Playwright Michele Lowe Wins $10,000 Francesca Primus Prize
The Francesca Ronnie Primus Foundation and the American Theatre Critic...
News
ATCA at the O’Neill
Brooks Atkinson said the American theater started with Eugene O’Ne...
Drama Queen debates membership criteria
Springboarding off the ATCA/O’Neill panel on New Media for Critics i...
Engaging with ATCA
It’s hard to decide just which aspect of the ATCA conference was the...
Awards are a natural part of any ATCA conference
At the ATCA/O’Neill conference “All Campus” panel on “The Thea...
Rich rewards of the O’Neill
The rewards of this year’s ATCA convention based around the activiti...
ATCA membership — elite, or rank and file?
The debate about the criteria for ATCA membersip that flared (by desig...
It ain’t over
The laundry is done; now the notebook gets unpacked. I filled the bett...
Musings on O’Neill
Friday morning we visited the Monte Cristo cottage where O’Neill spe...
A hymn to Goodspeed
I review mostly dramas. As some of my ATCA colleagues know, I’ve J...
Our little friend
Saturday — This was the perfect time for the ATCA crowd to visit the...
ATCA/O’Neill echoes still to come
Monday morning — The heavens opened today, as if in copious regret t...