The American Theatre Critics Association, Inc. is the only national association of professional theatre critics. Our members work for newspapers, magazines, radio, television, and on-line services across the United States. Membership is open to all who review theatre professionally, regularly and with substance for print, electronic or digital media.

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Member Blogroll

Nancy Bishop reviews Chicago theater for and for her own blog.

Lindsay Christians writes theatre reviews at 77 Square; also arts blog On the Aisle; The Capital Times and Wisconsin State Journal, Madison.

David Cote blogs, reports on theater and reviews Broadway, Off and Off-Off productions for Time Out New York and

Christine Dolen writes a theater critic’s notes in Drama Queen; and Miami Herald reviews and previews.

Harry Duke covers theatre throughout the San Francisco Bay Area. His essays and reviews can be found on the For All Events website and in the Sonoma County Gazette.

Michael Grossberg  writes on theater, comedy and the arts in Theater Talk, for the Columbus Dispatch.

Melissa Hall writes theatre reviews for the blog Stage Write. She mainly attends Indianapolis events, but also covers other Midwestern venues when possible.

Jay Handelman writes  News, reviews and opinion for the Sarasota Herald Tribune.

 Pam Harbaugh’s blog, Brevard Culture, offers reviews, commentary and links in arts and culture primarily for residents of Brevard County and the Orlando area.   

Lou Harry  writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal.

Brad Hathaway’s “Theater Shelf: CDs, DVDs and Books for the Theater Lover” runs on multiple websites each week. You can find the latest column here: BradHathaway.Com

Bill Hirschman is editor, chief critic and reporter for Florida Theater On Stage.

Chris Jones writes reviews, interviews and commentary for Theater Loop at the Chicago Tribune.

Jack Lyons covers the theatre scene for the Desert Local News. Jack is based in Desert Hot Springs and covers the entire Coachella Valley and the rest of Southern California including select productions in Los Angeles, Pasadena, and San Diego.

Katherine Luck writes news and reviews of theatre in Seattle, Portland, and around the Puget Sound at Pacific NW Theatre.

Jonathan Mandell reviews Broadway, Off-Broadway and independent theater productions, and covers theater for a variety of publications, including Playbill and American Theatre Magazine.  He blogs at New York Theater and Tweets as @NewYorkTheater.

Andrew McGibbon writes Theatre Opinion, News and Information in TheAndyGram, based in NYC.

Kathryn Osenlund reviews Philadelphia theater productions and some New York theater festivals for She also writes for —independent coverage of Philadelphia and arts, and tweets as @theatrendorphin.

Rick Pender edits   The Sondheim Review, a quarterly dedicated to the musical theatre’s foremost composer and lyricist.

Christopher Rawson contributes to OnStage Journal and OnStage podcasts and reviews in the Pittsburgh Post-Gazette.

Wendy Rosenfield covers drama, onstage and off, in Drama Queen and the Philadelphia Inquirer

Michelle F. Solomon is a critic, reviewing professional theater and professional touring productions, for Florida Theater On Stage and

Martha Wade Steketee writes reviews, interviews, and commentary on Broadway, Off Broadway, regional theatre, and film for Urban Excavations in New York City.
Steve Treacy is the primary theatre critic for The Port Townsend Leader. Find his reviews of Pacific Northwest shows at

Lauren Yarger  reviews Broadway and OB for Reflections in the Light and reports on pro theatre and arts in Connecticut Arts Connection.



Chris Jones shares 2015 George Jean Nathan Award

The highest award for theater criticism (second perhaps only to the occasional Pulitzer that comes a theater critic’s way) has gone to Chris Jones, theater critic of the Chicago Tribune for 14 years and before that for Variety. He has long chaired ATCA’s recommendation for the Tony Award for regional theater, and he heads the National Critics Institute at Connecticut’s O’Neill Theatre Center. Sharing the award is Princeton professor Brian Eugenio Herrera for his 2015 book Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. Past Nathan Award winners include Michael Feingold, John Lahr, Frank Rich, Elliot Norton, Robert Brustein, Alisa Solomon, Hilton Als and Walter Kerr. 

