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DTSTART;TZID=America/New_York:20220419T200000
DTEND;TZID=America/New_York:20220419T213000
DTSTAMP:20250624T140608Z
CREATED:20220327T211242Z
LAST-MODIFIED:20250624T140608Z
UID:11296-1650398400-1650403800@americantheatrecritics.org
SUMMARY:ATCA Connects | A Conversation with the Goodman Theatre's Robert Falls
DESCRIPTION:Robert Falls \nThis summer\, Robert Falls will be stepping down as artistic director of the Goodman Theatre after more than three decades. We’ve got questions. Join us Tuesday April 19\, 2022 at 8pm Eastern. \nFrom his early days with Wisdom Bridge Theatre through his epic production of “2666” to his bold video/hybrid pandemic production of Adam Rapp’s “The Sound Inside\,” Falls has been a groundbreaking theater artist. Under Falls’ leadership\, the Goodman Theatre produced bold work\, opened its stages to other regional companies and created innovative development programs. \nATCA member Lou Harry will lead a conversation about the evolution of the Goodman and the challenges of taking shows to Broadway (where Falls won a Tony for his “Death of a Salesman” and directed the hit “Aida”). Attendees will gain insight into Falls’ work with legends such as Stephen Sondheim and Arthur Miller\, learn about his long-time artistic partnerships with playwright Rebecca Gilman\, actors Brian Dennehy and Stacy Keach\, and others\, and find out what’s next for one of American theater’s leading creatives. \nATCA Connects events are free for ATCA members to attend. Registration (purchasing a free ticket) is required. \nSuccessful ticket purchasers will receive two emails. One is the purchase receipt and will have the subject line “Your American Theatre Critics Association order is now complete” and the second with the subject line “Your ticket from American Theatre Critics Association” will include the session Zoom link. (If you do not receive the ticket email and you have purchased a free ticket\, contact webmaster Martha Wade Steketee.) \nA video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-a-conversation-with-the-goodman-theatres-robert-falls/
CATEGORIES:Event,Zoom
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220315T200000
DTEND;TZID=America/New_York:20220315T213000
DTSTAMP:20250624T140607Z
CREATED:20220128T001438Z
LAST-MODIFIED:20250624T140607Z
UID:11292-1647374400-1647379800@americantheatrecritics.org
SUMMARY:ATCA Connects | Why\, and how\, to start a newsletter as a theater critic
DESCRIPTION:Over the past few decades\, theater criticism has moved from newspapers and magazines to blogs\, social media\, video and more. This month\, our topic is newsletters. Why should you\, a theater critic\, start a newsletter? What are the tools you need to get started\, what content should go into it\, how do you find subscribers and how might it bring in revenue? \nLauren Halvorsen \nJoining us for this event will be Lauren Halvorsen (@halvorsen)\, a writer\, editor\, administrator and dramaturg from Washington\, D.C. Her newsletter\, Nothing for the Group\, was a 2021 Editor’s Pick for “Best Way to Learn About the American Theatre Industry” by the Washington City Paper. nothingforthegroup.substack.com \nKatie Buenneke (@kbuenneke) is a member of the Los Angeles Drama Critics Circle and a theater critic for Stage Raw. Her work has appeared in LA Weekly\, the Atlantic\, Paste Magazine\, Los Angeles Magazine\, the Village Voice and more. She is the creator of Theater Digest. theaterdigest.substack.com \nKatie Buenneke \nBarry Singer has written extensively about the arts for the New York Times\, the New Yorker\, New York magazine and many more. His latest book\, “Ever After: Forty Years of Musical Theater and Beyond 1977-2020\,” was published by Applause in October 2021. His newsletter is called On The Arts and Otherwise. barrysinger.substack.com \nAvid newsletter consumer and current ATCA Events chair Lindsay Christians\, arts writer for The Capital Times in Madison\, Wisconsin\, will moderate this discussion. \nBarry Singer \nThis event is free for ATCA members to attend\, but purchasing a free ticket is required. The Zoom link will be sent to registrants by return email. A video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-why-and-how-to-start-a-newsletter-as-a-theater-critic/
