The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

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Member Blogroll

Nancy Bishop reviews Chicago theater for and for her own blog.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway reviews for “Theater Shelf” which runs on multiple websites and his features for multiple outlets can be found at  

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

David Lefkowitz publishes the theater website, co-publishes the theater journal Performing Arts Insider, and reviews on his weekly radio show, Dave’s Gone By.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.



N.Y. Weekend Conference, Oct. 28-30, 2016: Sherry Eaker and committee have arranged panel discussions at the Lark and Don’t Tell Mama, a visit to the Players’ Club and the luminaries luncheon at Sardi’s; full info here.

San Francisco Annual Conference, June 14-18, 2017: Robert Sokol, Susan Cohn and Brad Hathaway are in full planning mode.


Critic celebrated by theater!

(If you can’t read it, it’s Rob Hurwitt, Monday, April 18.)

Chris Jones shares 2015 George Jean Nathan Award

The highest award for theater criticism (second perhaps only to the occasional Pulitzer that comes a theater critic’s way) has gone to Chris Jones, theater critic of the Chicago Tribune for 14 years and before that for Variety. He has long chaired ATCA’s recommendation for the Tony Award for regional theater, and he heads the National Critics Institute at Connecticut’s O’Neill Theatre Center. Sharing the award is Princeton professor Brian Eugenio Herrera. Past Nathan Award winners include Michael Feingold, John Lahr, Frank Rich, Elliot Norton, Robert Brustein, Hilton Als and Walter Kerr. 

*  *  *

Misha Berson steps down in Seattle

In “Miles of Aisles,” a Feb. 7 column, critic Misha Berson bid farewell to 25 years as the Seattle Times theater critic, citing an extensive honor role of turn-of-the-century theater greats who have engaged her critical eye. Read her farewell here.

Christine Dolen retires, recalls

After 36 years as theater critic at the Miami Herald, Christine Dolen recalls some of the rich history it has been an “engaging, endlessly fascinating pleasure” to chronicle. Read her farewell column here.

 * * *

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)



The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)


The 2015 Tony Award for Regional Theater went, on ATCA’s recommendation, to the veteran Cleveland Playhouse.

The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.


{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

“It is a terrible experience for a playwright to be forced by his conscience to praise critics for anything,’ O’Neill writes. “It isn’t done. It has never been done. There is something morbid and abnormal about it, something destructive to the noble tradition of what is current conduct for dramatists. In short, it gripes. Nevertheless, conscience drives me to reiterate that I think the Critics’ Circle Award is a damned fine idea.” — Eugene O’Neill, cited by Brooks Atkinson at the first NYDCC Awards, 1936.    

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.

Past Conferences

2016 annual conference in Philadelphia, April 6-10. Some coverage: day one, day two, day three-A, day three-B, day four, day five. Full schedule here. 

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes


Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past logos


Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


Criticism is free speech

“In reference to the recent Wooster Group/Harold Pinter situation in Los Angeles and scattered reports of troubling Harold Pinter (1930-2008): What would he say?analogs around the country, the American Theatre Critics Association strongly reaffirms our bedrock tenet that arts criticism is journalism,” stated Wm. F. Hirschman, chair, ATCA executive committee.

“Therefore, the decision to review a production to which the public is invited with admission charged is at the discretion and judgment of journalists and their editors.

“Most of our members respect requests not to review a workshop production or one still (within limits) in previews. We also recognize that under any and all circumstances, it is the unquestioned right of a production to refuse to give complimentary tickets.

“But we do not recognize the right of any group, including the licensing company, author or estate, to restrict coverage of a public event.

“There is a separate recent report of a company given rights to a classic, frequently-produced play. But the company reportedly had been told by the playwright or his representative that it not only must ban reviews, but that the company would be fined if the production were reviewed. The demand has since been rescinded but remains troubling. First, this is objectionable behavior that tries to restrict not only artistic freedom of expression, but also freedom of the press. Second, it is foolish in its futility in this cyber world in which anyone’s opinion can go viral seconds after the curtain goes down.”

ATCA was founded in 1974 and works to raise critical standards and public awareness of critics’ functions and responsibilities. The only national association of professional theater critics, with members working for newspapers, magazines, radio and television stations and websites, ATCA is affiliated with the International Association of Theatre Critics, a UNESCO-affiliated organization that sponsors seminars and congresses worldwide.

ATCA administers the Harold and Mimi Steinberg/ATCA New Play Award, the Francesca Primus Prize honoring an emerging female theater artist, and the M. Elizabeth Osborn Award for a previously unrecognized playwright; recommends a theater for the Regional Theater Tony Award; and votes on inductions into the Theater Hall of Fame.

For more information on ATCA or this issue, visit or contact chairman Wm. F. Hirschman at