ATCA

The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

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Member Blogroll

Nancy Bishop reviews Chicago theater for gapersblock.com and for her own blog.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and davidcote.com.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway reviews for “Theater Shelf” which runs on multiple websites and his features for multiple outlets can be found at BradHathaway.com.  

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

David Lefkowitz publishes the theater website TotalTheater.com, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for www.curtainup.com. She also writes for www.Phindie.com —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and miamiartzine.com.

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at ptleader.com.

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.

 

 

N.Y. Weekend Conference, Oct. 28-30, 2016: Sherry Eaker and committee have arranged panel discussions at the Lark and Don’t Tell Mama, a visit to the Players’ Club and the luminaries luncheon at Sardi’s; full info soon.

San Francisco Annual Conference, June 14-18, 2017: Robert Sokol, Susan Cohn and Brad Hathaway are in full planning mode.

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Critic celebrated by theater!

(If you can’t read it, it’s Rob Hurwitt, Monday, April 18.)
 

Chris Jones shares 2015 George Jean Nathan Award

The highest award for theater criticism (second perhaps only to the occasional Pulitzer that comes a theater critic’s way) has gone to Chris Jones, theater critic of the Chicago Tribune for 14 years and before that for Variety. He has long chaired ATCA’s recommendation for the Tony Award for regional theater, and he heads the National Critics Institute at Connecticut’s O’Neill Theatre Center. Sharing the award is Princeton professor Brian Eugenio Herrera. Past Nathan Award winners include Michael Feingold, John Lahr, Frank Rich, Elliot Norton, Robert Brustein, Hilton Als and Walter Kerr. 

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Misha Berson steps down in Seattle

In “Miles of Aisles,” a Feb. 7 column, critic Misha Berson bid farewell to 25 years as the Seattle Times theater critic, citing an extensive honor role of turn-of-the-century theater greats who have engaged her critical eye. Read her farewell here.

Christine Dolen retires, recalls

After 36 years as theater critic at the Miami Herald, Christine Dolen recalls some of the rich history it has been an “engaging, endlessly fascinating pleasure” to chronicle. Read her farewell column here.


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See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)

 

 

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The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)

 


The 2015 Tony Award for Regional Theater went, on ATCA’s recommendation, to the veteran Cleveland Playhouse.

The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.

 

{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

As if he foresaw a future of blogging:
“No man but a blockhead ever wrote, except for money.” — Samuel Johnson, quoted in Boswell’s Life 

Why do it?
“Ultimately, our responsibility is not to the emotional well being of a specific artist.  Our responsibility is to the reader, the art form and our work. In so doing, I believe, we pay the artist respect. Our honesty and standards are an argument that the art they make matters.” — Jason Zinoman, at ATCA/CATF, 2013

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.


Past Conferences

2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here. 

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2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs

 

2015 New Orleans Conference 
Alan Smason, chair 

 

2014 Weekend Conference
New York City
 

2014 ANNUAL CONFERENCE
Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.


2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

2013 WEEKEND CONFERENCE
Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair
 

2012 ANNUAL CONFERENCE

Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes

 

Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

2012 WEEKEND MEETING
Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

2011 ANNUAL CONFERENCE
Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

2010 ANNUAL CONFERENCE
Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals

 

 

Past logos


 

Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two

Wednesday
Sep262012

Eight announced for Theater Hall of Fame, class of 2012

Andre Bishop, Betty Buckley, Christopher Durang, Michael Kahn, Trevor Nunn, Paula Vogel, Sam Waterston and the late Martin Pakledinaz form the 2012 class of the Theater Hall of Fame, announced yesterday by Hall producer, Terry Hodge Taylor. That’s a pair each of actors, directors and playwrights plus a producer and costume designer, chosen from a slate of 51 nominees by an electorate made up of the ATCA members and previously elected members of the Hall of Fame.

The 42nd annual induction ceremony will be held Jan. 28, 2013, at 7:30 PM in the North Rotunda of the Gershwin Theatre, where the names of Hall of Fame members are inscribed on the walls in raised gold letters. (For the fullest list of members, go to the Hall’s website, www.theaterhalloffame.org.)

Basic requirements for the Hall of Fame are at least five major credits (whether on Broadway or nationally) in a career of at least 25 years.

Bishop has been artistic director of Lincoln Center Theater since 1992 and before that, of Playwright Horizons. He has produced dozens of productions that have played on Broadway, including (most recently) Other Desert Cities and War Horse.

After making her 1969 Broadway debut in 1776, Buckley made her name and won a Tony as Grizabella in Cats. She earned a Tony nomination in Triumph of Love and appeared also in Carrie, Song & Dance, The Mystery of Edwin Drood, Pippin and Sunset Boulevard, sometimes as a replacement. She also starred in London in Promises, Promises and Sunset Boulevard, earning an Olivier Award nomination in the latter.

Durang is one of America’s most fertile playwrights. Only four plays have appeared on Broadway, but he is a favorite off-Broadway and across the country, especially for A History of the American Film, Beyond Therapy, Betty’s Summer Vacation and Sister Mary Ignatius Explains It All For You.

Kahn won a Tony nomination for the 1983 Show Boat and directed seven more Broadway shows, but he is being honored primarily for his more than 25 years as artistic director of the Shakespeare Theatre in Washington, D.C., and his years as head of theater at Juilliard.

Nunn won directing Tonys for Nicholas Nickleby, Cats and Les Misérables and six Tony nominations, ranging from All’s Well That Ends Well and Oklahoma! to Starlight Express, Aspects of Love, Sunset Boulevard and Not About Nightingales. His other Broadway shows include A Little Night Music, Arcadia and Chess. He was also artistic director of London’s Royal National Theatre (although English credits don’t count toward the Hall of Fame).

Playwright Vogel received a 1998 Pulitzer Prize for How I Learned to Drive and a 1992 Obie for The Baltimore Waltz. Her other works, mostly produced nationally, include And Baby Makes Seven, Hot ‘N Throbbing and Desdemona, A Play About A Handkerchief. She has also led distinguished playwriting programs at Brown and Yale.

Waterston made his Broadway debut in Oh Dad, Poor Dad (1963). Among more than a dozen other Broadway appearances, his most noted included Abe Lincoln in Illinois, A Walk in the Woods, Benefactors, Hamlet and Much Ado About Nothing.

Pakledinaz, who died earlier this year, won Tonys for his costume designs for Thoroughly Modern Millie and Kiss Me, Kate and Tony nominations for The Life, Golden Child, The Pajama Game, Gypsy, Blithe Spirit, Lend Me a Tenor, Anything Goes and Nice Work If You Can Get It, among his 35 Broadway shows.

James M. Nederlander and Marian Seldes are the Honorary Chairs. The induction ceremony will be followed by dinner at the New York Friars Club.

Last year’s inductees were actors Tyne Daly and Ben Vereen; costume designer Ann Roth; director Daniel Sullivan; producers George White, Elliot Martin and Woodie King Jr.; and, posthumously, director Paul Sills.

ATCA members Jeffrey Eric Jenkins and Jay Novick serve on the Hall of Fame nominating committee, chaired by Chris Rawson, who then tabulates and reports the final vote.