CATEGORIES:Event,Zoom
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220215T200000
DTEND;TZID=America/New_York:20220215T213000
DTSTAMP:20250624T140605Z
CREATED:20220203T085300Z
LAST-MODIFIED:20250624T140605Z
UID:11294-1644955200-1644960600@americantheatrecritics.org
SUMMARY:ATCA Connects | A conversation with playwright Paula Vogel
DESCRIPTION:Join us on Tuesday\, Feb. 15\, 2022 at 8 p.m. EST for a conversation with Pulitzer Prize-winning playwright Paula Vogel\, hosted by ATCA member Wendy Rosenfield. \nPaula Vogel \nVogel’s play “Indecent” was nominated in 2017 for an outstanding play Tony Award. Her Pulitzer Prize-winning play “How I Learned to Drive” opens on Broadway in April 2022 with the same three leading actors and director as when it premiered 25 years ago off-Broadway. \nThe pandemic pause has given Vogel the chance to work on a wave of projects\, including producing a dozen works on-line by other playwrights in the “Bard at the Gate” project for the McCarter Theatre Center in Princeton\, New Jersey. She wrote her first memoir\, “Travels Without Carl\,” based on her cross-country road trip when she visited women’s bars through the Deep South and West\, following the death of her brother from AIDS in 1988. \nShe has continued her playwriting workshops online\, including a new one for veterans. Vogel\, an acclaimed playwriting professor\, mentor and theatrical guru — with many of her students going on to earn Pulitzer Prizes and Tony Awards of their own — is also halfway through a book on the art of playwriting. \nWendy Rosenfield \nIn conversation with Vogel will be Wendy Rosenfield\, the former editor-in-chief of Broad Street Review. Rosenfield was a theater critic for the Philadelphia Inquirer from 2006-2017\, and was theater critic for the Philadelphia Weekly from 1995 to 2001. Follow her on Twitter @WendyRosenfield. \nThis event is free for ATCA members to attend\, but purchasing a free ticket is required. The Zoom link will be sent to registrants by return email. A video of the event will be posted to the ATCA YouTube channel and the ATCA Facebook page at a later date. \nOPEN TO MEMBERS ONLY
URL:https://americantheatrecritics.org/event/atca-connects-a-conversation-with-playwright-paula-vogel/
CATEGORIES:Event,Zoom
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220118T200000
DTEND;TZID=America/New_York:20220118T213000
DTSTAMP:20250624T140604Z
CREATED:20220108T021909Z
LAST-MODIFIED:20250624T140604Z
UID:11290-1642536000-1642541400@americantheatrecritics.org
SUMMARY:ATCA Connects | A BEID Regional Theater Case Study
DESCRIPTION:COVID afforded theaters an opportunity to pause and re-evaluate their policies\, procedures and productions. For Raleigh Little Theatre\, that meant re-examining their annual production of CINDERELLA. What happened next is a testament to what happens when you engage the community in conversation\, listen\, and commit to creating a safe space for all. It is a case study of how one theater addressed and embraced Equity\, Diversity and Inclusion\, and may provide a model for other organizations struggling to do the same. \nThis panel discussion is organized by the ATCA Belonging\, Equity\, Inclusion & Diversity Committee. RLT Executive Director Heather Strickland and Artistic Director Patrick Torres will be in conversation with LGBTQIA Advocate Candis Cox. ATCA Executive Committee member Lauren Van Hemert moderates. \nJoin us on Facebook or register to join us on Zoom for a lively discussion. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-a-beid-regional-theater-case-study/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211113T123000
DTEND;TZID=America/New_York:20211114T170000
DTSTAMP:20250624T140521Z
CREATED:20211018T211253Z
LAST-MODIFIED:20250624T140521Z
UID:11288-1636806600-1636909200@americantheatrecritics.org
SUMMARY:ATCA 2021 | From Where We Sit