*  *  *

Christine Dolen retires, recalls

After 36 years as theater critic at the Miami Herald, Christine Dolen recalls some of the rich history it has been an “engaging, endlessly fascinating pleasure” to chronicle. Read her farewell column here.

 * * *

See ATCA International for news of the International Association of Theatre Critics from the ATCA members who represent us there. See also the IATC’s own site and its web journal, Critical Stages (Oct. 2014)



The Clyde Fitch Report 
interviews critics (mainly ATCA members): Misha BersonTerry Teachout; Peter MarksLauren Yarger; Wendy Rosenfield 

HowlRound criticism archive: NYT surveys response to critics, Jason Zinoman on the happy masochism of critics, etc.

Wendy Rosenfield, “Diversity Onstage: A Critical Issue” (Broad Street Review, Feb. 19, 2014)

ATCA’s 2016 annual conference is slated for Philadelphia, April 6-10, 2016. The host hotel is the Marriott Courtyard on Juniper Street, across from City Hall, at $149 a night. Five productions and maybe six! … and much more; details soon.


The 2015 Tony Award for Regional Theater went, on ATCA’s recommendation, to the veteran Cleveland Playhouse.

The 2014 Tony Award for Regional Theater went, on ATCA’s recommendation, to New York’s Signature Theatre — the first time the award has gone to a NYC theater. 

Elsewhere (off)site: for the website of the Drama section of the (British) Critics’ Circle, click here.


{For collected Pull Quotes going back to July, 2012, CLICK HERE.} 

As if he foresaw a future of blogging:
“No man but a blockhead ever wrote, except for money.” — Samuel Johnson, quoted in Boswell’s Life 

Why do it?
“Ultimately, our responsibility is not to the emotional well being of a specific artist.  Our responsibility is to the reader, the art form and our work. In so doing, I believe, we pay the artist respect. Our honesty and standards are an argument that the art they make matters.” — Jason Zinoman, at ATCA/CATF, 2013

* Previous Pull Quotes are ASSEMBLED HERE. 

ATCA members: Send us material for the Members’ Milestones page.

Past Conferences

2015 NYC Weekend Conference
Sherry Eaker & Ira Bilowit, chairs


2015 New Orleans Conference 
Alan Smason, chair 


2014 Weekend Conference
New York City

Humana Festival, Actors Theater of Louisville, April 2-6
; chair, Jonathan Abarbanel.

2013 ANNUAL CONFERENCE, CATF, Shepherdstown, WV, July 17-21 — Details here; Tim Treanor, Chair

Logo by Tim Menees after Honore Daumier

Indianapolis, Indiana
March 21-24, 2013
Lou Harry, Chair


Chicago, June 13-17, 2012
Jonathan Abarbanel, Chair
See ATCA BLOG for short takes


Milwaukee Add-On
Anne Siegel, Chair
June 17-20, 2012

Colorado New Play Summit
Denver Center Theatre Company, Feb 10-12, 2012

Ashland, Oregon July 6-10, 2011
Chris Rawson, Chair 

Logo by Tim Menees after Honore Daumier

Eugene O’Neill Theater Center, Waterford, Conn.
Chris Rawson, Chair 

Playwright and critic

Playwright and two critics

Check out: ATCA Blog — scroll back for accounts of ATCA/Ashland, ATCA/O’Neill, more on the Pulitzer controversy, also from Humana and Denver festivals



Past logos


Fun ‘n Games

Honest-to-Goodness Theater Geek Trivia Contest, Florida Theatre On Stage, Bill Hirschman, ed. (includes links to answers)

Round One.
Round Two


Criticism is free speech

“In reference to the recent Wooster Group/Harold Pinter situation in Los Angeles and scattered reports of troubling Harold Pinter (1930-2008): What would he say?analogs around the country, the American Theatre Critics Association strongly reaffirms our bedrock tenet that arts criticism is journalism,” stated Wm. F. Hirschman, chair, ATCA executive committee.

“Therefore, the decision to review a production to which the public is invited with admission charged is at the discretion and judgment of journalists and their editors.

For the full statement … 

Click to read more ...


