Criticism in Controversy

‘Ohio critic’s tough words elicit rough reaction’

Thus the headline on John Moore’s 2006 Denver Post story on the dust up between Cleveland Plain Dealer critic Tony Brown and Cleveland Play House artistic director Michael Bloom, occasioned by the former’s review of “Rabbit Hole.” Moore writes, “The relationship between a theater critic and the community he serves...

Critic’s Notebook: My apprenticeship in the regional theater

”Regional theater wasn’t a big turn-on for me when I was a theater student in the late 1980s, early 1990s. Off-Broadway was cool; off-off-Broadway was cooler. Those subscription-based behemoths scattered around the country like giant shopping malls sounded dorky to me… . ” Charles McNulty, theater...

Commentary: new position papers

In the drop-down Commentary menu (above), a new category, Position Papers, has joined Perspectives in Criticism (the ATCA series that began in 1992) and Criticism in Controversy (newsy battles that start on the Home page before accumulating there). The newest Position Paper transcribes the Perspectives in Criticism panel...

‘The Rise of the Amateur’

Alison Croggon gave this talk on April 11 at the Judith Wright Centre of Contemporary Arts in Brisbane, Australia, as part of the Low-Fi Forum organised by Arts Queensland. You can read it in its original setting here, where you can also read and add comments. A couple of quotes: “Criticism...

A Critic’s Place, Thumb and All

“Is there a future for criticism?” asked A.O. Scott in the NYT, March 31, 2010. He began: “TWO weeks ago I went to Atlanta to give a talk at a conference devoted, in part, to ‘The Future of Criticism.’ The gist of my remarks was that there is...

Ongoing critical scuffle over ‘Spider Man’

The latest take on the ongoing war of attrition is surveyed in this Feb. 8 NY Times account of some reviews of Spidey’s ongoing previews. Previously, Leonard Jacobs had a juicy take on the “Spider Man” situation in the Jan. 17 Huffington Post (it’s rich in links). He wrote of “the anachronistic...

‘Defy the Elite!’

Thus the headline to A.O. Scott’s Jan. 16 NYT column on the death/change/whatever of criticism. Having resolved “no panels on the State or Future or Death of Criticism … no thumb suckers for the Sunday paper on the history or the essence of the critical...

Critical scuffle over ‘Spider Man’

Jan. 18 — Leonard Jacobs has a juicy take on the “Spider Man” situation in the Jan. 17 Huffington Post (it’s rich in links). He writes of “the anach-ronistic kabuki of theatre journalism,” compares protests to “dinosaurs roaring in denial about the asteroid that detonated in their feeding ground”...

David Hare: mere fact, mere fiction

In The Guardian, 17 April 2010, the playwright replied to his critics by arguing that good theater should never be confused with journalism. A few quotes: “Journalism is life with the mystery taken out. Art is life with the mystery restored.” …“If we accept the simple...

‘Will criticism survive? Does anyone care?’

Julie York Coppens: where angels fear to tread Nov. 5 — ATCA member and former membership chair Julie York Coppens, former critic at the Charlotte Observer, is now at the Educational Theatre Association as associate editor of Dramatics Magazine (aimed at young people) and Teaching Theatre Journal....