ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to any writer who regularly publishes substantive pieces reviewing or otherwise critically covering theater.

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Join Us on Twitter: @theatre_critics and @atca_member
Member Blogroll
David Dow Bentley III is the thepeoplescritic.com, which can also be read at the Houston Chronicle and broadwaystars.com.

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians is a full-time arts and food writer for The Capitol Times in Madison, Wis., where she has written theater reviews since 2008.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Sandi Durell is publisher, editor, and a critic at Theater Pizzazz which covers Broadway, Off-Broadway and Off-Off-Broadway theater, including openings, red carpets events, and interviews.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Aaron Krause is the editor of Theatrecriticism.com, founded by Alan Smason (Steppin’ Out, WYES-TV), which offers original theatre reviews and republishes current critical print works online.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

   

  

 

New York Weekend Conference, November 3, 4 and 5, 2017. Details.

 

For the full text of each Milestone, click on the name; for all these and previous Milestones together, CLICK HERE. They are listed in the order (latest on top) they appeared in the weekly ATCA UPDATE

ANGELICA JENSEN, Houston, lets us know the sad news that Bob Brown, her husband of thirty years, died last month, age 87.

WEI-HUAN CHEN, Houston, was just honored for coverage of Nixon in China in China.

CHARLES GIULIANO, North Adams, MA, just published Gloucester Poems: Nugents of Rockport.

RICK PENDER, Cincinnati, OH, wom first place for Best Arts/Entertainment Critique, SPJ-Greater Cincinnati.

For full text of these and previous Milestones, click here.

Do you have a Milestone to share? Member Milestones are generally for Transitions (new jobs, retirements), Achievements (awards, honors), Publications (books, TV specials) and Memorials (obituaries). Write a paragraph and send it here. Include a Twitter address in the paragraph so we can give it wider notice.


  


See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site (just [2017] handsomely redesigned) and its web journal, Critical Stages, where the current issue deals at length with Contemporary African Drama and Theatre. 

Critics in the news

New York Magazine names Sarah Holdren to the slot of theater critic vacated by Jesse Green. She’s been a freelance theater director and Artistic Director of Brooklyn-based theater company Tiltyard.

As others see us: Amanda Peet on being devastated by a NY Times review and going cold turkey on reviews thereafter, click here.

Martha Steketee’s accumulating interviews of critics for The Clyde Fitch Report (click for index).


 

The 2017 Tony Award for Regional Theater went, on ATCA’s recommendation, to the Dallas Theater Center in Texas.
 
Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

 

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

I “believe in culture as a social justice and social change project, which requires not just looking at how ‘good’ a performance is, but at what it does in the world.” — Jill S. Dolan, critic for “The Feminist Spectator” (Princeton University, Dean of the College).

“The Internet allows an avalanche of opinion for infinite sources, many of them rubbish, mean-spirited and lazy. But there’s some terrific writing out there too, and best of all there are so many new ways of reviewing.” — Frank Rizzo, 33 years as Hartford Courant critic, now writes for Variety and many more.

“You go wanting to fall in love with a production and that is so rare. I wanted to be smart and reasonable in my writing, to steer people towards the truth, and also had a lot of empathy for artists. I knew pretty soon formal criticism wasn’t for me.” — Eliza Bent, playwright and arts writer, American Theatre, TDF Stages, etc

* Previous Pull Quotes are ASSEMBLED HERE

ATCA members: Send us material for the Members’ Milestones page.

 

Past Conferences

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NYC weekend, 2016 (for reports and details, scroll down on central column)



2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

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2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past event logos

 

 

(above) Sarasota, 2009. 

 

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Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Wednesday
Feb292012

ATCA Names Six Finalists for Steinberg/ATCA New Play Award

ATCA has selected six finalists for the Harold and Mimi Steinberg/ATCA New Play Award, recognizing playwrights for the best scripts that premiered professionally outside New York City during 2011. The top award of $25,000 and two citations of $7,500 each, plus commemorative plaques, will be presented March 31 at Actors Theatre of Louisville during the Humana Festival of New American Plays. At $40,000, Steinberg/ATCA is the largest national new play award of its kind.

The six finalists are: “Annapurna,” by Sharr White (Magic Theatre, San Francisco); “Edith Can Shoot Things And Hit Them,” by A. Rey Pamatmat (Humana Festival at Actors Theatre of Louisville); “On The Spectrum,” by Ken LaZebnik (Mixed Blood Theatre in Minneapolis); “Pilgrims Musa and Sheri in the New World,” by Yussef El Guindi (ACT Repertory in Seattle); “A Twist of Water,” by Caitlin Montanye Parrish (Route 66 Theatre in Chicago); “Water By The Spoonful,” by Quiara Alegria Hudes (Hartford Stage).

FULL PRESS RELEASE:

The American Theatre Critics Association (ATCA) has selected six finalists for the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, recognizing playwrights for the best scripts that premiered professionally outside New York City during 2011.

The top award of $25,000 and two citations of $7,500 each, plus commemorative plaques, will be presented March 31 at Actors Theatre of Louisville during the Humana Festival of New American Plays. At $40,000, Steinberg/ATCA is the largest national new play award of its kind.

