Playwright Sharyn Rothstein wins 2015 Primus Prize

Playwright Sharyn Rothstein wins 2015 Primus Prize

Sharyn Rothstein has won the 2015 Francesca Primus Prize for an emerging woman playwright for her By the Water, which premiered at Manhattan Theatre Club’s Stage II in Nov., 2014. ATCA adjudicates the award. Primus committee chair Barbara Bannon of Salt Lake City explained that the 2015 announcement came late because of the larger than usual number of contenders.

The six finalists for the award announced earlier, in addition to Rothstein, were Liz Duffy Adams for “A Discourse on the Wonders of the Invisible World,” Nambi Kelley for her adaptation of Richard Wright’s “Native Son,” Tira Palmquist for “Ten Mile Lake,” Yasmine Rana for “The War Zone Is My Bed” and Catherine Trieschmann for “Hot Georgia Sunday.” 

Sharyn Rothstein 

The full press release follows … . 

PLAYWRIGHT SHARYN ROTHSTEIN

WINS $10,000 FRANCESCA PRIMUS PRIZE FOR 2015

January 15, 2016—The American Theatre Critics Association (ATCA) announced today that playwright Sharyn Rothstein has been awarded the 2015 Francesca Primus Prize for her play By the Water. Jointly sponsored by ATCA and the Francesca Ronnie Primus Foundation, the Primus Prize is given annually to an emerging woman playwright. Rothstein will receive the $10,000 award check immediately and be officially congratulated at an upcoming ATCA conference.

By the Water is set in Staten Island, New York, in 2012 in the aftermath of Hurricane Sandy. Marty and Mary Murphy return to the shattered remains of their home to face a crucial question: Should they join most of the members of their working-class community in taking a government buyout and moving to higher ground or struggle to rebuild the house that has been the center of their family life for decades? Sal and Brian, their very different sons, who have their own issues, return home to help them decide, but Marty’s dogged determination to stay at any cost rekindles buried family conflicts and antagonizes his relationship with best friends and neighbors Philip and Andrea Carter as Mary tries to play the peacemaker.

Rothstein tunes in so naturally to the rhythms of family life that it feels as if the audience is eavesdropping on real conversations, and critics compared By the Water to Arthur Miller’s quintessential American dramas. Rothstein says the idea for the play sprang from one indelible image. She drove out to Staten Island after the storm to survey the areas earmarked for a buyout: “Leaving behind a community, a lifetime of memories, seemed like an enormous leap of faith and an incredibly difficult decision, but the destruction was gut wrenching. Yet, in front of one neat, clearly beloved house, a man who looked to be in his sixties was tending his lawn. With his whole neighborhood in ruins, with a majority of his neighbors already gone or figuring out how to leave, here was a man clearly standing firm. The image of him standing there amid so much loss was the genesis of my play.”

By the Water was commissioned as part of the Ars Nova/Manhattan Theatre Club Writer’s Room, a two-year development program that encourages playwrights to take risks with their work. The play received readings and a full workshop prior to its premiere production at Manhattan Theatre Club’s Stage II in November 2014, where Time Out New York called the play “a force of nature.” The play has also been published by Dramatists Play Service.

Rothstein is one of the inaugural writers selected for the Ars Nova Writer’s Room as well as an alumnus of the Ensemble Studio Theatre’s Youngblood collective and Primary Stages’ Dorothy Strelsin New American Writers Group. She has also received an Ensemble Studio Theatre/Alfred P. Sloan Foundation commission for a full-length play. Smith and Kraus published her short play, The Invested, in New Playwrights: The Best Plays of 2013. Her eclectic background includes a BA in sociology from Vassar, an MFA in dramatic writing from NYU, and a master’s degree in public health from Hunter College. In addition to playwriting, Rothstein writes for the television legal drama Suits, now in its fifth season on USA Network. Other plays include March, Camp Monster, Neglect, and For Abigail Who Drowns Men, and Emily Mann will direct Rothstein’s latest play, All the Days, which received the Edgerton Foundation New American Play Award, at the McCarter Theatre Center this spring.

Rothstein was selected from 39 award applicants by a nationwide committee of critics, chaired by Barbara Bannon (Salt Lake City, UT) and composed of Julie York Coppens (Juneau, AK), Marianne Evett (Arlington, MA), Kerry Reid (Chicago, IL), Lynn Rosen (Bellingham, WA), and Herb Simpson (Geneseo, NY).

“The Francesca Ronnie Primus Foundation was established to recognize and support emerging women artists who are making a difference in the theater community in which they work,” observed Barry Primus, the foundation administrator. Founded in 1997 in memory of actress and critic Francesca Primus, the Primus Prize was originally administered by the Denver Center Theatre Company. ATCA began overseeing the award in 2004.

ATCA is the nationwide organization of theater critics and an affiliate of the International Association of Theatre Critics. In addition to the Primus Prize, it administers two other playwriting awards: the Harold and Mimi Steinberg/ATCA New Play Award and the M. Elizabeth Osborn Award. ATCA members also recommend a regional theater for the annual Tony Award and vote on induction into the Theatre Hall of Fame.

Previous Winners of the Francesca Primus Prize

1997                       Julia Jordan, playwright, Tatjana in Color

1998                       Brooke Berman, playwright, Wonderland

1999                       Melanie Marnich, playwright, Blur

2000                      Brooke Berman, playwright, Playing House

2001                       S. M. Shepard-Massat, playwright, Some Place Soft to Fall

2002                       Alexandra Cunningham, playwright, Pavane

2004                      Lynn Nottage, playwright, Intimate Apparel

2005                      Michelle Hensley, artistic director of Ten Thousand Things Theatre Company, Minneapolis

2006                     Karen Zacarias, playwright and founder/artistic director of Young Playwrights’ Theater, Washington, DC, Mariela in the Desert

2007                      Victoria Stewart, playwright, Hardball

2008                     EM Lewis, playwright, Heads

2009                     Jamie Pachino, playwright, Splitting Infinity

2010                      Michele Lowe, playwright, Inana

2011                      Caridad Svich, playwright, The House of the Spirits

2012                      Tammy Ryan, playwright, Lost Boy Found in Whole Foods

2013                      Stefanie Zadravec, playwright, The Electric Baby

2014                      Jennifer Haley, playwright, The Nether                              

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