DESCRIPTION:Photo by Kilyan Sockalingum via unsplash. \nAmerican Theatre Critics Association 2021 Conference:\nFrom Where We Sit\n \nEarly Bird $40 through November 10 (midnight EST). Full Price $50 November 11\, 2021 and after. \nMembers Only \nThe American Theatre Critics Association is proud to announce its 2021 conference\, From Where We Sit. All sessions and meetings will be presented live on Zoom with closed captioning available. Registrants will receive one link per day for events on Saturday November 13 and Sunday November 14. And attendees who register by November 7\, 2021 will be sent a separate link for an advance screening of the new film tick\, tick…BOOM! \nThis year\, we’re focusing on perspectives — ours\, our readers’ and those of the people we write about. Sessions include a conversation with the creative team of Flying Over Sunset\, opening on Broadway December 13\, and a Perspectives in Criticism talk from former New York Magazine critic and director Sara Holdren. We’ll have panels about what’s coming to regional theaters across the country\, how to write about disability onstage\, Asian American activism in theater\, and a one-on-one with intimacy director Kaja Dunn. \nATCA 2021: From Where We Sit opens at 12:45 p.m. EST/ 9:45 a.m. PST on Saturday\, November 13. The conference is open to members only. All members\, whether registered for the conference or not\, are invited to attend the ATCA general meeting at 3 p.m. EST on Saturday. On Sunday\, November 14\, programming runs from 11 a.m. until 5 p.m. EST. \nCan’t make the whole conference? All of those who register will be given a video link to watch the Zoom at a later time. Select sessions will also be made available after the conference on the ATCA YouTube channel. \nStay tuned to this page and weekly ATCA newsletter for the latest developments. \n• • • • • • • • • • • • • • • • • • • • \nPRICE \n\n$40 Early Bird registration for the full conference\n$50 Full Price after November 10\n\n• • • • • • • • • • • • • • • • • • • • \nAGENDA \n[Subject to change based on availability of invited guests.] \nSATURDAY | NOVEMBER 13\, 2021 \nAll times are EST. Sessions will be recorded. \n12:30 PM ZOOM OPENS \n12:45 PM WELCOME: ATCA 2021\nWelcome to the American Theatre Critics’ Association’s annual gathering from ATCA executive committee chair David John Chávez. \n1:00 PM SESSION: A closer look at regional theater premieres in 2021-22. In a discussion moderated by ATCA’s David John Chávez\, we hear from theater makers around the country about how they selected their seasons. We’ll talk about programming during a pandemic\, addressing a national time of historical reflection and racial reckoning. How is American theater evolving? \nChanel Bragg\, associate artistic director\, Arizona Theatre Company\nEric Keen-Louie\, executive producer\, La Jolla Playhouse\nBlake Robison\, artistic director\, Cincinnati Playhouse\nMolly Smith\, artistic director\, Arena Stage\, Washington\, D.C.\nModerated by David John Chávez\, Bay Area Plays \n2:00 PM BREAK: Open chat \n3:00 PM ATCA GENERAL MEETING\, open to all members. Hear from ATCA committee chairs\, get updates on the state of the organization and share your big ideas at ATCA’s annual meeting. Get involved in judging new plays\, supporting belonging and diversity\, recruiting and supporting new members and/or planning events. Connect with fellow professionals\, and find new opportunities. \nKaren Topham\, chair\, Belonging\, Equity\, Diversity and Inclusion (BEID) committee\nLauren Van Hemert\, chair\, Communications\nRussell Florence and Natalie Rine\, co-chairs\, Membership\nChris Byrne\, chair\, Helbing Mentorship\nMisha Berson and Cameron Kelsall\, co-chairs\, New Play (Steinberg/ATCA & Osborn)\nKerry Reid\, chair\, Primus Prize\nJay Handelman\, president\, Foundation for ATCA\nJeffrey Eric Jenkins\, president\, International Association of Theatre Critics \n4:30 PM BREAK: Open chat \n5:30 PM Perspectives in Criticism. Sara Holdren is a director\, teacher and writer-about-theater\, originally from the Blue Ridge foothills outside of Charlottesville\, Virginia. From 2017–2019 Holdren was the theater critic for New York Magazine and Vulture.com. In 2016\, Holdren co-founded the theater company Tiltyard in Brooklyn\, and in 2019 and 2020 she served as the artistic director of Shakespeare Academy @ Stratford. Holdren is a Drama League Fellow\, a graduate of the Acting Shakespeare Program at the Royal Academy of Dramatic Art in London\, and the recipient of the 2016-2017 George Jean Nathan Award for Dramatic Criticism. She holds a B.A. in theater from Yale University and an M.F.A. in directing from Yale School of Drama. \n7 PM SCREENING: Estella Scrooge. As an end-of-the-busy-day treat\, enjoy “Estella