This area does not yet contain any content.
Member Blogroll

Gail Burns in Gail Sez writes about theatre in the Berkshires of western Mass and adjacent areas of Vermont and NY.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

Mike and Laura Clark edit ShowBizRadio.net covering all types of theatre in Washington DC, Baltimore, and St. Louis including reviews, interviews, as well as audition and performance calendars.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Karen D’Souza writes reviews, features and blog for the San Jose Mercury News.

Randy Gener blogs on arts, culture and world theater in In the Theater of One World.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog Extreme Culture offers reviews, commentary and links, in the Gannett daily Florida Today.

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Damien Jaques writes about theatre for OnMilwaukee.com, Milwaukee.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off Broadway and independent NYC productions at The Faster Times. Find more on his Twitter, Tumblr, and Pinterest pages.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Joe and Ann Pollack write  St. Lous Eats and Drinks with Joe and Ann Pollack: food, wine, shops, travel, reading, movies and theater in St. Louis.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.

Tim Treanor  is the Senior Reviewer for DC Theatre Scene, Washington, D.C.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

Everyone’s a critic —     but only the pros get to be ATCA members.

Critics’ Circles Awards: 

 * N.Y. Drama Critics Circle, 78th awards.

* Outer Critics Circle (N.Y.) 63rd awards.

* Chicago, Jeff Awards.
* Los Angeles Drama Critic Circle, 44th Awards.
* San Francisco Bay Area Theatre Critics Circle, 2012 awards.

* Index to other regional theater awards, click here.

REVIEW round-ups:

* Chicago (23 publications)

   

ATCA’s confidential recommendation for the Regional Theater Tony Award has been conveyed to the Tony Administration Committee. Expect an announcement when the Tony nominations are announced. For background on the award, click here.

Note the picture of Francesca Primus on the page for the Primus Prize, which memorializes her. Do any ATCA members have other pictures? If so, contact Chris Rawson.

“Jobbing in artists, short rehearsals, top-down administration, black history month diversity, chatting with a guest artist on the first day of rehearsal and again at the cast party, choosing the project or playwright the Times singled out last season—these are not the same as putting our methodology where our mouth is, believing that the way we work, the structures we create, the means to fulfilling our missions are as value laden, as important, as artistic, as what lands on our stages.” — Todd London, “One for all and all for one and every man for himself,” HowlRound, 3/27/13

RFor the recent John Lahr-Charles McNulty (et al) debate, read here, with relevant links

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.



2013 ANNUAL CONFERENCE
CATF, Shepherdstown, WV
July 17-21 — Details here
Tim Treanor, Chair



2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair
 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

 

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair Playwright and critic

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals 

 

 

___________________________________________________________________________

 

Monday
Feb132012

ATCA gathers in Denver for Colorado New Play Summit

By Jay Handelman, ATCA Chair

About two dozen ATCA members and their guests gathered Feb. 10-12 at the Denver Center Theatre Company for the seventh annual Colorado New Play Summit, a weekend collection of staged readings and two world premieres. Playwrights and industry professionals mixed with critics and eager patrons who filled the various theater venues for the readings of plays that touched on everything from homeless youths (Lisa Loomer’s “Homefree) to an imaginative play about future technology that will allow us to spend eternity with our favorite memories (Michael Mitnick’s “Ed, Downloaded”).

Among those at the festival, were: front row: Barry Gaines, Barbara Bannon, Sylvie Drake, Herb Simpson, Jay Handelman, David Lefkowitz, Juliet Wittman and Bill Hirschman, and back row, Jonathan Abarbanel, Brad Hathaway, Lynn Rosen, John Angell Grant, Wendy Rosenfield, Ed Rubin, Jim Volz and Marjorie Oberlander

Richard Dresser looked at how far our realities have been warped by television in “The Hand of God”: Lauren Feldman’s “Grace, or the Art of Climbing” uses rock climbing as a metaphor for human and emotional connections.  the theater also put a lot of resources into an elaborately staged reading of Jeffrey haddow and Neal Hampton’s new “Sense & Sensibility: The Musical,” which got standing ovations from audiences and a lot of buzz at the festival.

As usual, the Denver Center staff made our members feel welcome, setting up interviews and providing plenty of sustenance for the three-show days. Sylvie Drake, a former ATCA ExCom member and Director of Publications at the center, extended Artistic Director Kent Thompson’s open invitation to ATCA for future gatherings at the summit.

The world premieres were Lisa Loomer’s controversial “Two Things You don’t Talk About at Dinner,” set at a Passover seder with an array of guests debate Middle East politics, and Samuel D. Hunter’s well-received “The Whale” about a morbidly obese man who is eating himself to death and the people in his life. Both plays had been featured as staged readings in the 2011 festival.

Philadelphia critic and Excom member Wendy Rosenfield, with her husband, Richard Weiner, kept members updated on the festival via Twitter and Facebook postings.

The weekend included a late-night Playwright Slam, with 10 authors reading brief scenes from new works in a cabaret kind of environment with popcorn and beer being served.

During the weekend, the ATCA Executive Committee met to discuss issues involving the budget and membership, which you’ll be hearing more about soon. Now we focus on plans for our annual conference in Chicago, June 13-17, with a follow-up side trip to Milwaukee. Details to be posted soon.