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Member Blogroll

Gail Burns in Gail Sez writes about theatre in the Berkshires of western Mass and adjacent areas of Vermont and NY.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

Mike and Laura Clark edit ShowBizRadio.net covering all types of theatre in Washington DC, Baltimore, and St. Louis including reviews, interviews, as well as audition and performance calendars.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Karen D’Souza writes reviews, features and blog for the San Jose Mercury News.

Randy Gener blogs on arts, culture and world theater in In the Theater of One World.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog Extreme Culture offers reviews, commentary and links, in the Gannett daily Florida Today.

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Damien Jaques writes about theatre for OnMilwaukee.com, Milwaukee.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off Broadway and independent NYC productions at The Faster Times. Find more on his Twitter, Tumblr, and Pinterest pages.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Joe and Ann Pollack write  St. Lous Eats and Drinks with Joe and Ann Pollack: food, wine, shops, travel, reading, movies and theater in St. Louis.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.

Tim Treanor  is the Senior Reviewer for DC Theatre Scene, Washington, D.C.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

Everyone’s a critic —     but only the pros get to be ATCA members.

Critics’ Circles: 
San Francisco Bay Area Theatre Critics Circle Awards Gala and Dance Party, May 6; nominations and details here.
 
 

ATCA’s confidential recommendation for the Regional Theater Tony Award has been conveyed to the Tony Administration Committee. Expect an announcement when the Tony nominations are announced. For background on the award, click here.

Note the picture of Francesca Primus on the page for the Primus Prize, which memorializes her. Do any ATCA members have other pictures? If so, contact Chris Rawson.

“Jobbing in artists, short rehearsals, top-down administration, black history month diversity, chatting with a guest artist on the first day of rehearsal and again at the cast party, choosing the project or playwright the Times singled out last season—these are not the same as putting our methodology where our mouth is, believing that the way we work, the structures we create, the means to fulfilling our missions are as value laden, as important, as artistic, as what lands on our stages.” — Todd London, “One for all and all for one and every man for himself,” HowlRound, 3/27/13

RFor the recent John Lahr-Charles McNulty (et al) debate, read here, with relevant links

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.



2013 ANNUAL CONFERENCE
CATF, Shepherdstown, WV
July 17-21 — Details here
Tim Treanor, Chair



2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair
 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

 

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair Playwright and critic

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals 

 

 

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Wednesday
Sep262012

Eight announced for Theater Hall of Fame, class of 2012

Andre Bishop, Betty Buckley, Christopher Durang, Michael Kahn, Trevor Nunn, Paula Vogel, Sam Waterston and the late Martin Pakledinaz form the 2012 class of the Theater Hall of Fame, announced yesterday by Hall producer, Terry Hodge Taylor. That’s a pair each of actors, directors and playwrights plus a producer and costume designer, chosen from a slate of 51 nominees by an electorate made up of the ATCA members and previously elected members of the Hall of Fame.

The 42nd annual induction ceremony will be held Jan. 28, 2013, at 7:30 PM in the North Rotunda of the Gershwin Theatre, where the names of Hall of Fame members are inscribed on the walls in raised gold letters. (For the fullest list of members, go to the Hall’s website, www.theaterhalloffame.org.)

Basic requirements for the Hall of Fame are at least five major credits (whether on Broadway or nationally) in a career of at least 25 years.

Bishop has been artistic director of Lincoln Center Theater since 1992 and before that, of Playwright Horizons. He has produced dozens of productions that have played on Broadway, including (most recently) Other Desert Cities and War Horse.

After making her 1969 Broadway debut in 1776, Buckley made her name and won a Tony as Grizabella in Cats. She earned a Tony nomination in Triumph of Love and appeared also in Carrie, Song & Dance, The Mystery of Edwin Drood, Pippin and Sunset Boulevard, sometimes as a replacement. She also starred in London in Promises, Promises and Sunset Boulevard, earning an Olivier Award nomination in the latter.

Durang is one of America’s most fertile playwrights. Only four plays have appeared on Broadway, but he is a favorite off-Broadway and across the country, especially for A History of the American Film, Beyond Therapy, Betty’s Summer Vacation and Sister Mary Ignatius Explains It All For You.

Kahn won a Tony nomination for the 1983 Show Boat and directed seven more Broadway shows, but he is being honored primarily for his more than 25 years as artistic director of the Shakespeare Theatre in Washington, D.C., and his years as head of theater at Juilliard.

Nunn won directing Tonys for Nicholas Nickleby, Cats and Les Misérables and six Tony nominations, ranging from All’s Well That Ends Well and Oklahoma! to Starlight Express, Aspects of Love, Sunset Boulevard and Not About Nightingales. His other Broadway shows include A Little Night Music, Arcadia and Chess. He was also artistic director of London’s Royal National Theatre (although English credits don’t count toward the Hall of Fame).

Playwright Vogel received a 1998 Pulitzer Prize for How I Learned to Drive and a 1992 Obie for The Baltimore Waltz. Her other works, mostly produced nationally, include And Baby Makes Seven, Hot ‘N Throbbing and Desdemona, A Play About A Handkerchief. She has also led distinguished playwriting programs at Brown and Yale.

Waterston made his Broadway debut in Oh Dad, Poor Dad (1963). Among more than a dozen other Broadway appearances, his most noted included Abe Lincoln in Illinois, A Walk in the Woods, Benefactors, Hamlet and Much Ado About Nothing.

Pakledinaz, who died earlier this year, won Tonys for his costume designs for Thoroughly Modern Millie and Kiss Me, Kate and Tony nominations for The Life, Golden Child, The Pajama Game, Gypsy, Blithe Spirit, Lend Me a Tenor, Anything Goes and Nice Work If You Can Get It, among his 35 Broadway shows.

James M. Nederlander and Marian Seldes are the Honorary Chairs. The induction ceremony will be followed by dinner at the New York Friars Club.

Last year’s inductees were actors Tyne Daly and Ben Vereen; costume designer Ann Roth; director Daniel Sullivan; producers George White, Elliot Martin and Woodie King Jr.; and, posthumously, director Paul Sills.

ATCA members Jeffrey Eric Jenkins and Jay Novick serve on the Hall of Fame nominating committee, chaired by Chris Rawson, who then tabulates and reports the final vote.