Scrooge\,” an original direct-to-video production featuring Broadway favorites Betsy Wolfe (“Falsettos”)\, Clifton Duncan (“The Play That Goes Wrong”)\, and Lauren Patten (“Jagged Little Pill”) along with needs-no-introduction Patrick Page\, Carolee Carmello\, and Danny Burstein. Directed by John Caird (“Les Miserables”)\, “Estella Scrooge” features music by Paul Gordon (“Jane Eyre”) and lyrics by Caird and Gordon. Production provided courtesy of Broadway on Demand (Broadwayondemand.com). \n• • • • • • • • • • • • • • • • • • • • \nSUNDAY | NOVEMBER 14\, 2021 \n10:45 AM ZOOM OPENS \n11:00 AM SESSION: How this show got made featuring “Flying Over Sunset\,” an original musical opening on Broadway in December. “A beautiful beach house overlooking the Pacific with Cary Grant\, Clare Boothe Luce\, and Aldous Huxley … and they are on an acid trip. Together.” \nHarry Hadden-Paton\, actor (“Flying Over Sunset\,” “My Fair Lady”) in conversation with\nJames Lapine\, director/writer (“Sunday in the Park with George\,” “Into the Woods”)\nTom Kitt\, composer (“Next to Normal”)\nMichael Korie\, lyricist (“Grey Gardens”)\nMichelle Dorrance\, choreographer \n12:00 PM BREAK: Open chat \n1:00 PM SESSION: Combating Ableism and Inspiration Porn in our Coverage of People Living with Disabilities\, presented by the BEID committee. As theaters around the country aim to make truly inclusive art\, it is important for people writing about the theater to be aware of the way in which they write about people with disabilities. In this session\, we will discuss guidelines for writing about people living with disabilities\, including why it matters and how to avoid language that is condescending or offensive. \nEric Woodall\, producing artistic director\, North Carolina Theatre\nDavid Kurs\, artistic director\, Deaf West\nAlie B. Gorrie\, co-host and co-producer\, “ABLE: A Series”\nLauren Appelbaum\, vice president\, communications\, RespectAbility\nSusan LoTempio\, advisory board member\, National Center on Disability and Journalism\nModerated by Talleri McRae\, access contractor for JFK Center for the Performing Arts \n2:30 PM SESSION: Asian American activism in theater. Following the stories and panels of this past spring\, this panel of Asian American theater makers looks at what stories are being told\, how representation is changing and the effects of activism on current work in the theater season. \nNandita Shenoy\, actor/playwright\, New York City (“Rage Play”)\nLily Tung Crystal\, actor\, director\, and artistic director of Theater Mu\, Twin Cities\nPun Bandhu\, actor\, New York City (“Wit” on Broadway\, film “Can You Ever Forgive Me?”)\nModerated by Eric Ting\, artistic director\, Cal Shakes\, Orinda\, California \n4:00 PM SESSION: A conversation with intimacy director Kaja Dunn. ATCA excom member Amanda Finn Haggerty hosts this discussion with Kaja Dunn\, an assistant professor at the University of North Carolina-Charlotte Department of Theatre and affiliate faculty for Theatrical Intimacy Education. Dunn is an actor\, director and activist. \n5:00 PM CLOSING SEND-OFF TBD \n• • • • • • • • • • • • • • • • • • • • \nMONDAY | NOVEMBER 15\, 2021 \nCONFERENCE BONUS EVENT \n8:30 PM SCREENING: tick\, tick…BOOM! Conference attendees who have registered by Sunday\, November 7 will receive a pass to an advance screening of the new film tick\, tick…BOOM!\, directed by Lin-Manuel Miranda based on the Jonathan Larson stage musical. The film\, to be released in select theaters and Netflix November 19\, will be viewable using instructions sent to individuals who register by November 7. \ntick\, tick…BOOM! stars Academy Award nominee and Tony Award winner Andrew Garfield\, Alexandra Shipp\, Tony Award nominee Robin de Jesús\, Tony Award nominee Joshua Henry\, MJ Rodriguez\, Emmy Award winner Bradley Whitford\, Tariq Trotter\, Emmy and Tony Award winner Judith Light\, and Vanessa Hudgens. The film is written by Tony Award winner Steven Levenson (Dear Evan Hansen)\, and produced by Brian Grazer and Ron Howard for Imagine Entertainment\, Julie Oh\, and Lin-Manuel Miranda. \n• • • • • • • • • • • • • • • • • • • •
URL:https://americantheatrecritics.org/event/atca-2021-from-where-we-sit/
CATEGORIES:Conferences,Event
ORGANIZER;CN="Lindsay Christians":MAILTO:lchristians08@gmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210629T200000
