ATCA Connects | Online Arts Writing Beyond Page Views
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about engaging and sustaining online readers. Tuesday\, May 25\, 2021 starting at 8 pm EDT / 5 pm PT. \nIn an age where success is often measured in page views\, arts stories often struggle to find an audience of online readers. Our panelists will discuss ways to engage and sustain readers with smart writing designed for a saturated 21st century media landscape that you can adopt into your own work. \nSarasota Herald-Tribune Arts Editor and Theater Critic Jay Handelman moderates this panel with Rob Weinert-Kendt\, American Theatre magazine editor; Christopher Wynn\, Dallas Morning News Arts & Entertainment Editor; Sarah Pineda\, Engagement Producer for KQED (San Francisco); Ashley Lee\, who covers theater\, movies and television for the Los Angeles Times; and Liz Johnson\, features editor for 20 sites in the USA Today Network’s Atlantic Group\, including New Jersey’s The Record and The Asbury Park Press\, and New York’s Westchester The Journal News and Rochester Democrat & Chronicle. \nThis is the third in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events are free\, informal and geared toward working arts writers. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-online-arts-writing-beyond-page-views/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210427T200000
DTEND;TZID=America/New_York:20210427T213000
DTSTAMP:20260703T191857
CREATED:20210320T011315Z
LAST-MODIFIED:20250624T140517Z
UID:10000060-1619553600-1619559000@americantheatrecritics.org
SUMMARY:ATCA Connects | The Future of Nonprofit Arts Journalism
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about nonprofit arts journalism. Tuesday\, April 27\, 2021 starting at 8 pm EDT / 5 pm PT. \nAs arts coverage continues to dwindle in daily newspapers and mainstream media — a situation worsened by COVID-19 — is nonprofit arts journalism the future of the field? A panel of editors and administrators of nonprofit journalism outlets from around the country will discuss various and innovative models\, funding\, starting a nonprofit\, and finding board members. \nModerated by Mark Lowry\, ATCA Executive Committee member and cofounder of TheaterJones in Dallas/Fort Worth\, the panel includes: Laura Bruney\, CEO of the Arts & Business Council of Miami\, which runs Artburst Miami; Scott Freeman\, Executive Editor of ArtsATL in Atlanta; Alaina Johns\, Editor-in-Chief of Broad Street Review in Philadelphia; Christina Rees\, Editor-in-Chief of Glasstire\, a visual art journalism outlet covering the entire state of Texas; and Kerry Reid\, Theater and Dance Editor of Chicago Reader\, a longtime Chicago institution that recently became a 501(c)(3). \nThis is the second in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions about the impact and reach of your online arts criticism\, and more. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-the-future-of-nonprofit-arts-journalism/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210323T203000
DTEND;TZID=America/New_York:20210323T213000
DTSTAMP:20260703T191857
CREATED:20210227T012949Z
LAST-MODIFIED:20250624T140514Z
UID:10000059-1616531400-1616535000@americantheatrecritics.org
SUMMARY:ATCA Connects | How to Review Online Theater
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about best practices for reviewing online theater. March 23\, 2021 starting at 8:30 pm ET / 5:30 pm PT \nWhen reviewing theater online\, what main principles do you keep in mind? What should a critic consider when evaluating design elements like lighting\, costumes and sound? Given distractions at home\, how do you improve focus? What are the positives of online productions\, and how might they continue post-pandemic? \nLeading us off will be Alexis Soloski from The New York Times\, Sheri Flanders from Chicago Reader\, Bill Hirschman from Florida Theater Onstage and David John Chávez from Bay Area Plays and The Mercury News. Participation is encouraged. Come with questions and stories to share! \nThis is the first in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions about the future of nonprofit arts journalism and how to increase the impact and reach of your online arts criticism. \nJoin us on Facebook\, via Zoom following the instructions there\, or RSVP at the link below. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-seminar-how-to-review-online-theater/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210310T183000
DTEND;TZID=America/New_York:20210310T200000
DTSTAMP:20260703T191857
CREATED:20210302T192258Z
LAST-MODIFIED:20250624T140441Z
UID:10000058-1615401000-1615406400@americantheatrecritics.org
SUMMARY:ATCA EDI Seminar | Pitch Critique with The New York Times
DESCRIPTION:Join ATCA Equity\, Diversity & Inclusion committee co-chair Kelundra Smith as she speaks about pitching with The New York Times Theater Editor Scott Heller. What does it take to get a byline in the Times as a freelancer? How can you get your pitch accepted by editors in publications all over the country? \nJoin us on Facebook for this insightful and critical conversation\, hosted by ATCA’s EDI committee. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-edi-seminar-pitch-critique-with-the-new-york-times/
CATEGORIES:Event,Zoom
END:VEVENT
END:VCALENDAR