Michael Feingold: ‘Critic and Worker’
It’s a paradigm: Michael Feingold, one of the very finest American theater critics (George Jean Nathan Award, twice a Pulitzer finalist) loses his tenured (one would have thought) seat at the Village Voice and reappears with a twice-monthly column in TheatreMania — print to web, the way of the world. His pair of August columns address this very issue. Here is the first part of “The Critic, the Worker and the Business Model” (Aug. 16); here is part 2. (The announcement of Michael’s new role is here.)
Sorry, the comment form is closed at this time.