DTEND;TZID=America/New_York:20210629T213000
DTSTAMP:20250624T140520Z
CREATED:20210412T221854Z
LAST-MODIFIED:20250624T140520Z
UID:11286-1624996800-1625002200@americantheatrecritics.org
SUMMARY:ATCA Connects | Harnessing the Power of Facebook
DESCRIPTION:Organized by the Society of Professional Journalists and ATCA’s Lou Harry. \nLynn Walsh\, a trainer on behalf of the Society of Professional Journalists\, will share products and tools — including Live\, Groups and CrowdTangle — that help journalists leverage Facebook and Instagram for news gathering\, storytelling and connecting with their followers. \nWalsh is an Emmy award-winning freelance journalist who has worked in investigative\, data and TV journalism at the national level as well as locally in California\, Ohio\, Texas and Florida. Based in San Diego\, she is a past national president of the Society of Professional Journalists and the Project Manager at the Trusting News project\, where she’s helping to rebuild trust between newsrooms and the public. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-harnessing-the-power-of-facebook/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210615T190000
DTEND;TZID=America/New_York:20210615T203000
DTSTAMP:20250624T140520Z
CREATED:20210412T222541Z
LAST-MODIFIED:20250624T140520Z
UID:11287-1623783600-1623789000@americantheatrecritics.org
SUMMARY:ATCA Connects | A Little Night Musings: Writing About Sondheim
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about Stephen Sondheim and the American musical on Tuesday\, June 15\, starting at 7 pm EDT / 4 pm PT. \nATCA member and past chair of the Executive Committee Rick Pender recently released The Stephen Sondheim Encyclopedia (Rowman & Littlefield). On June 15\, he’ll bring together three other respected authors to talk about the experience of writing about musicals by the greatest composer and lyricist of the past half-century. Rick’s guests will be Ted Chapin (Everything Was Possible: The Birth of the Musical Follies)\, president Rodgers & Hammerstein (a division of Imagem); Mark Eden Horowitz (Sondheim on Music: Minor Details and Major Decisions)\, senior music specialist at the Library of Congress; and Stacy Wolf (A Problem Like Maria: Gender and Sexuality in the American Musical)\, professor of theater and American Studies at Princeton University. ATCA members will be invited to ask questions following a panel discussion. \nThis is part of a series of ATCA events designed to be for critics\, by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions and please get in touch if you have ideas to share! \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-sondheim-encyclopedia/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210525T200000
DTEND;TZID=America/New_York:20210525T213000
DTSTAMP:20250624T140519Z
CREATED:20210406T233526Z
LAST-MODIFIED:20250624T140519Z
UID:11285-1621972800-1621978200@americantheatrecritics.org
SUMMARY:ATCA Connects | Online Arts Writing Beyond Page Views
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about engaging and sustaining online readers. Tuesday\, May 25\, 2021 starting at 8 pm EDT / 5 pm PT. \nIn an age where success is often measured in page views\, arts stories often struggle to find an audience of online readers. Our panelists will discuss ways to engage and sustain readers with smart writing designed for a saturated 21st century media landscape that you can adopt into your own work. \nSarasota Herald-Tribune Arts Editor and Theater Critic Jay Handelman moderates this panel with Rob Weinert-Kendt\, American Theatre magazine editor; Christopher Wynn\, Dallas Morning News Arts & Entertainment Editor; Sarah Pineda\, Engagement Producer for KQED (San Francisco); Ashley Lee\, who covers theater\, movies and television for the Los Angeles Times; and Liz Johnson\, features editor for 20 sites in the USA Today Network’s Atlantic Group\, including New Jersey’s The Record and The Asbury Park Press\, and New York’s Westchester The Journal News and Rochester Democrat & Chronicle. \nThis is the third in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events are free\, informal and geared toward working arts writers. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-online-arts-writing-beyond-page-views/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210427T200000
