Critics respond to Humana Fest
Many ATCAns attend Humana and we use it to hand out the Steinberg/ATCA...
News
Annual meeting mailing goes out this week
The 2011 ATCA ANNUAL CONFERENCE will be at the Oregon Shakespeare Fest...
‘The Rise of the Amateur’
Alison Croggon gave this talk on April 11 at the Judith Wright Ce...
Bill Cain receives $25,000 Steinberg/ATCA New Play Award for 2011; $7,500 citations for Kathryn Grant and David Bar Katz
The American Theatre Critics Association (ATCA) has named Bill Ca...
A Critic’s Place, Thumb and All
“Is there a future for criticism?” asked A.O. Scott in t...
Cori Thomas wins 2011 Osborn Award
Cori Thomas has won ATCA’s 2011 M. Elizabeth Osborn New Play Award ...
Six Steinberg/ATCA Award finalists announced
ATCA has named six finalists for the $40,000 2011 Harold and Mimi...
The contemporary role of the critic
The Perspectives in Criticism talk at ATCA’s weekend conference in N...
“The Complete Critic’s Qualifications”
Feb. 14, 2011 — At ATCA’s recent New York weekend conference, play...
Ongoing critical scuffle over ‘Spider Man’
The latest take on the ongoing war of attrition is surveyed in th...
ATCA on Broadway (and thereabouts)
About 50 ATCA members gathered in NYC, Feb. 4-6, for a weekend confere...
Who could ask for anything more?
Before spending time with my new ATCA colleagues in New York, I was un...