The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

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Member Blogroll

Nancy Bishop reviews Chicago theater for and for her own blog.

 Gail Burns in Gail Sez writes about theatre in the Berkshires of western Mass and adjacent areas of Vermont and NY.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

Mike and Laura Clark edit covering all types of theatre in Washington DC, Baltimore, and St. Louis including reviews, interviews, as well as audition and performance calendars.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Karen D’Souza writes reviews, features and blog for the San Jose Mercury News.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Randy Gener blogs on arts, culture and world theater in In the Theater of One World.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog Extreme Culture offers reviews, commentary and links, in the Gannett daily Florida Today.

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Tim Treanor  is the Senior Reviewer for DC Theatre Scene, Washington, D.C.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.


Click to Learn More & Register

NYC Mini-Meeting Nov 13-15


The 15th International Symposium of Theatre Critics and Theatre Scholars: The Critic is Present, 
or, Towards an Embodied Criticism.” NOTE: ONE WEEK TO DEADLINE.
     Fuller info here.

Sterijino Pozorje, Novi Sad / International Association of Theatre Critics (IATC) / Bitef, Belgrade. At Novi Sad (Sept. 16-18) and Belgrade, Serbia (Sept. 18-20). 

     Does the critic have a body? Is he/she present? Is his activity an embodied (performing) practice? Is he/she just a voice coming from above and spreading “the truth”? Interested colleagues are invited to send a resume of up to 500 words (in English, French or Serbian) to and by 20th June, 2015

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)



The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)

Possible 2016 annual conference in Philadelphia (TBA), Howie Shapiro, chair.



The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.


{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

More metaphors, please:
“…he falls on this succulent, puffed-up role as if it were a chocolate eclair… . This is not life imitating art. This is art going to bed with life and staying there for the rest of the afternoon. — Anthony Lane, New Yorker review of “The French Minister.”
“Now is the winter of our Discount Tents” — sign in the window of Richard III Camping Goods, somewhere in Leicester.”

“[C]riticism, which by now should have evolved from a one-sided conversation … to a full-fledged back-and-forth between audience and critic, still drags its knuckles. Over in the online sports section of my particular newspaper, the threads are lively, angry, and impassioned. In the political and local sections, they’re horrific cesspools of blatant racism and sexism that continue for pages. But here on the performing arts page, save for the occasional response from someone associated with a production that received a negative review, they’re empty.” — Wendy Rosenfield in HowlRound, Apr. 1, 2013.

Hooray for The Onion: “Continuing in its mission to support excellence across a range of artistic disciplines, the National Endowment for the Arts announced Friday a new initiative allocating $80 million to discourage no-talent hacks from engaging in creative endeavors.” Read it here.

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.

Past Conferences

2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes


Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past logos


Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


[expletive] Good Plays On Broadway and Off

NEW YORK (September 19, 2011) — Continuing a tradition that dates back to 1920, the Best Plays of 2010-2011 were announced today by editor Jeffrey Eric Jenkins. For its 92nd edition, the annual chronicle of United States theater honors 10 new works staged in New York City and three regional plays cited in the Harold and Mimi Steinberg/American Theatre Critics Association new play awards competition, and it continues its comprehensive collection of facts and figures about the year in United States theater.

The Best Plays Theater Yearbook



NEW YORK (September 19, 2011) — Continuing a tradition that dates back to 1920, when Burns Mantle founded the annual Best Plays Theater Yearbook, the Best Plays of 2010-2011 were announced today by editor Jeffrey Eric Jenkins.

For the 92nd edition, to be published by Limelight Editions, the annual chronicle of United States theater honors 10 new works. In addition to the Best Plays of 2010-2011, the volume also honors three regional plays cited in the Harold and Mimi Steinberg New Play Awards and Citations competition, which is administered by the American Theatre Critics Association. As always, the Best Plays Theater Yearbook will continue to build its ongoing theater history project with a comprehensive collection of facts and figures about the year in United States theater.

The Best Plays of 2010-2011 were chosen from Broadway, Off Broadway and Off Off Broadway productions of new plays that opened between June 1, 2010 and May 31, 2011. The choices were made by the editor after consultation with the Best Plays Theater Yearbook editorial board, which includes Misha Berson, Julie York Coppens, David Cote, Christine Dolen, Sylviane Gold, Robert Hurwitt, John Istel, Chris Jones, Charles McNulty, Julius Novick, Christopher Rawson, Alisa Solomon, Jeffrey Sweet, Anne Marie Welsh, Linda Winer and Charles Wright. Robert Brustein is consulting editor to the series.

Jenkins, who will survey the Broadway and Off Broadway season, noted that “although expletives flew with abandon in plays and musicals alike, a kind of poetry arose from the earthy language employed by playwrights. These authors asked significant questions about the nature of human experience, often providing answers filled with a heady admixture pain, profanity and pleasure.”

The editor also said he hoped to allay the anxieties of those who worry over recent challenges in publishing that have delayed publication of the series for the past year. “It will come as no surprise to anyone who has used the internet, seen a Kindle or handled an iPad,” Jenkins said, “that the economics of publishing books has shifted dramatically. With the support of our steadfast publisher, John Cerullo, and our new editorial staff, which is managed by Jennifer Ashley Tepper, we have begun to get Best Plays moving in the right direction again. Our greatest thanks, however, go to the Harold and Mimi Steinberg Charitable Trust, without which Best Plays might well cease to exist.” Other generous donors have agreed to help the series expand its reach in print, in electronic formats and on the web. More news on that front will come before the end of the year.

For the 92nd edition, George Jean Nathan Award winner Sylviane Gold will continue to explore the Off Off Broadway scene in search of highlights for her annual OOB overview. Each of the Best Plays of 2010-2011 will be celebrated in an essay to be published in The Best Plays Theater Yearbook 2010-2011. The Best Plays of 2010-2011 (in alphabetical order):

After the Revolution by Amy Herzog (essayist, Jeffrey Sweet)

Bengal Tiger at the Baghdad Zoo by Rajiv Joseph (essayist, David Barbour)

The Book of Mormon by Trey Parker, Robert Lopez and Matt Stone (essayist, Una Chaudhuri)

By the Way, Meet Vera Stark by Lynn Nottage (essayist, Elisabeth Vincentelli)

Good People by David Lindsay-Abaire (essayist, David Cote)

In the Wake by Lisa Kron (essayist, Jill Dolan)

The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures by Tony Kushner (essayist, Charles Wright)

Jerusalem by Jez Butterworth (essayist, Christopher Rawson)

The Motherf**ker With the Hat by Stephen Adly Guirgis (essayist, Jason Zinoman)

Other Desert Cities by Jon Robin Baitz (essayist, John Istel)


War Horse by Nick Stafford and Michael Morpurgo (essayist, Michael Sommers)


(Administered by the American Theatre Critics Association)

New Play Award ($25,000): 9 Circles by Bill Cain (essayist, Wm. T. Hirschman); Produced by Marin Theatre Company in Mill Valley, California

Citation ($7,500): The Good Counselor by Kathryn Grant (essayist, Peter Filichia); produced by Premiere Stages in Union, New Jersey

Citation ($7,500): The History of Invulnerability by David Bar Katz (essayist, Rick Pender); produced by Cincinnati Playhouse in the Park in Cincinnati, Ohio

CONTACT: Jeffrey Eric Jenkins, Best Plays Theater Yearbook, 718-789-9025; e-mail:; web:; Facebook: Best Plays; Twitter: @BestPlays.