Pulitzers Reject Drama Jury Choices
Following are some thoughts on the controversy, mainly from our New Plays Committee, with some reference to our Steinberg/ATCA and Osborn awards. If you want to chime in, email Chris Rawson....
Following are some thoughts on the controversy, mainly from our New Plays Committee, with some reference to our Steinberg/ATCA and Osborn awards. If you want to chime in, email Chris Rawson....
In the dustup over the Pulitzer Committee’s decision to bypass the recommendations of its Drama Panel and give the drama award to (gasp!) a musical, Tom Kitt and Brian Yorkey’s searing look at the impact of bipolar disorder on one American family, “Next To Normal,”...
Some are wondering if Charles McNulty and other Pulitzer drama panelists should resign in protest. There is precedent. But actually, the jury is reappointed afresh each year — which is not to say that certain critics haven’t reappeared on it often, especially back in the...
Mr. McNulty seems to have assessed the situation all too accurately. I am an unapologetic admirer of “Next to Normal,” but I certainly have to endorse the so-called coronation factor. I read “Chad Deity” as a recommended entry in the ATCA/Steinberg award process. While I wholeheartedly...
Actually, the foolish choices for Pulitzer for Drama go back further and are more embarrassing than Leonard suggests. In the 1931-32 season, the Pulitzer went to Of Thee I Sing over O’Neill’s Mourning Becomes Electra. By the sixties several unlikely musicals had won over significant plays (e.g., Fiorello over A Raisin...
It was brave, decent and honest of McNulty to go public. Trouble is — as McNulty knows — the history of the drama Pulitzer has long had a whiff of the ridiculous about it. Yes, I’m back to Harvey and Glass Menagerie, and that old Woolf, as in Virginia, too....