DTEND;TZID=America/New_York:20210427T213000
DTSTAMP:20250624T140517Z
CREATED:20210320T011315Z
LAST-MODIFIED:20250624T140517Z
UID:11284-1619553600-1619559000@americantheatrecritics.org
SUMMARY:ATCA Connects | The Future of Nonprofit Arts Journalism
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about nonprofit arts journalism. Tuesday\, April 27\, 2021 starting at 8 pm EDT / 5 pm PT. \nAs arts coverage continues to dwindle in daily newspapers and mainstream media — a situation worsened by COVID-19 — is nonprofit arts journalism the future of the field? A panel of editors and administrators of nonprofit journalism outlets from around the country will discuss various and innovative models\, funding\, starting a nonprofit\, and finding board members. \nModerated by Mark Lowry\, ATCA Executive Committee member and cofounder of TheaterJones in Dallas/Fort Worth\, the panel includes: Laura Bruney\, CEO of the Arts & Business Council of Miami\, which runs Artburst Miami; Scott Freeman\, Executive Editor of ArtsATL in Atlanta; Alaina Johns\, Editor-in-Chief of Broad Street Review in Philadelphia; Christina Rees\, Editor-in-Chief of Glasstire\, a visual art journalism outlet covering the entire state of Texas; and Kerry Reid\, Theater and Dance Editor of Chicago Reader\, a longtime Chicago institution that recently became a 501(c)(3). \nThis is the second in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions about the impact and reach of your online arts criticism\, and more. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-connects-the-future-of-nonprofit-arts-journalism/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210323T203000
DTEND;TZID=America/New_York:20210323T213000
DTSTAMP:20250624T140514Z
CREATED:20210227T012949Z
LAST-MODIFIED:20250624T140514Z
UID:11282-1616531400-1616535000@americantheatrecritics.org
SUMMARY:ATCA Connects | How to Review Online Theater
DESCRIPTION:The American Theatre Critics Association’s Conference & Event committee invites you to this open discussion about best practices for reviewing online theater. March 23\, 2021 starting at 8:30 pm ET / 5:30 pm PT \nWhen reviewing theater online\, what main principles do you keep in mind? What should a critic consider when evaluating design elements like lighting\, costumes and sound? Given distractions at home\, how do you improve focus? What are the positives of online productions\, and how might they continue post-pandemic? \nLeading us off will be Alexis Soloski from The New York Times\, Sheri Flanders from Chicago Reader\, Bill Hirschman from Florida Theater Onstage and David John Chávez from Bay Area Plays and The Mercury News. Participation is encouraged. Come with questions and stories to share! \nThis is the first in a series of ATCA events designed to be both for critics and by critics. Featuring ATCA members as panelists and moderators\, these events will be free\, informal and geared toward working arts writers. Stay tuned for upcoming Tuesday night discussions about the future of nonprofit arts journalism and how to increase the impact and reach of your online arts criticism. \nJoin us on Facebook\, via Zoom following the instructions there\, or RSVP at the link below. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-seminar-how-to-review-online-theater/
CATEGORIES:Event,Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210310T183000
DTEND;TZID=America/New_York:20210310T200000
DTSTAMP:20250624T140441Z
CREATED:20210302T192258Z
LAST-MODIFIED:20250624T140441Z
UID:11283-1615401000-1615406400@americantheatrecritics.org
SUMMARY:ATCA EDI Seminar | Pitch Critique with The New York Times
DESCRIPTION:Join ATCA Equity\, Diversity & Inclusion committee co-chair Kelundra Smith as she speaks about pitching with The New York Times Theater Editor Scott Heller. What does it take to get a byline in the Times as a freelancer? How can you get your pitch accepted by editors in publications all over the country? \nJoin us on Facebook for this insightful and critical conversation\, hosted by ATCA’s EDI committee. \nOPEN TO MEMBERS AND NON-MEMBERS
URL:https://americantheatrecritics.org/event/atca-edi-seminar-pitch-critique-with-the-new-york-times/
CATEGORIES:Event,Zoom
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