Registration now open for Philadelphia conference, April 6-10

(Note ATCA’s Daumier critic as the clapper of the Liberty Bell — painful, perhaps, but a pretty good metaphor for criticism!)It took a while to get the bells and whistles aligned (tuned?), but you can now get aboard the Philly express. Why wait? Click here! to see what’s on the agenda, and then sign up.


Playwright Sharyn Rothstein wins $10,000 Primus Prize

Sharyn Rothstein has won the 2015 Francesca Primus Prize for an emerging woman playwright for her By the Water, which premiered at Manhattan Theatre Club’s Stage II in Nov., 2014. ATCA adjudicates the award. Primus Playwright Sharyn Rothsteincommittee chair Barbara Bannon of Salt Lake City explained that the 2015 announcement came late because of the larger than usual number of contenders.

The six finalists for the award announced earlier, in addition to Rothstein, were Liz Duffy Adams for “A Discourse on the Wonders of the Invisible World,” Nambi Kelley for her adaptation of Richard Wright’s “Native Son,” Tira Palmquist for “Ten Mile Lake,” Yasmine Rana for “The War Zone Is My Bed” and Catherine Trieschmann for “Hot Georgia Sunday.” 

The full press release follows … . 

Click to read more ...


NYPL short-term research fellowships for scholar-critics

The New York Public Library offers 2016-17 short term research fellowships to those from outside the NY metropolitan area conducting on-site research in the Library’s special collections. Fellowship stipends are $1,000 per week for two to four weeks; apply by Jan. 31. More info here; also click here for info about NYPL research resources; click here for the Library for the Performing Arts.


Six finalists for 2015 Primus Prize

November 30 — The six finalists for the 2015 Francesca Primus Prize are Liz Duffy Adams for “A Discourse on the Wonders of the Invisible World,” Nambi Kelley for her adaptation of Richard Wright’s “Native Son,” Tira Palmquist for “Ten Mile Lake,” Yasmine Rana for “The War Zone Is My Bed,” Sharyn Rothstein for “By the Water,” and Catherine Trieschmann for “Hot Georgia Sunday.”

The Primus Prize is an annual award of $10,000 to an emerging woman playwright, jointly sponsored by the American Theatre Critics Association and the Francesca Ronnie Primus Foundation.
Click here for a full press release. [link temporarily broken — we’re working on it]
Click here for the history of the award and a list of winners going back to its founding in 1997. 

The winner will be announced Dec. 31.


ATCA on the move: a comprehensive report

Coming out of productive meetings in New York and drawing on much work beforehand, excom chair Bill Hirschman has a lot to announce: proposals on ATCA’s membership and governance; sharing the NY conference via video; volunteers for international meetings; nominations  for the Steinberg/ATCA and Osborn Awards; Primus Prize finalists; “Philadelphia, here we come” (April 6-10); Elections supervisor?; membership directory; speaking out; Excom vacancies … . All this follows.

Click to read more ...


2015 Theater Hall of Fame induction

ATCA voted … and a few months later, a lovely time was had by all. Read an account of the Nov. 16 induction ceremony by clicking here.


Snapshots from NY 

(Go to our FB page for pictures of some panels.)

Three new ATCAns: Kathryn Kitt (Bedford, NY), Kitty Drexel (Somerville, Mass.), Naomi Orwin (Philadelphia) 

Five old ATCAns: Bill Gale (Providence), Jonathan Abarbanel (Chicago), Claudia Harris (Orem, Utah), Anne Siegel (Greenfield, Wisc.), Chris Rawson (Pittsburgh)

ATCAns greeted by Sheery Eaker, Ira Bilowitz (hidden) and excom chair Bill Hirschman.


ATCA meets today in NYC

Today (Thursday) the excom meets, and tomorrow the rest, with a full day of panels and discussions. (Schedule here; doubtless there have been changes.) The Sardi’s with the Stars luncheon follows on Saturday and there’s many a play to see… . If one of us has time amid the hurlyburly, we’ll post some updates.