ATCA began in 1977 to honor new plays produced at regional theaters outside New York City, where there are many awards. No play is eligible if it has gone on to a New York production within the award year. Since 2000, the award has been generously funded by the Harold and Mimi Steinberg Charitable Trust.

The finalists:

“Annapurna,” by Sharr White, is a visceral and profound meditation on loss and the longevity of love. It reunites a mortally ill cantankerous poet who has moved to the Colorado mountains and the ex-wife he has not seen in 20 years who wants a reckoning if not a reconciliation. The play premiered in November at the Magic Theatre in San Francisco.

 “Edith Can Shoot Things And Hit Them,” by A. Rey Pamatmat, is a moving, bittersweet play that portrays an especially untraditional family made up of three young misfits: a brilliant 16-year-old and his precocious 12-year-old sister abandoned by their widowed father to raise themselves, and the brother’s lover who runs from a family unaccepting of his nascent homosexuality. Their fanciful bonding, resilience and realization of their limitations results in an uplifting and meaningful comic drama infused with empathy and wry humor. It bowed last spring in a Rolling World Premiere by Actor’s Theatre of Louisville/Humana Festival, New Theatre in Coral Gables, FL, and Actor’s Express in Atlanta.

“On The Spectrum,” by Ken LaZebnik, depicts a young man with Asperger’s Syndrome passing as “typical” after years of mainstreaming and therapy. He connects with a woman who proudly champions her autism as a difference, not a disorder. This love story reveals the contradictions between finding success as oneself and finding success on the world’s terms, and the conflict between the desire for acceptance and the desire for achievement. Among the choices: live in a fantastic world of the mind or join the more mundane society that typecasts you as your illness. The work premiered in November at Mixed Blood Theatre in Minneapolis.

“Pilgrims Musa and Sheri in the New World,” by Yussef El Guindi, is a gentle romantic comedy wrapped around a serious examination of issues facing today’s new immigrants, dilemmas that resonate for every generation’s newcomers. An Egyptian immigrant who drives a cab strikes up a romance with a quirky American-born waitress, but the clash of cultures is only the hook El Guindi uses to explore the diversity of opinions even within one ethnic group as they struggle with assimilation and a newly-minted belief in the promise of the American Dream. It premiered in June at ACT Repertory in Seattle.

 “A Twist of Water,” by Caitlin Montanye Parrish, is a sensitive drama of domestic relationships seamlessly fused with an examination of social issues. A single white father tries to come to terms with his black, adopted teenage daughter after the death of his longtime husband, the man whom the daughter considers her real Dad. When the girl seeks out her birth mother, the father’s relationship with her is pressed to the breaking point. This play speaks about forgiveness, about knowing our parents as human beings, about failing our children in spite of our every effort, about loss and love and the triumph of courage that allows us to go on with our lives. The play premiered in February at the Route 66 Theatre in Chicago.

 “Water By The Spoonful” by Quiara Alegria Hudes, was first produced in October by Hartford Stage. A soldier returns from the Iraqi war and struggles to put aside the demons that haunt him. His mother, a recovering heroin addict, battles her own demons with other recovering addicts in an Internet chat room. The boundaries of love, family and community are stretched across time, generations and cyberspace as birth families splinter and online families collide.

These six finalists were selected from 27 eligible scripts submitted by ATCA members. They were evaluated by a committee of 12 theater critics, led by chairman Wm. F. Hirschman, FloridaTheaterOnStage.com. Other committee members are Misha Berson, Seattle Times; Bruce Burgun, Bloomington Herald Times and Back Stage (Ind.); Michael Elkin, Jewish Exponent (Pa.); Pam Harbaugh, Florida Today (Melbourne); Elizabeth Keill, Independent Press (Morristown, N.J.); Jerry Kraft, aislesay.com (Port Angeles, Wash.); Julius Novick, freelancer (New York City); Wendy Parker, The Village Mill (Midlothian, Va.); David Sheward, Back Stage (New York); Herb Simpson, totaltheater.com and capitalcriticscircle.com (Geneseo, N.Y.) and Tim Treanor, DC Theater Scene (Washington, D.C.)

“Despite vanishing government support and faltering donations, America’s regional theaters have persevered and prevailed as this country’s preeminent crucible for vibrant and important new works,” said Hirschman. “The recommended plays encompass a dizzyingly wide range of styles and themes, produced by a cadre of experienced and novice playwrights who are inarguable proof that theater remains a vital and relevant art form in the 21st century.”

Since the inception of ATCA’s New Play Award, honorees have included Lanford Wilson, Marsha Norman, August Wilson, Arthur Miller, Mac Wellman, Adrienne Kennedy, Donald Margulies, Lynn Nottage, Moises Kaufman and Craig Lucas. Last year’s honoree was Bill Cain for “9 Circles.” For a full list of 35 years of winners and runners-up, go to www.americantheatrecritics.org and click on Steinberg-ATCA under Awards.

The Harold and Mimi Steinberg Charitable Trust was created in 1986 by Harold Steinberg on behalf of himself and his late wife. Pursuing its primary mission to support the American theater, it has provided grants totaling millions of dollars for new productions of American plays and educational programs for those who may not ordinarily experience live theater.