ATCA condemns the selling of press comps

A Seattle critic for the Huffington Post recently advertised his extra press comps for sale to women willing to accompany him. (Howard Sherman has the basic facts.) That’s risible enough, and it may even have been a joke (he advertisedMystery miscreant them at half face value, and most press comps have zero face value), but amused contempt and thundering denunciation have been his lot. Now ATCA has issued a statement, beginning, in part:

“[ATCA] is incensed that a Seattle theater critic for The Huffington Post has offered for sale on Craigslist his second free ticket to events that he was covering.

“’To be very clear, the writer is not a member of our organization,’ said Wm. F. Hirschman, chairman of ATCA’s executive committee. ‘But, nonetheless, we want to stress that our code of conduct specifically forbids taking advantage of the generosity of theaters’ decades-old practice of providing a second ticket to reviewers.’ … 

“Chairman of ATCA’s Committee on Ethical Standards Victor Gluck wrote, ‘The ultimate problem with reviewers selling their complimentary tickets is that it casts an ethical pall over the entire critical community.’”

For the full ATCA statement, click here.


You can still register for NYC conference, Nov. 13-15

Use this link or the one in the right-hand column.


McNulty on why we do what we (should) do

Sometimes we post essays about criticism in the right-hand column. But this piece by Charles McNulty for the LA Times earrents the front page. 

Nowadays, he says, “criticism isn’t always readily distinguishable from the salesmanship and hype that haveCharles McNulty corrupted not just our politics but the arts, education and even healthcare.” … “Reviews written at an assembly-line rate aren’t going to have much room for contemplation. One symptom of the relentless pace is the lazy sprawl of plot summaries.” … “Verdicts must be delivered, but they shouldn’t be the ‘point’ of a review any more than an interpretive statement should be the point of a work of art.” … “[Report cards] make for dull reading… . Good prose ignores protocols… . Criticism is fundamentally — and defiantly — an act of writing.” … “Convincing an audience why [theater] should matter to them, and to a culture increasingly enthralled by its own superficiality, seems to me not a bad way of spending a working life.” He even quotes Northrop Frye!

Kerfuffles past: Similar issues were raised two years ago in the critical dust-up between McNulty and John Lahr, summarized here, with links.


"Major frolicking"--Ben Franklin

Or something like that (Ben knew how to have a good time). He was doubtless thinking of ATCA’s 2016 annual conference, slated for Philadelphia, April 6-10, 2016. The host hotel is the Marriott Courtyard on Juniper Street, across from City Hall, at $149 a night. Five productions and maybe six! … and much more; details soon.

But before that, we convene in New York for the annual weekend conference, Nov. 13-15 (detail in the right-hand column — or scroll down to the Daumier critic at Sardi’s).


Nine named to 2015 class of Theatre Hall of Fame 

The 2015 class of the Theatre Hall of Fame, chosen by ATCA members and current members of the Hall, includes composer-lyricist team Lynn Ahrens and Stephen Flaherty, lighting designer Ken Billington, publicist Merle Debuskey, director Robert Falls, actor Stacy Keach, playwright Tony Kushner, director-designer Julie Taymor and the late actor-director Roger Rees. Their induction will be celebrated Nov. 16 at the Gershwin Theatre, where names of Hall members are mounted in the upper lobbies in letters of gold. Producing the induction is Terry Hodge Taylor. For further information: Playbill; Hall of FamePittsburgh Post-Gazette; ATCA archive of Hall inductions.  


Just weeks to ATCA in NYC


Panelists: Sheryl Kaller, Arthur Kopit, David Lindsay-Abaire, Lisa McNulty, Marsha Norman, Susan H. Schulman, Caridad Svich, Doug Wright, and our Sardi’s luncheon celebrities.

Chairs Sherry Eaker and Ira Bilowit invite all ATCA members to a longstanding tradition, the NYC Fall weekend conference.

Friday, Nov. 13 through Sunday, Nov. 15

Early bird deadline is Oct. 15. Registration for members and their guests is $135 for the seminars and the Sardi’s luncheon; it will be $80 without the Sardi’s luncheon. Cost after Oct. 15 is $10 more. Note that guests are the same price as members this year.

Hotel and theatre ticket arrangements are on your own.

See the event page for details.